With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist -- only McCoy Tyner exerts nearly as much pull among younger players and journeymen -- and Evans has left his mark on such noted players as Herbie Hancock,... [+] Read More

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Billy Taylor has been such an articulate spokesman for jazz, and his profiles on CBS' Sunday Morning television program (where he has been a regular since 1981) are so successful at introducing jazz to a wider audience, that sometimes one can forget how talented a pianist he has been for the past half-century. While not an innovator, Taylor has... [+] Read More

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Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Creative booking (being... [+] Read More

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While George Russell has been very active as a free-thinking composer, arranger and bandleader, his biggest effect upon jazz has been that of the quieter role of theorist. His great contribution, apparently the first by a jazz musician to general music theory, was a book with the intimidating title The Lydian Chromatic Concept of Tonal... [+] Read More

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One of the most significant arrangers in jazz history, Gil Evans' three album-length collaborations with Miles Davis (Miles Ahead, Porgy and Bess and Sketches of Spain) are all considered classics. Evans had a lengthy and wide-ranging career that sometimes ran parallel to the trumpeter. Like Davis, Gil became involved in utilizing electronics in... [+] Read More

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A talented pianist with a style diverse enough to fit into swing, bop, and more adventurous settings, Roland Hanna was one of the last in an impressive line of great pianists who emerged in Detroit after World War II (including Hank Jones, Barry Harris, and Tommy Flanagan). After serving in the Army and studying music at Eastman and Juilliard,... [+] Read More

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Teo Macero is best-known for being a busy jazz producer at Columbia from 1957 until the late '80s, most noticeably for producing Miles Davis' records. However, he has also been an occasional tenor saxophonist who has been involved in some adventurous sessions. After serving in the Navy, Macero came to New York in 1948 where he attended Juilliard... [+] Read More

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