Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. Her astonishing run of late-'60s hits with Atlantic Records -- "Respect," "I Never Loved a Man," "Chain of Fools," "Baby I Love You," "I Say a Little Prayer," "Think," "The... [+] Read More

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Although his songs were covered by the Beatles, the Rolling Stones, and Elvis Presley, country-soul pioneer Arthur Alexander remains largely unknown to the general listening audience -- nevertheless, his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries. Born May 10, 1940, in... [+] Read More

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A pop-soul vocalist in the vein of Dionne Warwick or Brenda Holloway, Barbara Acklin is best known for her R&B/pop hit "Love Makes a Woman" from the summer of 1968. The only child of Herman and Hazel Acklin, Barbara Jean Acklin was born February 28, 1943, in Oakland, CA; in 1948, the family moved to Chicago, IL. Like many great soul singers,... [+] Read More

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As the house band at Stax Records in Memphis, Booker T. & the MG's may have been the single greatest factor in the lasting value of that label's soul music -- not to mention Southern soul as a whole. Their tight, impeccable grooves can be heard on classic hits by Otis Redding, Wilson Pickett, Carla Thomas, Albert King, and Sam & Dave, just to... [+] Read More

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Jimmy Hughes established producer Rick Hall's fledgling Fame studio as an R&B mecca with his 1964 blues ballad "Steal Away." The ex-gospel singer hooked up with Hall in 1962 but it wasn't until the explosive "Steal Away" was issued on the Fame label that his career took off. With an intense, crying vocal style that was perfect for deep soul... [+] Read More

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Perhaps no act epitomized soul music as the secularization of gospel more than Sam & Dave. The original pairing of Sam Moore and Dave Prater met in Florida in 1961, and they recorded unsuccessfully for several years before being signed to Atlantic Records in 1965. Atlantic persuaded their Memphis affiliate Stax Records to produce them, and in... [+] Read More

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While Solomon Burke never made a major impact upon the pop audience -- he never, in fact, had a Top 20 hit -- he was an important early soul pioneer. On his '60s singles for Atlantic, he brought a country influence into R&B with emotional phrasing and intricately constructed, melodic ballads and mid-tempo songs. At the same time, he was... [+] Read More

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One of the few vocal groups on the Stax roster during the '60s, the Mad Lads' doo wop-influenced harmonies were more akin to what you might find in Philadelphia soul acts than those of their native Memphis. Featuring the high, innocent tenor of John Gary Williams, the group were still in high school when they were signed to Stax in late 1964. In... [+] Read More

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Walter Jackson was '60s Chicago soul at its sweetest and, occasionally, most mainstream. In the mid-'60s, he had a brace of solid R&B hits -- "Suddenly I'm All Alone," "It's an Uphill Climb (To the Bottom)," "Speak Her Name," "Welcome Home," "A Corner in the Sun" -- without ever rising higher than the lower reaches of the Top 100. Recording for... [+] Read More

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Willie Hightower was an early fixture in Chicago jazz. The husband of pianist Lottie Hightower, he led a band in New Orleans on and off during 1908-20 including one called the American Stars. After moving to Chicago in 1921, Hightower played with a variety of obscure groups and then was featured with Carroll Dickerson's Orchestra and his wife's... [+] Read More

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