Popular and prolific, Bumble Bee Slim parlayed a familiar but rudimentary style into one of the earliest flowerings of the Chicago style. Much of what he performed he adapted from the groundbreaking duo Leroy Carr and Scrapper Blackwell -- Slim built on Carr's laconic, relaxed vocal style and Blackwell's guitar technique. During the mid-'30s,... [+] Read More

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Gus Cannon was the best known of all the jugband musicians and a seminal figure on the Memphis blues scene. His recollections have also provided us with much of our knowledge of the earliest days of the blues in the Mississippi Delta. Cannon led his Jug Stompers on banjo and jug in a historic series of dates for the Victor label in 1928-1930.... [+] Read More

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There is a gulf of Bibilical proportions between the amount of influence American black music has had on country & western and the number of black performers actually involved in country. One of the few heroes in what is sadly not a fable is this harmonica player, a victim of infantile paralysis who had to struggle with his physical handicaps as... [+] Read More

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One of the definitive jug bands of the '20s and early '30s, this seminal group was comprised of Will Shade, Will Weldon, Hattie Hart, Charlie Polk, Walter Horton, and others, in various configurations.

Guitarist/harpist Will Shade formed the Memphis Jug Band in the Beale Street section of Memphis in the mid-'20s. A few years after... [+] Read More

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One of the earliest generation of blues performers, Collins developed his style in South Mississippi (as opposed to the Delta). His recording debut single ("The Jail House Blues," 1927) predated those of legendary Mississippians such as Charley Patton and Tommy Johnson and was advertised as "Crying Sam Collins and his Git-Fiddle." Collins did... [+] Read More

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Harmonica player Sonny Terry was one of the initial bluesmen who crossed over into areas not normally associated with the genre before he came along. Along with his partner, guitarist Brownie McGhee, Terry played on numerous folk recordings with the likes of Woody Guthrie, developed an acting career showcased on television and Broadway, and... [+] Read More

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A gravel-throated back-country blues growler from the Mississippi Delta, McClennan was part of the last wave of down-home blues guitarists to record for the major labels in Chicago. His rawboned 1939-1942 Bluebird recordings were no-frills excursions into the blues bottoms. He left a powerful legacy that included "Bottle It up and Go," "Cross... [+] Read More

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