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Nothing Gold Can Stay - BONUS TRACK
Released: Sep 25, 2006
Label: N\A

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Coming Home
Released: Sep 19, 2006
Label: N\A

Most all of {$New Found Glory}'s releases have been exuberant {\pop}-{\punk} affairs, practically serving alongside the work of {$blink-182} as the blueprint to the entire genre for the early... Continue[+]

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Most all of {$New Found Glory}'s releases have been exuberant {\pop}-{\punk} affairs, practically serving alongside the work of {$blink-182} as the blueprint to the entire genre for the early 2000s. The guys have been nothing if not consistent for their legion of fans, but there's something about their fifth album, {^Coming Home}, that begs for those earlier fans, who may have retreated in the face of {#TRL} superstardom, to return. It's not that this album blatantly hearkens back to the days of {&"Hit of Miss."} From the album's packaging to the comfortable nature of the music, it actually feels more mature (though the guys really haven't matured at all) in a way that is catchy without seeming to care about radio accessibility. Of course, the songs are absolutely accessible, infectious tracks like {&"Hold My Hand,"} {&"It's Not Your Fault,"} and {&"Too Good to Be"} instantly ready to tear up the airwaves. Rather, the band is now in a position to simply enjoy itself without needing to forcibly shove saccharine-saturated hooks down the throats of anyone standing nearby. And they seem to realize this fact, reflected in the at-ease spirit of {^Coming Home}. Developing family life (including new marriages and children) and years of experience have conjured up some of {$NFG}'s happiest and content lyrics in a while. Heartache is still present (though mostly attributed to familial woes and not high school-related drama), as the music remains energetic and naturally catchy. {$Jordan Pundik}'s voice is still inherently nasal, but the sugary edge has been removed, leaving him sounding fuller, thus easier to handle. Renowned {\rock} producer {$Thom Panunzio} (who's worked with {$Tom Petty}, {$Ozzy Osbourne}, {$Joan Jett}, {$Alice Cooper}, to name a few) undoubtedly had a hand in this transformation, but his expertise simply tweaked what the guys already had, instead of making them something they're not. Make no mistake -- this is a {$New Found Glory} album through and through. It's full of melody, personality, and all the best attributes of their earlier work presented in a way that grows more memorable with each listen. Is it their best work yet? That's debatable. But it sure is satisfying and proves that {$NFG} is far from ready to surrender to all the fresh-faced bands nipping at their heels. ~ Corey Apar, All Music Guide

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Coming Home - BONUS TRACKS
Released: Sep 18, 2006
Label: N\A

Most all of {$New Found Glory}'s releases have been exuberant {\pop}-{\punk} affairs, practically serving alongside the work of {$blink-182} as the blueprint to the entire genre for the early... Continue[+]

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Most all of {$New Found Glory}'s releases have been exuberant {\pop}-{\punk} affairs, practically serving alongside the work of {$blink-182} as the blueprint to the entire genre for the early 2000s. The guys been nothing if not consistent for their legion of fans, but there's something about their fifth album, {^Coming Home}, that begs for those earlier fans, who may have retreated in the face of {#TRL} superstardom, to return. It's not that this album blatantly hearkens back to the days of {&"Hit of Miss."} From the album's packaging to the comfortable nature of the music, it actually feels more mature (though the guys really haven't matured at all) in a way that is catchy without seeming to care about radio accessibility. Of course, the songs are absolutely accessible, infectious tracks like {&"Hold My Hand,"} {&"It's Not Your Fault,"} and {&"Too Good to Be"} instantly ready to tear up the airwaves. Rather, the band is now in a position to simply enjoy itself without needing to forcibly shove saccharine-saturated hooks down the throats of anyone standing nearby. And they seem to realize this fact, reflected in the at-ease spirit of {^Coming Home}. Developing family life (including new marriages and children) and years of experience have conjured up some of {$NFG}'s happiest and content lyrics in a while. Heartache is still present (though mostly attributed to familial woes and not high school-related drama), as the music remains energetic and naturally catchy. {$Jordan Pundik}'s voice is still inherently nasal, but the sugary edge has been removed, leaving him sounding fuller, thus easier to handle. Renowned {\rock} producer {$Thom Panunzio} (who's worked with {$Tom Petty}, {$Ozzy Osbourne}, {$Joan Jett}, {$Alice Cooper}, to name a few) undoubtedly had a hand in this transformation, but his expertise simply tweaked what the guys already had, instead of making them something they're not. Make no mistake -- this is a {$New Found Glory} album through and through. It's full of melody, personality, and all the best attributes of their earlier work presented in a way that grows more memorable with each listen. Is it their best work yet? That's debatable. But it sure is satisfying and proves that {$NFG} is far from ready to surrender to all the fresh-faced bands nipping at their heels. ~ Corey Apar, All Music Guide

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I Don't Wanna Know
Released: Feb 14, 2005
Label: N\A

