Not just a distinctive singer but a true vocal wonder, Al Hibbler featured with Duke Ellington's Orchestra throughout the 1940s and recorded a few hits ("Unchained Melody," "After the Lights Go Down Low," "He") on his own for Decca and Atlantic during the 1950s and '60s. His frequent use of a Cockney accent and non-subtle growling techniques... [+] Read More

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It will have to be a big statue, because he wasn't called Big Miller for nothing -- although he did look pint-size when standing alongside his fellow blues shouter Big Joe Turner during a reunion tour in the '70s. The plan is to unveil a life-sized statue of Miller by the year 2003 in one of Edmonton, Alberta's city parks. It is a long way from... [+] Read More

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With his sister Ella seductively serving for decades as his primary vocalist, pianist Buddy Johnson led a large jump blues band that enjoyed tremendous success during the 1940s and '50s. The suave bandleader spotlighted a series of talented singers, including balladeers Arthur Prysock, Nolan Lewis, and Floyd Ryland, but it was Ella's understated... [+] Read More

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Though endlessly confused with the singer Big Joe Turner, pianist Joe Turner came from a completely different direction, following the James P. Johnson/Fats Waller stride tradition, armed with a superb technique and a fine sense of swing. He started to learn the piano from his mother at age five and began to make a name for himself in Harlem as... [+] Read More

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Joe Williams was the last great big-band singer, a smooth baritone who graced the rejuvenated Count Basie Orchestra during the 1950s and captivated audiences well into the '90s. Born in Georgia, he moved to Chicago with his grandmother at the age of three. Reunited with his mother, she taught him to play the piano and took him to the symphony.... [+] Read More

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Effervescent saxophonist Louis Jordan was one of the chief architects and prime progenitors of the R&B idiom. His pioneering use of jumping shuffle rhythms in a small combo context was copied far and wide during the 1940s.

Jordan's sensational hit-laden run with Decca Records contained a raft of seminal performances, featuring... [+] Read More

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For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. From the late '40s to the mid-'60s, he was a massively successful pop singer who ranked with such contemporaries as Frank Sinatra, Perry Como, and Dean Martin. He shared... [+] Read More

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Alongside Willie Mae Ford Smith, Sister Rosetta Tharpe is widely acclaimed among the greatest Sanctified gospel singers of her generation; a flamboyant performer whose music often flirted with the blues and swing, she was also one of the most controversial talents of her day, shocking purists with her leap into the secular market -- by playing... [+] Read More

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Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage. That Dixon was one of the first professional blues songwriters to benefit in a serious, material way -- and that he had to fight to do... [+] Read More

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No blues shouter embodied the rollicking good times that he sang of quite like raucous shouter Wynonie Harris. "Mr. Blues," as he was not-so-humbly known, joyously related risque tales of sex, booze, and endless parties in his trademark raspy voice over some of the jumpingest horn-powered combos of the postwar era.

Those wanton ways... [+] Read More

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