the coma sound project consists of jan-martin ziem alias bionix, pete spring from incredible spring band and various collab dj's. so most songs of coma sound project is explicit collab work from jams, sessions and of course remixes.
feel free to contact us! we are happy about ALL feedback to our music and soundtracks.

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Fylth Pig:
Fylth Pig is Alejandro Lara on Keyboards, Guitars, Vocals, Sequencing, Lyrics,
there are 5 albums for sale in iTunes (US,UK,Japan,AUS,)
also in Napster, Rhapsody, Amazon Mp3 (US,UK), emusic, and other web stores.
I am unsigned and Independent of the whole mainstream music machine......Not doing it for money but... [+] Read More

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Such industrial alt-metal outfits as Nine Inch Nails and Ministry received the lion's share of press and commercial success during the '90s, but there were a handful of other bands that were slugging it out for just as long (if not longer), including KMFDM. The band's name has been the subject of countless debates amongst fans over the years as... [+] Read More

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Before the majority of industrial acts added guitars and became the heavy metal of the 1990s, Nitzer Ebb produced hard-hitting electronic music with the Teutonic bent and abrasive edge of early industrial music, plus the vocal chanting and beat-heavy flavor of the late-'80s alternative and Balearic dance scene. Formed in Chelmsford, Essex, in... [+] Read More

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Yet another branch in the rather large and twisted family tree that Ministry spawned, Acid Horse was a one-off single collaboration between Ministry's Al Jourgensen (Ministry side project nickname this time around: Alien Dog Star), Chris Connelly (Gallopin' Scorpionsaddlebutt), Bill Rieflin (Biff), and Cabaret Voltaire's Stephen Mallinder and... [+] Read More

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anaesthesiac is the front for my musical paroxysm's. i find a lot more beauty in darkness and imperfection, rather than overpolished re-runs of songs i've heard a million times.

aside from the standard guitar, bass, drums and keys, i use a vast array of industrial/factory samples, either created by myself [i work in a factory], and... [+] Read More

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Chris Carter (vocals, guitar, bass, keyboards) turned a childhood hobby into a career. Born in Islington, London, England on January 28, 1953, Carter became enchanted with high-tech equipment early in his youth. When he was only a boy, Carter spent hours playing with a tape deck; his father would record family conversations and add sound effects... [+] Read More

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PRESS REVIEWS: "The Color of Sound" by TriAna is an exciting and sometimes strange journey into the world of electronic/ambient/techno sound. The CD contains songs that range from short ambient soundscapes to longer driving house/techno/dance pieces. The music is sometimes aggressive, sometimes soothing, sometimes gothic-flavored, sometimes... [+] Read More

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A leading light of Toronto's fledgling electronic dance industrial scene, DHI formed in 1987.
The band shared the stage with more prominent figures such as The Young Gods, Front Line Assembly and Alien Sex Fiend, and through the early- to mid-nineties, their CDs were distributed around the world.
DHI's tracks saw numerous compilation... [+] Read More

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Array

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Lead into Gold derives its name from the mystical practice of alchemy. The band is basically a solo project for Paul Barker, a talented and avant-garde bassist who joined forces with Alain Jourgensen in the late '80s to create several influential and powerful Ministry records. Paul and Roland Barker, as well as frequent future collaborator Bill... [+] Read More

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Lords of Acid's exaggeratedly sexual acid house dance music gained a cult following with their 1991 album, Lust. Previously, the band had released three singles that laid the groundwork for the dense, throbbing Lust and its club hits, "Rough Sex" and "I Must Increase My Bust." Between their debut and their second album, 1994's Voodoo-U, the... [+] Read More

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Beginning in 1987 as an experimental/industrial duo inspired by the cut-and-paste attitudes of hip-hop and dub, Meat Beat Manifesto increasingly became a vehicle for its frontman Jack Dangers to explore the emerging electronics of techno, trip-hop and jungle. Though the group was initially pegged as an industrial act (simply appearing on Wax... [+] Read More

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Post Machinery Environment (a.k.a. Gotico) is an EBM, Dark Electro, Synth/Future-Pop band formed in 1997 in Argentina by Max VDH (producer, singer, songwriter, and instrumentalist).

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Pretty Filth Addiction is a Darkwave Ambience of Trash Rock Industrial Electronica Music. The idea is to unleash UNDERGROUND music like a virus. In the music industry we are always searching for something new yet with the fimilar taste of old school combined in the mix. Pretty Filth Addiction captures the essence of Industrial music as it... [+] Read More

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A co-op consisting of violinist Jeff Gauthier, guitarist Nels Cline, bassist Eric Von Essen and percussionist Alex Cline, Quartet Music generally played quiet but fairly free group improvisations. Its music was thoughtful yet unpredictable, moody but more accessible than one might expect. The band was active in the Los Angeles area on a... [+] Read More

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Beginning in the later half of 2007 under the name Cold, Thorald "Yachko" Williams saught to create genre binding music inspired by themes of vengeance, tradgedy, inner chaos and individualism. Armed with a laptop filled with Audio Workstations and Sound Editors galor, Dilapidated **** (later renamed Smash and Crash) was made but released... [+] Read More

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Unk! was formed in 2001 by a Rocker, a Metalhead and a Punk who wanted to try their hands at something different: Dance Music. As their project's name they chose Unk! (that's with the exclamation mark). It's an onomatopeia of a single bass drum beat and not an abbreviation of soms sort.
Up until now (2007) we have recorded two full albums... [+] Read More

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