Based in Birmingham, Bentley Rhythm Ace are Mike Stokes (aka Michael Barrywhoosh) and ex-Pop Will Eat Itself bassist Richard March (aka Barry Island). The group formed in 1995 after Marsh was introduced to Stokes at the house party of a mutual friend where Stokes was DJing. Discovering a shared love for screwball novelty records and offbeat... [+] Read More

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David Holmes is the among the best in a growing cadre of invisible-soundtrack producers inspired by the audio verité of classic film composers -- Lalo Schifrin, John Barry, Ennio Morricone -- as well as the usual stable of dancefloor innovators and a large cast of jazz/soul pioneers to boot. Similar to the work of Howie B, Barry Adamson, and... [+] Read More

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A DJ at the big beat melting-pot the Sunday Social alongside the Chemical Brothers and Jon Carter, Richard Fearless formed a studio project named Death in Vegas to pump out a similar type of audio adrenaline. With the helping hand of Steve Hellier, Fearless spent two years working on material for an LP, then released Dead Elvis on Britain's... [+] Read More

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Debuting with the acid-trance rocker "Narcotic Influence," which was voted one of the 100 greatest dance singles of all time by no lesser an authority than Mixmag, Empirion formed in 1993 at an Essex club featuring resident DJ Jamie Smart. Smart, who had spent time bumming around with the Prodigy's Liam Howlett (the two both worked at a car... [+] Read More

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Norman "Jack-of-All-Genres" Cook, in addition to his former occupations as bassist for the Housemartins and one-third of acid house hitmakers Pizzaman, is also the man behind one of the most popular of the new flock of English "Brit-hop" producers, Fatboy Slim. Releasing his Fatboy material through club staple Skint, Cook's raucous blend of... [+] Read More

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Producer Justin Robertson began recording as Lionrock in 1991 after plotting a successful career as a DJ and remixer. Aloof from the limelight and popular almost despite himself, Robertson took an almost laughably conventional route to a level of success reached by probably less then one percent of dance music producers. A native of Manchester,... [+] Read More

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The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivalled the best old-school DJs on their own terms -- keeping a crowd of people on the floor by working through any number... [+] Read More

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The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivalled the best old-school DJs on their own terms -- keeping a crowd of people on the floor by working through any number... [+] Read More

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L.A.'s Crystal Method have been referred to as America's answer to the Chemical Brothers. A dance-based electronic duo with a definite rock band feel, the comparison would seem appropriate, although it tends to erase what makes the group distinct: a solid base in American hip-hop, rock, soul, and pop. Formed in 1993 by Ken Jordan and Scott... [+] Read More

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The Prodigy navigated the high-wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live... [+] Read More

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Underworld became one of the most crucial electronic acts of the 1990s via an intriguing synthesis of old and new. The trio's two-man frontline, vocalist Karl Hyde and guitarist Rick Smith, had been recording together since the early-'80s new wave explosion; after two unsuccessful albums released as Underworld during the late '80s, the pair... [+] Read More

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Roger "Wildchild" McKenzie was the author of the big-beat club anthem "Renegade Master," which became a British hit upon its release in 1995 but gained considerably more worldwide exposure in 1998, more than two years after his untimely death. Based in Southampton before he moved to the future big-beat capital of Brighton around 1991, McKenzie... [+] Read More

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