Electronic love songs

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7 years after the final release from Swans Afloat Billows of Yew, front man garrick staggs is back with an all new sound. welcome, bremsstrahlung.
mixing several forms of music into one complete expression, bremsstrahlung produces music that is born from many sounds. a large portion of bremsstrahlung's music is resampled layers of their... [+] Read More

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Boards of Canada are the duo of Michael Sandison (born July 14, 1971) and Marcus Eoin (born May 27, 1973). Based on the northern coast of Scotland, the group got its start on acclaimed experimental electronica label Skam in 1996 after recording an obscene number of tracks and pressing the best of them up as a miniscule-run 12", Twoism, an... [+] Read More

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Also recording as Cabbageboy, Si Begg, and Bigfoot, among others, Simon Begg produces an energetic, dancefloor-ready fusion of techno and electro as Buckfunk 3000. Signed to Tony Thorpe's Language label, Begg's Buckfunk project produced a trio of singles for Language in 1997 before releasing First Class Ticket to Telos, his debut LP, in 1998.... [+] Read More

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Detroit-based experimental rock duo Füxa focused on a lo-fi, electronics-heavy blend of droning, treated guitars, vintage synths (most often the Hammond B-3), and sparse percussion in the vein of Loop, Spacemen 3/Spiritualized, and Amp. Comprised of Randall Nieman and Ryan Anderson, the group formed in 1995 after Nieman left Dearborn-based... [+] Read More

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"Accidental electronica" duo General Magic is perhaps the strangest, least stylistically constrained project on the Austrian Mego label's roster. Formed by label bosses Ramon Bauer and Andi Pieper around the same time they established Mego (GM's collaboration with Peter "Pita" Bauer, "Fridge Trax," was the first Mego release), GM released a pair... [+] Read More

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machines like funk too.

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Morten Remmer and Thomas Knak from James Bong are sound-sample experimentalists akin to Matthew Herbert's Doctor Rockit project, able to marry dubby midtempo grooves to what is often a literally kitchen-sink style of production. The Danish duo began producing in the early '90s as part of a tangled collective comprising such solo and group... [+] Read More

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An original Structure label-group artist with dozens of releases on Köln-based imprints such as DJ Ungle Fever, XXC3, Eat Raw, and Pharma, NYC-based experimental electro producer Can Oral is the man behind an array of pseudonyms. Recording most often as 4E and Khan, Oral's discography is also littered with such monikers as Bizz O.D., Gizz T.V.,... [+] Read More

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Like a Tim is Netherlands-based electronica deviant Tim van Leijden, whose idiot-(s)avant-garde abusements of hip-hop and techno have appeared mostly on the D-Jax label. One for the "Yeah, I buy his records...Sorted!...Play them out? Are you joking?" file, Leijden's surprisingly listenable beat-hiccups are similar in some respects to artists... [+] Read More

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Matmos was one of the more unlikely left-field experimental electronic acts to appear when their self-titled debut was quietly released on their own Vague Terrain label at the beginning of 1997. Based in San Francisco and completely out of the largely U.K.-dominated electronica loop, the duo (Drew Daniel and Martin C. Schmidt) stood little... [+] Read More

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One of the first artists to explore the style of "laptop techno" eventually tagged as glitch, producer Peter Rehberg joined the Mego collective in late 1994, shortly after Ramon Bauer, Peter Meininger, and Andreas Pieper started the Vienna-based label. Employing the moniker Pita, Rehberg collaborated with General Magic (Bauer and Pieper) for the... [+] Read More

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Battersea-based ambient composer Robin Rimbaud, aka Scanner, takes his curious pseudonym from his compositional tool of choice; the cellphone scanner. Although only recording and releasing music since the early '90s, Rimbaud has already earned a reputation as a boundary pushing experimentalist, wedding scanned vocal samples with sparse... [+] Read More

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