Beat Happening was among the truly seminal and influential American bands of the post-punk era, a paragon of pop minimalism, rebellious innocence, and indie defiance. The linchpin of the Olympia, WA-based International Pop Underground, they adopted a stance in direct opposition to the accepted norms at the heart of rock music; ignoring all... [+] Read More

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At the time of their 1985 debut, Camper Van Beethoven's merging of punk, folk, ska, and world musics was truly a revelation. Self-described as "surrealist absurdist folk," the band formed in Santa Cruz, CA, after singer/songwriter David Lowery of Redlands, CA, with his dry humor and valley-boy voice (sometimes confused for a faux English... [+] Read More

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Though criminally overlooked in their own lifetime, Galaxie 500 later emerged as one of the pivotal underground groups of the post-punk era; dreamy and enigmatic, their minimalist dirges presaged the rise of both the shoegazer and slowcore movements of the 1990s. The group formed in Boston, MA, in 1986 and comprised vocalist/guitarist Dean... [+] Read More

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Through both his lauded work fronting the Commotions and his more eclectic solo efforts, Lloyd Cole established himself as one of the most articulate and acute songwriters of the postpunk era. Born January 31, 1961 in Buxton, England, Cole formed the Commotions in 1982 while studying philosophy at the University of Glasgow. Originally a large... [+] Read More

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Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, Lush were one of the most prominent shoegazing bands of the early '90s. Led by guitarists Miki Berenyi and Emma Anderson, the British band earned a cult following within the British and American undergrounds with its first EPs, yet the group never quite attained the critical... [+] Read More

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Ethereal pop band the Pale Saints formed in Leeds, England, in 1987. Ian Masters (bass/vocals), Chris Cooper (drums), and Graeme Naysmith (guitar) were signed by Ivo Watts-Russell to his 4AD label on the strength of their first London appearance. The three-song Barging Into the Presence of God was released two years later, receiving praise for... [+] Read More

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Red House Painters was primarily the vehicle of singer/songwriter Mark Kozelek, an evocative, compelling performer of rare emotional intensity. Like Mark Eitzel of American Music Club, to whose work the Painters were invariably compared and to whom their early success owed a tremendous debt, Kozelek laid his soul bare on record, conjuring... [+] Read More

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Of the countless bands to emerge from the New York City underground during the post-punk era, few if any were as unique and influential as the Feelies; nerdy, nervous, and noisy, even decades later their droning, skittering avant-garde pop remains a key touchstone of the American indie music scene. Named in reference to Aldous Huxley's paranoid... [+] Read More

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One of the quirkiest and most idiosyncratic groups to emerge from the early British new wave indie scene, Young Marble Giants (from Cardiff, Wales) were not so much new wave in sound as in strategy. They subverted conventional pop/rock methods by stripping both song construction and instrumentation to its essence. A reverberant funky bass, a... [+] Read More

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