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K.T. Tunstall's Acoustic Extravaganza
Released: Sep 25, 2006
Label: N\A

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Eye to the Telescope - US DELUXE EDITION
Released: Sep 12, 2006
Label: N\A

Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a... Continue[+]

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Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a certain similarity in their vocal timbres. But as {$Tunstall}'s debut starts to unfold, those superficial connections fall away, as she reveals herself to be a soulful vocalist, a restless musician, and a serious songwriter. At times, she may be on the verge of being a little too serious, as her songs are tightly wound and earnest, two qualities that can seem slightly stuffy when her production has a glossy veneer, as it does on opening songs of the album. These cuts, while accomplished and enjoyable, paint {$Tunstall} as a good but ordinary songwriter, halfway between {$Dido}'s elegantly sleepy soundscapes and {$Sheryl Crow}'s tuneful craft, which is an inaccurate impression, as the album quickly proves. About a third of the way in, the album kicks into gear and {$Tunstall} is revealed as a kindred spirit of such eccentric contemporaries as {$Fiona Apple} and {$Nelly Furtado}. She's more straightforward than either {$Apple} or {$Furtado}, partially due to the album's overly slick production, but also in her sober, uncluttered songwriting, yet her musical instincts, along with her impassioned vocals, edge her out of the mainstream. Slower songs like {&"False Alarm"} aren't sleepy; they have the lazy, jazzy undercurrents of {$Jeff Buckley} and {$Radiohead}, while faster cuts like the single {&"Black Horse and the Cherry Tree"} or {&"Suddenly I See"} have an urgency that makes them compelling, despite the shiny production. But that production is the only drawback on {^Eye to the Telescope} -- it certainly sounds good, it certainly sounds professional, but it may keep some listeners at a distance, since it requires that they look hard to find the unique songwriter beneath the glistening surface. And if they spend the time to really hear what's going on in {^Eye to the Telescope}, they'll find a promising, satisfying debut. [The Deluxe Edition released in September of 2006 includes an additional song ({&"Immune"}) and a DVD which consists of live performances and music videos.] ~ Stephen Thomas Erlewine, All Music Guide

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Suddenly I See, Pt. 2
Released: Jun 27, 2006
Label: N\A

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Eye to the Telescope - JAPAN BONUS TRACK
Released: Mar 27, 2006
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Another Place to Fall
Released: Mar 13, 2006
Label: N\A

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Eye to the Telescope
Released: Feb 7, 2006
Label: N\A

Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a... Continue[+]

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Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a certain similarity in their vocal timbres. But as {$Tunstall}'s debut starts to unfold, those superficial connections fall away, as she reveals herself to be a soulful vocalist, a restless musician, and a serious songwriter. At times, she may be on the verge of being a little too serious, as her songs are tightly wound and earnest, two qualities that can seem slightly stuffy when her production has a glossy veneer, as it does on opening songs of the album. These cuts, while accomplished and enjoyable, paint {$Tunstall} as a good but ordinary songwriter, halfway between {$Dido}'s elegantly sleepy soundscapes and {$Sheryl Crow}'s tuneful craft, which is an inaccurate impression, as the album quickly proves. About a third of the way in, the album kicks into gear and {$Tunstall} is revealed as a kindred spirit of such eccentric contemporaries as {$Fiona Apple} and {$Nelly Furtado}. She's more straightforward than either {$Apple} or {$Furtado}, partially due to the album's overly slick production, but also in her sober, uncluttered songwriting, yet her musical instincts, along with her impassioned vocals, edge her out of the mainstream. Slower songs like {&"False Alarm"} aren't sleepy; they have the lazy, jazzy undercurrents of {$Jeff Buckley} and {$Radiohead}, while faster cuts like the single {&"Black Horse and the Cherry Tree"} or {&"Suddenly I See"} have an urgency that makes them compelling, despite the shiny production. But that production is the only drawback on {^Eye to the Telescope} -- it certainly sounds good, it certainly sounds professional, but it may keep some listeners at a distance, since it requires that they look hard to find the unique songwriter beneath the glistening surface. And if they spend the time to really hear what's going on in {^Eye to the Telescope}, they'll find a promising, satisfying debut. ~ Stephen Thomas Erlewine, All Music Guide

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Suddenly I See
Released: Jan 17, 2006
Label: N\A

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Other Side of the World
Released: Aug 2, 2005
Label: N\A

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Black Horse & The Cherry Tree
Released: Feb 21, 2005
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Eye to the Telescope - UK
Released: Jan 25, 2005
Label: N\A

Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a... Continue[+]

View Tracks (12)

Album Name	Required
Album Cover
Released Date
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Album Description

Perhaps it's inevitable that {$K.T. Tunstall}'s {^Eye to the Telescope} will draw initial comparisons to {$Dido}, since they're both female {\adult alternative} singer/songwriters who bear a certain similarity in their vocal timbres. But as {$Tunstall}'s debut starts to unfold, those superficial connections fall away, as she reveals herself to be a soulful vocalist, a restless musician, and a serious songwriter. At times, she may be on the verge of being a little too serious, as her songs are tightly wound and earnest, two qualities that can seem slightly stuffy when her production has a glossy veneer, as it does on opening songs of the album. These cuts, while accomplished and enjoyable, paint {$Tunstall} as a good but ordinary songwriter, halfway between {$Dido}'s elegantly sleepy soundscapes and {$Sheryl Crow}'s tuneful craft, which is an inaccurate impression, as the album quickly proves. About a third of the way in, the album kicks into gear and {$Tunstall} is revealed as a kindred spirit of such eccentric contemporaries as {$Fiona Apple} and {$Nelly Furtado}. She's more straightforward than either {$Apple} or {$Furtado}, partially due to the album's overly slick production, but also in her sober, uncluttered songwriting, yet her musical instincts, along with her impassioned vocals, edge her out of the mainstream. Slower songs like {&"False Alarm"} aren't sleepy; they have the lazy, jazzy undercurrents of {$Jeff Buckley} and {$Radiohead}, while faster cuts like the single {&"Black Horse and the Cherry Tree"} or {&"Suddenly I See"} have an urgency that makes them compelling, despite the shiny production. But that production is the only drawback on {^Eye to the Telescope} -- it certainly sounds good, it certainly sounds professional, but it may keep some listeners at a distance, since it requires that they look hard to find the unique songwriter beneath the glistening surface. And if they spend the time to really hear what's going on in {^Eye to the Telescope}, they'll find a promising, satisfying debut. ~ Stephen Thomas Erlewine, All Music Guide

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