Not just a distinctive singer but a true vocal wonder, Al Hibbler featured with Duke Ellington's Orchestra throughout the 1940s and recorded a few hits ("Unchained Melody," "After the Lights Go Down Low," "He") on his own for Decca and Atlantic during the 1950s and '60s. His frequent use of a Cockney accent and non-subtle growling techniques... [+] Read More

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Al Martino was one of the great Italian-American pop crooners, boasting a string of hit singles and LPs that stretched from the early '50s all the way into the mid-'70s. However, he is perhaps even better known for his role in The Godfather as singer Johnny Fontane, a character supposedly based on Frank Sinatra but with eerie similarities to... [+] Read More

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Dick Haymes was one of the most splendid ballad singers of his era, the near-equal of Crosby and Sinatra on classics of the form like "It Can't Be Wrong," "Till the End of Time" and "It Might as Well Be Spring." Though he was unable to cash in during the '50s golden era of adult-pop (due to alcoholism, troubles with the government, and a few... [+] Read More

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One of the most popular male vocalists of the early '50s despite a throwback style that recalled Al Jolson and Tin Pan Alley, Eddie Fisher scored four number one hits between 1952 and 1954 but is probably known best for his celebrity circles -- his wives included Debbie Reynolds, Elizabeth Taylor and Connie Stevens. Born in Philadelphia, Fisher... [+] Read More

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Though his influence proved less durable than his record sales, Frankie Laine was one of the most popular vocalists of the 1950s, swinging jazz standards as well as half a dozen Western movie themes of the time with his manly baritone. Laine's somewhat artificial Western nature proved more successful in far-off England where he set two chart... [+] Read More

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One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. Though he debuted with a flurry of singles-chart activity, Mathis later made... [+] Read More

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One of the most popular entertainers of the '30s, Rudy Vallée was one of the few vocalists to begin crooning before the advent of Bing Crosby. Famed for singing through a megaphone and introducing his performances with a salutary "Heigh-Ho, Everybody," Vallée recorded into the mid-'40s and enjoyed a renaissance during the '60s after high-profile... [+] Read More

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Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with... [+] Read More

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Despite an early talent for the trumpet, Vaughn Monroe's desire to become an opera singer eventually landed him almost ten number one hits during the '40s as well as a host of nicknames for his rich baritone, including "The Voice with Hairs on Its Chest" and "Old Leather Tonsils." Born in Akron, OH, Monroe moved to Wisconsin while still a child... [+] Read More

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At several times close to joining George Hamilton in the select group of persons more famous for their celebrity status than for any active artistic creation, Wayne Newton recorded for the 1960s album market and scored several hits during that time, but has become most renowned for his connections to Las Vegas, where he commanded up to $1... [+] Read More

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