You Say
click on a star to rate
click on a star to rate
Legend
Released: Oct 7, 1997
Label: N\A
Released: Oct 7, 1997
Label: N\A
These 14 songs were recorded in 1963 and 1964; material from these sessions appeared briefly on Canada's Rebel label, as well as Piedmont. The mood is late-night informal, although there's little,...
Continue[+]
You Say
click on a star to rate
click on a star to rate
Satisfied: Live
Released: Jun 17, 1997
Label: N\A
Released: Jun 17, 1997
Label: N\A
This concert has a hand-recorded sound about it, but nonetheless Hurt's playing and singing are well-captured and up to his usual high standards. There's no information as to where and when this...
Continue[+]
You Say
click on a star to rate
click on a star to rate
Avalon Blues: The Complete 1928 Okeh Recordings
Released: Oct 8, 1996
Label: N\A
Released: Oct 8, 1996
Label: N\A
Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones that made his rediscovery an idea initially worth...
Continue[+]
You Say
click on a star to rate
click on a star to rate
Satisfying Blues
Released: Apr 24, 1995
Label: N\A
Released: Apr 24, 1995
Label: N\A
Mississippi John Hurt did a live 21-song set on April 15, 1965, at Oberlin College in Ohio, a scant two years after his rediscovery in 1963, and a year before his death in 1966. Hurt was remarkably...
Continue[+]
You Say
click on a star to rate
click on a star to rate
Mississippi John Hurt - DRESSED TO KILL
Released: 2001
Label: N\A
Released: 2001
Label: N\A
Mississippi John Hurt did a live 21-song set on April 15, 1965, at Oberlin College in Ohio, a scant two years after his rediscovery in 1963, and a year before his death in 1966. Hurt was remarkably...
Continue[+]
You Say
click on a star to rate
click on a star to rate
You Say
click on a star to rate
click on a star to rate
You Say
click on a star to rate
click on a star to rate
Memorial Anthology
Released: 1993
Label: N\A
Released: 1993
Label: N\A
Mississippi John Hurt's mid-'60s performances were usually distinctive and sometimes staggering. His guitar work was crisp, attractive and frequently brilliant, although his vocals were the real...
Continue[+]