Percussionist Mike Pacheco released a few albums on the Tampa label in the late '50s -- Bongo Session (1955), Bongo Skins (1957), Bongo Date (1957) -- showcasing his bongo skills. He also worked with a number of jazz artists from the time, most notably Stan Kenton and Perez Prado. Pacheco appeared on several Kenton recordings in the late '50s... [+] Read More

Yes No

In the 1960s, no one combined more or less equal elements of jazz, Latin music, soul, and funk as well as Henry "Pucho" Brown (b. November 1, 1938). A somewhat forgotten figure until recently, Pucho never achieved the wide recognition of some other Latin jazz performers exploring similar territory, such as Mongo Santamaria, Willie Bobo, and Cal... [+] Read More

Yes No

Sukay specializes in Peruvian music of the Andes Mountains. Led by the Badoux's, musicologists from S.F., these are storytellers with romantic presence. ~ Michael G. Nastos, All Music Guide

Yes No

The Latin Jazz Quintet had an odd history. The short-lived group, which had quite a bit of turnover during its life, is today best-known for two sessions (one for New Jazz and a more obscure set for United Artists) in which it was joined by Eric Dolphy. Those two dates (particularly the New Jazz outing) found Dolphy largely ignoring the Latin... [+] Read More

Yes No

Willie Bobo was one of the great Latin percussionists of his time, a relentless swinger on the congas and timbales, a flamboyant showman onstage, and an engaging if modestly endowed singer. He also made serious inroads into the pop, R&B and straight jazz worlds, and he always said that his favorite song was Antonio Carlos Jobim's "Dindi."... [+] Read More

Yes No