A native of the Kansas City Area, award-winning composer and saxophone artist, Chris Burnett began his prolific professional start at the age of 18 years old while performing, touring and recording with Army bands from 1974-1996. His 22-year career with noteworthy professional military music organizations provided vast legitimate educational... [+] Read More

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An excellent altoist who gained recognition for his work with Roy Hargrove, Antonio Hart studied classical saxophone at the Baltimore School for the Arts for four years. He sat in with Art Blakey's Jazz Messengers, toured with Hargrove for a few years, and in the mid-'90s formed his own group. Hart, who is most influenced by Cannonball Adderley... [+] Read More

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In the '60s, when John Coltrane and Ornette Coleman were defining the concept of a jazz avant-garde, few knowledgeable observers would have guessed that in another 30 years the music's mainstream would virtually bypass their innovations, in favor of the hard bop style that free jazz had apparently supplanted. As it turned out, many listeners who... [+] Read More

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One of the "Young Lions" of the late '80s, altoist Christopher Hollyday created a big stir when he appeared on the scene, but maintained a surprisingly low profile after the early '90s. He started playing alto when he was nine, developed quickly, and was playing in clubs when he was 14, the year when he recorded his first album on his own... [+] Read More

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Dominic Amato was born into a family of musicians. His father is a saxophonist, his mother a multi instrumentalist, and his brother a vocal artist. Given his musical upbringing, it may come as little surprise that Dominic began experimenting with musical instruments from a very young age. In fact, no sooner had he celebrated his second birthday... [+] Read More

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A talented post-bop altoist with a personal, angular style, Donald Harrison came to fame with Art Blakey's Jazz Messengers but has not become a major name in jazz despite his talent. He studied at the New Orleans Center for the Creative Arts with Ellis Marsalis, went to Berklee (1979-1980), worked with Roy Haynes and Jack McDuff, and was with... [+] Read More

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Post-bop saxophonist Greg Osby was born April 3, 1960 in St. Louis, playing in a series of R&B, funk, and blues units throughout his teen years before attending Howard University. Upon graduating from the Berkley School of Music, he settled in New York City and went on to play behind Jack DeJohnette, Andrew Hill, Herbie Hancock, and Muhal... [+] Read More

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M-Base founder, composer, and alto saxophonist Steve Coleman hails from Chicago. His earliest years were spent playing in R&B and funk bands in emulation of his first hero, Maceo Parker. Coleman had heard all the greats in his hometown and changed his focus from R&B to jazz precipitating his move to New York. He gigged with the Thad Jones-Mel... [+] Read More

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One of the most hyped jazz groups of the late '80s, the Harper Brothers (co-led by drummer Winard Harper and trumpeter Philip Harper) symbolized what was right and wrong about the "Young Lions" movement. The musicianship in this hard bop unit was excellent and the young players respected their elders, but strong originality was lacking (they... [+] Read More

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It was only fitting that Vincent Herring gained his first important recognition playing with Nat Adderley, for his sound is strongly influenced by his idol, Cannonball Adderley. Born in Kentucky and raised in California, Herring moved to New York in 1983, and played with a variety of major musicians (including Lionel Hampton, David Murray,... [+] Read More

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