While still in his teens, Billy Nicholls recorded one of the more sought-after rarities of British psychedelic pop, Would You Believe. Nicholls was one of the most Beach Boys-influenced British singer-songwriters, and Would You Believe often recalled the Pet Sounds/Smile period in its melodic construction and ornate production. The album... [+] Read More

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Former Stray Cat Brian Setzer was born in New York City and raised in Long Island. His first instrument, at age eight, was the euphonium, and he played the tuba-like instrument for ten years. He began having dreams of leading a big band with horns as a teen, but got sidetracked by punk. Initially, as a guitarist and songwriter, he took his... [+] Read More

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Former Stray Cat Brian Setzer was born in New York City and raised in Long Island. His first instrument, at age eight, was the euphonium, and he played the tuba-like instrument for ten years. He began having dreams of leading a big band with horns as a teen, but got sidetracked by punk. Initially, as a guitarist and songwriter, he took his... [+] Read More

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When Bruce Springsteen finally broke through to national recognition in the fall of 1975 after a decade of trying, critics hailed him as the savior of rock & roll, the single artist who brought together all the exuberance of '50s rock and the thoughtfulness of '60s rock, molded into a '70s style. He rocked as hard as Jerry Lee Lewis, his lyrics... [+] Read More

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Roots-rockers are seldom as purist as Dave Edmunds. Throughout his career, he stayed true to '50s and '60s rock & roll -- for Edmunds, rock & roll history stopped somewhere in 1963, after the Beach Boys' first singles but before the Beatles' hits. After establishing himself as a hotshot lead guitarist in the blues-rockers Love Sculpture, he... [+] Read More

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Bridging the era between late-'50s rock and the British Invasion, Dion DiMucci (b. July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and R&B styles. Some revisionists have tried to cast him as a sort of early blue-eyed soul figure, although he was probably more aligned with... [+] Read More

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After moving to the Norfolk, VA, area in the mid-'50s, young Gary Anderson began plying his vocal wares, first in church, later with a local group called the Turks. When he was not yet 21, he was approached by local record producer Frank Guida to join his tiny Legrand label. Guida changed Anderson's name to U.S. Bonds, hoping the first release... [+] Read More

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One of the most interesting and difficult-to-categorize singers in '60s pop, Gene Pitney had a long run of hits distinguished by his pained, one-of-a-kind melodramatic wail. Pitney is sometimes characterized (or dismissed) as a shallow teen idol-type prone to operatic ballads. It's true that some of his biggest hits -- "Town Without Pity," "Only... [+] Read More

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The unsung heart and soul of the Motor City rock & roll scene, Mitch Ryder & the Detroit Wheels' blue-eyed R&B attack boasted a gritty passion and incendiary energy matched by few artists on either side of the color line. Born William Levise, Jr. in Hamtramck, MI on February 26, 1945, as a teen Ryder sang with a local black quartet dubbed the... [+] Read More

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Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. What he lacked in charisma and photogenic looks, Orbison made up for in spades with his quavering operatic voice and melodramatic narratives... [+] Read More

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Upon the release of their first album in the late '70s, Tom Petty & the Heartbreakers were shoehorned into the punk/new wave movement by some observers who picked up on the tough, vibrant energy of the group's blend of Byrds riffs and Stonesy swagger. In a way, the categorization made sense. Compared to the heavy metal and art rock that... [+] Read More

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