Francis was a vibist in the '50s-'60s who struck out in a modern post-bop style and discovered a different voice on his chosen instrument. He is one to seek and study. ~ Michael G. Nastos, All Music Guide

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Easily one of jazz's greatest vibraphonists, Bobby Hutcherson epitomized his instrument in relation to the era in which he came of age the way Lionel Hampton did with swing or Milt Jackson with bop. He isn't as well-known as those two forebears, perhaps because he started out in less-accessible territory when he emerged in the '60s playing... [+] Read More

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One of the two great vibraphonists to emerge in the 1960s (along with Bobby Hutcherson), Gary Burton's remarkable four-mallet technique (best displayed on an unaccompanied version of "No More Blues" from 1971) can make him sound like two or three players at once. He recorded in a wide variety of settings and always sounds distinctive.... [+] Read More

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Herbie Mann played a wide variety of music throughout his career. He became quite popular in the 1960s but in the '70s became so immersed in pop and various types of world music that he seemed lost to jazz. However, Mann never lost his ability to improvise creatively as his later recordings attest.

Herbie Mann began on clarinet when... [+] Read More

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Lem Winchester had great potential as a vibraphonist but it was all cut short by a tragic accident. Influenced by Milt Jackson but developing a sound of his own, Winchester actually played tenor, baritone, and piano before choosing to stick exclusively to vibes. A police officer in Wilmington, DE, he made a big impression at the 1958 Newport... [+] Read More

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Once one of the most visible and winning jazz vibraphonists of the 1960s, then an R&B bandleader in the 1970s and '80s, Roy Ayers' reputation s now that of one of the prophets of acid jazz, a man decades ahead of his time. A tune like 1972's "Move to Groove" by the Roy Ayers Ubiquity has a crackling backbeat that serves as the prototype for the... [+] Read More

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Teddy Charles is a true rarity: a jazz musician who largely retired from the business. A skillful if not overly distinctive vibraphonist and (early in his career) quite capable on piano and drums, Charles was as important for his open-minded approach in the 1950s towards more advanced sounds as he was for his playing. He moved to New York to... [+] Read More

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One of the most hyper of all jazzmen (even his ballads are taken mostly double time), Terry Gibbs is a consistently exciting and competitive vibraphonist. As a xylophonist, he won an amateur contest when he was 12. After spending three years in the military during World War II, Gibbs played on 52nd Street, gigged with Tommy Dorsey (1946 and... [+] Read More

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Walt Dickerson made an impact when he first emerged in the early '60s -- he won the Down Beat Critic's Poll as New Star in 1962 -- but as the years have passed, he's become much less visible. Dickerson graduated from Morgan State College in 1953. After serving in the Army from 1953-1955, he settled in California, where he led a band that... [+] Read More

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