As the duo, Alpha and Omega, Christine Woodbridge and John Sprosen have created a style of dub, the remixing offshoot of reggae, that is uniquely British. While they were initially influenced by original dub recordings by Lee "Scratch" Perry, King Tubby and Augustus Pablo, Woodbridge and Sprosen have continued to evolve their own sound. "Option"... [+] Read More

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The most successful of the second-generation reggae bands, Black Uhuru maintained their high quality despite numerous personnel changes in their 16-year history. The first reggae band to win a Grammy award, for their 1983 album Anthem, Black Uhuru was, according to Reggae: The Rough Guide, "The most dynamic and progressive reggae act of the... [+] Read More

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Reggae's most transcendent and iconic figure, Bob Marley was the first Jamaican artist to achieve international superstardom, in the process introducing the music of his native island nation to the far-flung corners of the globe. Marley's music gave voice to the day-to-day struggles of the Jamaican experience, vividly capturing not only the... [+] Read More

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Ominously known as "The Dark Prince of Reggae," Keith Hudson was born into a musical family in Kingston, Jamaica in 1946. His musical education began as Hudson worked as a sort of roadie for Skatalite and Jamaican trombone king Don Drummond. By age 21, Hudson, who had been trained as a dentist, sunk his earnings into his own record label,... [+] Read More

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King Tubby is to this day synonymous with dub. He was a man who had a passion for fiddling with sound equipment, and turned that passion into a new musical genre and a veritable art form. He may have started his career as a repairman, but before he was done, his name was one of the most respected around the world. He worked with virtually every... [+] Read More

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During the early '80s, dub producer Lloyd "Bullwackie" Barnes maintained a busy studio in the Bronx, where he produced a large ensemble of reggae vocalists and released the music on his Wackies label. Among the vocalists Barnes (whose nickname is Bullwackie) worked with include such luminaries as Horace Andy, Wayne Jarrett, and Junior Delahaye... [+] Read More

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A disciple of Lee "Scratch" Perry, Mad Professor was one of the leading producers in dub reggae's second generation. His Dub Me Crazy albums helped dub make the transition into the digital age, when electronic productions started to take over mainstream reggae in the '80s. His space-age tracks not only made use of new digital technology, but... [+] Read More

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The singer who put the rude in rude boy, Max Romeo was responsible for launching an entirely new sub-genre of reggae, whose overtly suggestive lyrics caused an outcry but took a massive hold of the music scene regardless. Yet innuendo was the least of the singer's stylings, previous to the release of his infamous "Wet Dream," Romeo had garnered... [+] Read More

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Overton Brown was only 16 years old when producer/performer Errol "Don" Mais discovered and used the considerable talents of this adolescent dub whiz. Born in Kingston in 1960, the Scientist learned basic electronics from his TV repairman father, skills that made him very popular with the mobile DJs and their not-always-functioning sound... [+] Read More

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With a delicate voice that shimmers between childlike innocence and smoldering sexuality, Susan Cadogan's vocals were the perfect expression of lovers rock. Surprisingly, she never intended to sing professionally, and thus her music career has been sporadic, but such was her talent, that Cadogan was crowned the Queen of Lovers Rock. Born Alison... [+] Read More

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Wesley Tinglin moved to Kingston when he was 12 years old, quickly soaking up the rich harmonies of vocal groups like the Wailers and the Maytals. He formed the Viceroys with Daniel Bernard and Bunny Gayle and the group earned a recording session in 1967 with producer Clement Dodd. Though "Lose and Gain" and "Fat Fish" didn't do well, the second... [+] Read More

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