As a founding member of the Meters and Neville Brothers, New Orleans vocalist and keyboardist Art Neville helped immeasurably to shape the contemporary New Orleans funk sound. Neville's first band, the Hawketts, tasted local success in 1954 with the carnival perennial "Mardi Gras Mambo" on Chess. He cut some nice solo singles for Specialty... [+] Read More

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He's relatively forgotten today, and his brand of uptown soul is dismissed by the relatively vocal clique of critics who prefer their soul deep and down-home. But Chuck Jackson was a regular visitor to the R&B charts (and an occasional one to the pop listings) in the early '60s with such early pop-soul concoctions as "I Don't Want to Cry," "Any... [+] Read More

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James Ingram began performing with the band Revelation Funk in the early '70s, moving from Akron, OH, to Los Angeles in 1973. During the '70s, Ingram supported Ray Charles on the road with backup vocals and piano, played keyboards behind the Coasters on Dick Clark's oldies revues, and was Leon Haywood's musical director. After hearing a demo of... [+] Read More

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Accurately dubbed "the Queen of Chicago blues" (and sometimes just the blues in general), Koko Taylor helped keep the tradition of big-voiced, brassy female blues belters alive, recasting the spirits of early legends like Bessie Smith, Ma Rainey, Big Mama Thornton, and Memphis Minnie for the modern age. Taylor's rough, raw vocals were perfect... [+] Read More

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Lee Dorsey epitomized the loose, easygoing charm of New Orleans R&B perhaps more than any other artist of the '60s. Working with legendary Crescent City producer/writer Allen Toussaint, Dorsey typically offered good-time party tunes with a playful sense of humor and a loping, funky backbeat. Even if he's remembered chiefly for the signature hit... [+] Read More

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Lowell Fulson recorded every shade of blues imaginable. Polished urban blues, rustic two-guitar duets with his younger brother Martin, funk-tinged grooves that pierced the mid-'60s charts, even an unwise cover of the Beatles' "Why Don't We Do It in the Road!" Clearly, the veteran guitarist, who was active for more than half a century, wasn't... [+] Read More

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The Holmes Brothers's unique synthesis of gospel-inflected rhythm and blues harmonies, accompanied by good drumming and rhythm-based guitar playing, gives them a down-home rural feeling that no other touring roots music group can duplicate.

Brothers Sherman and Wendell Holmes, along with drummer Popsy Dixon (the falsetto voice), are... [+] Read More

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The Meters defined New Orleans funk, not only on their own recordings, but also as the backing band for numerous artists, including many produced by Allen Toussaint. Where the funk of Sly Stone and James Brown was wild, careening, and determinedly urban, the Meters were down-home and earthy. Nearly all of their own recordings were instrumentals,... [+] Read More

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Throughout their long careers as both solo performers and as members of the group that bore their family name, the Neville Brothers proudly carried the torch of their native New Orleans' rich R&B legacy. Although the four siblings -- Arthur, Charles, Aaron, and Cyril -- did not officially unite under the Neville Brothers aegis until 1977, all... [+] Read More

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Texas-born singer Z.Z. Hill managed to resuscitate both his own semi-flagging career and the entire genre at large when he signed on at Jackson, Mississippi's Malaco Records in 1980 and began growling his way through some of the most uncompromising blues to be unleashed on black radio stations in many a moon.

His impressive 1982... [+] Read More

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