Started in 1960s in Poland playing clarinet in a dixieland band. Actually works in Mexico City, soprano sax, clarinet, hammond organ.

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Cale Hawkins is a 15-year old musician from Bemus Point, NY. He started playing guitar when he was 7 years old, and piano when he was 10.

More instruments followed and while his main instruments remain guitar and Hammond B3 organ, he also plays drums, piano/keyboards, bass guitar, bass keys, and several brass and woodwind... [+] Read More

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Organ, electric bass. Charles Kynard is an organist whose jazz-funk leanings rival his predecessors and peers, though not eclipsing them. Solid, though never flashy. He also plays electric bass. Kynard's album Reelin' With the Feelin' has been sampled and appears on several acid jazz releases. ~ Michael G. Nastos & Michael Erlewine, All Music Guide

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Inspired to switch from piano to organ by Jimmy Smith, Don Patterson was one of the Hammond B-3's most bop-rooted players, able to play bluesy soul-jazz grooves or break out of the pocket for some nimble, sharply defined solo lines. Though he led numerous recording dates for Prestige and later Muse, he was best-known as Sonny Stitt's favorite... [+] Read More

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Grady Tate is renowned as a session drummer extraordinaire, an expert in the use of the rim shot for syncopating purposes; prized for his driving, pushing, or subtle coaxing of the beat. Yet he has also displayed a warm, flexible, rhythmically agile baritone voice, which, in a reversal of the usual commercial situation, is less well-known than... [+] Read More

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Grant Green was born in St. Louis on June 6, 1931, learned his instrument in grade school from his guitar-playing father and was playing professionally by the age of thirteen with a gospel group. He worked gigs in his home town and in East St. Louis, IL, until he moved to New York in 1960 at the suggestion of Lou Donaldson. Green told Dan... [+] Read More

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One of the all-time giants of the Hammond B-3, Jimmy McGriff sometimes gets lost amid all the great soul-jazz organists from his hometown of Philadelphia. He was almost certainly the bluesiest of the major soul-jazz pioneers, and indeed, he often insisted that he was more of a blues musician than a jazz artist; nonetheless, he remained eclectic... [+] Read More

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The music of Joey DeFrancesco -- an important force in the revival of the Hammond B-3 organ as a jazz instrument -- runs the gamut from soul-jazz and bluesy grooves à la Jimmy Smith to hard bop to the more advanced modal style of Coltrane disciple Larry Young. Born in Springfield, PA (near Philadelphia), on April 10, 1971, DeFrancesco was the... [+] Read More

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If Jimmy Smith was "the Charlie Parker of the organ," Larry Young was its John Coltrane. One of the great innovators of the mid- to late '60s, Young fashioned a distinctive modal approach to the Hammond B-3 at a time when Smith's earthy, blues-drenched soul-jazz style was the instrument's dominant voice. Initially, Young was very much a Smith... [+] Read More

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Lou Donaldson has long been an excellent bop altoist influenced by Charlie Parker, but with a more blues-based style of his own. His distinctive tone has been heard in a variety of small-group settings, and he has recorded dozens of worthy and spirited (if somewhat predictable) sets through the years.

Donaldson started playing... [+] Read More

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An admirer of the seminal Jimmy Smith, Shirley Scott has been one of the organ's most appealing representatives since the late '50s. Scott, a very melodic and accessible player, started out on piano and played trumpet in high school before taking up the Hammond B-3 and enjoying national recognition in the late '50s with her superb Prestige dates... [+] Read More

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A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular... [+] Read More

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