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Untouchables - CLEAN
Released: Jun 11, 2002
Label: N\A

After a three-year break that included solo projects and soundtrack work, {$Korn}'s re-emergence in the summer of 2002 was met with great anticipation. They delivered {^Untouchables}, an album that... Continue[+]

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After a three-year break that included solo projects and soundtrack work, {$Korn}'s re-emergence in the summer of 2002 was met with great anticipation. They delivered {^Untouchables}, an album that shows them building on their previous sound and emphasizing its strengths. The use of melody is more important than ever, allowing {$Jonathan Davis} to utilize his wide palette of vocal tricks. His charismatic voice can now move from a clear-throated wail to a {\death metal} growl with ease, lending the album a manic side that brings to mind {^King for a Day, Fool for a Lifetime}-era {$Faith No More}. The only problem with {$Davis} is his lyrics, which tend to fall into the "am I going crazy" trap that many of {$Korn}'s contemporaries perpetuate. This is a shame, because here he often avoids the social issues that he confronted on the first few releases. The band is far more experimental this time out, delivering {$Helmet}-like ringing guitars that melt and morph into each other, a mix of {$Metallica-esque} blastbeats and tight {\funk} drumming from the constantly improving {$David Silveria}, and memorable riffs that take the shape of dark sound structures and offer more than just a collection of chords. In fact, it is the last point where the album sets itself apart from most {\nu-metal} offerings; {$Korn} understand that the overall sound of {\hip-hop} works because of the sonic stew that producers create through samples. The band does the same with instruments, cutting the chugging riffs of the past and replacing them with edgy soundscapes that are equally as menacing. There isn't even a rapped verse here, save for {$Davis}' rhythmic scatting at moments, further distancing the band from the scene it helped create. But by cutting away some of the fat and finding new ways to deliver their trademark roar, {$Korn} manage to offer a strong and lean album that maintains their place as innovators in a genre with few leaders. [The "clean" edition blurs any profanity or questionable language into the mix.] ~ Bradley Torreano, All Music Guide

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Untouchables
Released: Jun 11, 2002
Label: N\A

After a three-year break that included solo projects and soundtrack work, {$Korn}'s re-emergence in the summer of 2002 was met with great anticipation. They delivered {^Untouchables}, an album that... Continue[+]

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After a three-year break that included solo projects and soundtrack work, {$Korn}'s re-emergence in the summer of 2002 was met with great anticipation. They delivered {^Untouchables}, an album that shows them building on their previous sound and emphasizing its strengths. The use of melody is more important than ever, allowing {$Jonathan Davis} to utilize his wide palette of vocal tricks. His charismatic voice can now move from a clear-throated wail to a {\death metal} growl with ease, lending the album a manic side that brings to mind {^King for a Day, Fool for a Lifetime}-era {$Faith No More}. The only problem with {$Davis} is his lyrics, which tend to fall into the "am I going crazy" trap that many of {$Korn}'s contemporaries perpetuate. This is a shame, because here he often avoids the social issues that he confronted on the first few releases. The band is far more experimental this time out, delivering {$Helmet}-like ringing guitars that melt and morph into each other, a mix of {$Metallica-esque} blastbeats and tight {\funk} drumming from the constantly improving {$David Silveria}, and memorable riffs that take the shape of dark sound structures and offer more than just a collection of chords. In fact, it is the last point where the album sets itself apart from most {\nu-metal} offerings; {$Korn} understand that the overall sound of {\hip-hop} works because of the sonic stew that producers create through samples. The band does the same with instruments, cutting the chugging riffs of the past and replacing them with edgy soundscapes that are equally as menacing. There isn't even a rapped verse here, save for {$Davis}' rhythmic scatting at moments, further distancing the band from the scene it helped create. But by cutting away some of the fat and finding new ways to deliver their trademark roar, {$Korn} manage to offer a strong and lean album that maintains their place as innovators in a genre with few leaders. ~ Bradley Torreano, All Music Guide

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Deuce - DVD/VIDEO
Released: Jun 11, 2002
Label: N\A

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Here to Stay
Released: Jun 11, 2002
Label: N\A

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Here to Stay
Released: Jun 11, 2002
Label: N\A

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Here to Stay - GERMAN CD
Released: May 28, 2002
Label: N\A

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Here to Stay - AUSTRALIAN CD
Released: Apr 23, 2002
Label: N\A

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More Maximum Korn: The Unauthorised Biography of Korn
Released: Apr 2, 2002
Label: N\A

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The Unauthorized Biography and Interview
Released: Sep 11, 2001
Label: N\A

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All Mixed Up
Released: Feb 9, 2001
Label: N\A

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