An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. However, Cameo eventually wore off accusations of being derivative by transcending their influences and outlasting almost... [+] Read More

Yes No

There can be little argument that Chic was disco's greatest band; and, working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already slipping into the excess that eventually caused its downfall. Chic bucked the trend by stripping disco's sound down to its... [+] Read More

Yes No

Donna Summer's title as the "Queen of Disco" wasn't mere hype -- she was one of the very few disco performers to enjoy a measure of career longevity, and her consistent chart success was rivaled in the disco world only by the Bee Gees. Summer was certainly a talented vocalist, trained as a powerful gospel belter, but then again, so were many of... [+] Read More

Yes No

Imagination was a trio from the U.K. that put a synthesized and often clubby spin on soul groups from the ‘70s. In fact, a couple of ‘70s groups have direct ties to Imagination; Leee John and Ashley Ingram spent time during that decade playing supportive roles in the Delfonics and Chairmen of the Board, prior to Imagination's formation. Along... [+] Read More

Yes No

The Bee Gees may have been the undisputed disco kings of the late '70s, but KC & the Sunshine Band weren't far behind. From the mid- to late '70s, the multi-member and racially integrated group led by bandleaders Harry Wayne "KC" Casey and Richard Finch racked up some of the era's biggest and instantly recognizable dance hits. Casey and Finch... [+] Read More

Yes No

In 1969, Dayton, Ohio native Stephen Shockley formed the Young Underground after exiting the Monterreys. Vocalist Mark Woods, who was a member of the local band the Nomads, joined up with Shockley to form a more mature-sounding Young Underground. The group initially had a record deal with Curtom Records as a result of winning a talent contest in... [+] Read More

Yes No

One of the top British dance and urban contemporary trios in the early '80s, Loose Ends formed in London. They were originally called Loose End, and included Carl McIntosh, Jane Eugene, and Steve Nichol. Virgin signed them in 1981, and their debut was written by Chris and Eddie Amoo of the Real Thing. The group changed its name to Loose Ends in... [+] Read More

Yes No

The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. Just one of the successful acts on Solar Records (also including Shalamar, Lakeside, and the Whispers), the group was formed in 1976 at Kentucky State University by the Calloway... [+] Read More

Yes No

Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. The group's first single, the 1977 Motown medley "Uptown Festival," featured a bevy of faceless studio musicians; once it became a hit, Griffey decided to form a performing group under the name Shalamar.... [+] Read More

Yes No