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This Disaster: Live in London
Released: Nov 23, 2004
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Failure's Not Flattering
Released: Oct 26, 2004
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All Downhill from Here
Released: Aug 24, 2004
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Truth of my Youth/All Downhill from Here
Released: Aug 17, 2004
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Catalyst - JAPAN BONUS TRACK
Released: Jun 29, 2004
Label: N\A

{^Catalyst} doesn't quite graduate {$A New Found Glory} from the {\punk}-{\pop} rungs. From its main aesthetic thrust to the pristine mixing and production, this is a slick and durable... Continue[+]

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{^Catalyst} doesn't quite graduate {$A New Found Glory} from the {\punk}-{\pop} rungs. From its main aesthetic thrust to the pristine mixing and production, this is a slick and durable {@Drive-Thru} missive, micro-tweaked for maximum {~Warped Tour} ROI. Still, the guys in {$NFG} have been at this a while, so a little exploration is not only understandable, it's expected. To that end, {^Catalyst}'s East Coast {\hardcore} kick-off is welcome. Even if it's more of a genre exercise than an actual song, {&"Intro"} illustrates the band's desire to grow within its influences, as do cuts like {&"All Downhill From Here,"} which suggests the literate tack of {$the Alkaline Trio}, or {&"Truth of My Youth"} and {&"Failure's Not Flattering,"} where the rousing melodic jaunt of {$the Get Up Kids} seems to be the model. (That group's {$James Dewees} even contributes some fizzy synthesizer to {&"Flattering."}) As studio budgets grow, so does the scope of an album's requisite {\power ballad}, and {^Catalyst} is no different. Violins and violas chirp urgently in the background of {&"I Don't Wanna Know,"} and late-'90s {~Lillith Fair} hopeful {$Kendall Payne} resurfaces with a gorgeous supporting vocal turn behind {$NFG} frogman {$Jordan Pundik}. It's a great track, despite limiting lyrics ("I never cared how I dressed before/But I cared that night") of the sort that plague {^Catalyst}'s entirety. Elsewhere, beyond the occasional flirtation with drum programming, more piano, and the irresistible {\new wave} influence in late-album standout {&"No News Is Good News,"} {$A New Found Glory} stay with their old standby blend of catchy {\punk}-{\pop} inflected with chunkhead {\metal}. Highlights include {&"This Disaster"} and {&"Doubt Full"}; best is the absolutely unstoppable revivalist romp {&"Your Biggest Mistake,"} which should rule the half-pipe hi-fi until {@Hurley}'s fall line comes out. ~ Johnny Loftus, All Music Guide

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Catalyst
Released: May 18, 2004
Label: N\A

{^Catalyst} doesn't quite graduate {$New Found Glory} from the {\punk-pop} rungs. From its main aesthetic thrust to the pristine mixing and production, this is a slick and durable {@Drive-Thru}... Continue[+]

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{^Catalyst} doesn't quite graduate {$New Found Glory} from the {\punk-pop} rungs. From its main aesthetic thrust to the pristine mixing and production, this is a slick and durable {@Drive-Thru} missive, micro-tweaked for maximum {~Warped Tour} ROI. Still, the guys in {$NFG} have been at this a while, so a little exploration is not only understandable, it's expected. To that end, {^Catalyst}'s East Coast {\hardcore} kickoff is welcome. Even if it's more of a genre exercise than an actual song, {&"Intro"} illustrates the band's desire to grow within its influences, as do cuts like {&"All Downhill from Here,"} which suggests the literate tack of {$the Alkaline Trio}, or {&"Truth of My Youth"} and {&"Failure's Not Flattering,"} where the rousing melodic jaunt of {$the Get Up Kids} seems to be the model. (That group's {$James Dewees} even contributes some fizzy synthesizer to {&"Flattering."}) As studio budgets grow, so does the scope of an album's requisite power {\ballad}, and {^Catalyst} is no different. Violins and violas chirp urgently in the background of {&"I Don't Wanna Know,"} and late-'90s {~Lillith Fair} hopeful {$Kendall Payne} resurfaces with a gorgeous supporting vocal turn behind {$NFG} frogman {$Jordan Pundik}. It's a great track, despite limiting lyrics ("I never cared how I dressed before/But I cared that night") of the sort that plague {^Catalyst}'s entirety. Elsewhere, beyond the occasional flirtation with drum programming, more piano, and the irresistible {\new wave} influence in late-album standout {&"No News Is Good News,"} {$New Found Glory} stay with their old standby blend of catchy {\punk-pop} inflected with chunkhead {\metal}. Highlights include {&"This Disaster"} and {&"Doubt Full"}; best is the absolutely unstoppable revivalist romp {&"Your Biggest Mistake,"} which should rule the half-pipe hi-fi until Hurley's fall line comes out. ~ Johnny Loftus, All Music Guide

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New Found Glory

Albums Just Added!

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New Found Glory Albums, New Found Glory Songs