One of the giants of free jazz, Albert Ayler was also one of the most controversial. His huge tone and wide vibrato were difficult to ignore, and his 1966 group sounded like a runaway New Orleans brass band from 1910.

Unlike John Coltrane or Eric Dolphy, Albert Ayler was not a virtuoso who had come up through the bebop ranks. His... [+] Read More

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Billy Harper is one of a generation of Coltrane-influenced tenor saxophonists who actually built upon the master's work, rather than simply copy it. Harper is consummately well-rounded, able to play convincingly in any context, from bop to free. His muscular tone, lithe articulation, comprehensive harmonic knowledge, and unflagging energy define... [+] Read More

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Bandoneon (Argentinian accordion) player with unique approach. More atmospheric than earthy. More new age than jazz. ~ Michael G. Nastos, All Music Guide

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An excellent, cool-toned straight-ahead altoist influenced by Lee Konitz and Warne Marsh, Gary Foster's years in the studios have often been underrated despite his talents. He graduated from the University of Kansas in 1961 and soon settled in the Los Angeles area, where he has been active ever since in the studios, as a woodwind teacher, and in... [+] Read More

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A passionate tenor and flute player who was not shy to break up chordal improvising with an unexpected scream or roar, George Adams was an original voice who (like his friend Don Pullen) crossed over several stylistic boundaries. He started on piano, but by the time he was in high school he was playing tenor in funk bands. In 1961, he toured... [+] Read More

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George Coleman's highest visibility occurred when he was a member of the Miles Davis Quintet (1963-1964), playing alongside Davis, Herbie Hancock, Ron Carter, and Tony Williams. His decision to leave the group after several notable recordings cut short his potential fame (his eventual replacement was Wayne Shorter), but Coleman has created a... [+] Read More

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When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come... [+] Read More

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Latin-jazz and Afro-Latin bandleader, Silva's group Intersection has made two albums for the crossover label. ~ Ron Wynn, All Music Guide

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Pete Escovedo has been a major force in Latin music since the late 1960's, and his versatility has resulted in success in several areas of music, from Latin jazz and salsa to rock and Latin pop. Growing up in Oakland, Escovedo was surrounded by music throughout his childhood. His father sang with some Latin big bands. Pete played the saxophone... [+] Read More

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Though some will argue about whether Wayne Shorter's primary impact on jazz has been as a composer or as a saxophonist, hardly anyone will dispute his overall importance as one of jazz's leading figures over a long span of time. Though indebted to a great extent to John Coltrane, with whom he practiced in the mid-'50s while still an... [+] Read More

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