Born in 1975, Scottish singer/songwriter KT Tunstall -- not short for anything, the KT is just an alternate spelling of Katie -- comes from the quaint university town of St. Andrews. Due in part by being adopted at birth, her imagination and creative side flourished from early on as she thought about how her life could have gone in any given direction. Growing up, her father was a physicist who would take Tunstall and her brothers into the St. Andrews observatory to look at the sky, thus fueling her youthful love for space and sci-fi. It wasn't until discovering hair metal through a brother that music really did start to become important to her, and when it did, her affection for spacy things was reflected in her favorite album, David Bowie's Hunky Dory. Tunstall picked up playing piano and flute at a young age, learned to sing by listening to Ella Fitzgerald, and began writing her own songs in her mid-teens. At 16, she taught herself the guitar and continued to hone her writing skills with sentimental love songs. A scholarship to the Kent School, a private prep school in Connecticut, brought her experiences outside of St. Andrews and Scotland. She formed her first band there, the Happy Campers, and enjoyed seeing shows by 10,000 Maniacs and the Grateful Dead. Next came a music course at London's Royal Holloway College, before heading back home and immersing herself in the local grassroots scene that birthed bands like the Fence Collective and the Beta Band. Around this time, KT was also listening to a lot of Billie Holiday, Lou Reed, and James Brown, among others, and soon formed a group with the Fence Collective's Pip Dylan. Fast forward a few years -- KT returned to London and began writing more songs, many which would appear on her subsequent album. She entered a backwoods Wiltshire studio with minimal instruments in tow and Steve Osborne (U2, New Order) at the controls. The end result was her glossy debut, Eye to the Telescope, released in the U.K. in January 2005 on Relentless. Highlighting her soulful voice, sassy attitude, and earthy songwriting approach, comparisons to Dido, Fiona Apple, and Kate Melua soon sparked. Following the record's release, Tunstall hit all over Europe, including shows supporting Joss Stone and singing with Oi Va Voi. Feeling an acoustic guitar is sometimes too limiting, her live show incorporates the use of an Akai Headrush foot pedal that allows her to spot record multiple times and loop each section continuously, and thus become her own one-woman backup band. Early 2006 continued to be bright for Tunstall as her album was released in the United States in February, and she won Best British Female Solo Artist at the Brits. ~ Corey Apar, All Music Guide