16 Horsepower is a Denver-based alternative country band revolving around the unique songwriting and singing of David Eugene Edwards. The band made its name with music that combines rural, backwoods kitsch with edgey, off-kilter country-rock. First teaming with drummer Jean-Yves Tola and bassist Pascal Humbert, Edwards lost the latter when the... [+] Read More

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Although chosen for its deliberately nondescript qualities, in retrospect the name American Music Club was the perfect moniker for the lauded San Francisco-based band led by singer/songwriter Mark Eitzel: over the course of seven acclaimed albums, the group tied together the disparate strands of the American musical fabric -- rock, folk,... [+] Read More

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We are back - where we started 1985 with Jazz - Punk - Electronic. Songs recorded with a virtual Tape Deck 2 Tracks - 1 for the Quartet and 1 for Vocals and Effects. First Song - "on the Search for Luck" heheh what Poem :)....
Basic Instrument a Vibraphone ....feel the Vibes...enjoy!

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Loto Ball is best known for his work singing and performing for San Francisco Bay Area death-punk band The Phantom Limbs. During his time with The Phantom Limbs (in which he was sometimes known as “Hopeless”), Loto Ball’s visceral expression of existential distress laced with black comedy, along with the hyper-charged and... [+] Read More

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The country art band Tarnation was essentially a vehicle for Paula Frazer, a talented singer and songwriter who returned to roots music only after a successful foray into 1980s post-punk. Frazer was born and raised in Sautee Nacoochee, GA, a tiny community located in the foothills of the Smoky Mountains, where as a child she sang in her father's... [+] Read More

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Evolving from a garage punk band in the vein of the Replacements, Dinosaur Jr., and Mudhoney to a literate, pretentious, soul-inflected post-punk quartet, the Afghan Whigs were one of the most critically acclaimed alternative bands of the early '90s. Although the band never broke into the mainstream, they developed a dedicated cult following,... [+] Read More

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Conjuring a fiendish witches' brew of primal rockabilly, grease-stained '60s garage rock, vintage monster movies, perverse and glistening sex, and the detritus and effluvia of 50 years of American pop culture, the Cramps are a truly American creation much in the manner of the Cadillac, the White Castle hamburger, the Fender Stratocaster, and... [+] Read More

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This Philadelphia band's first album on A&M, entitled "The Reds," is a ferocious attack, total and relentless. It's textures are dense with electronic chaos brought to the edge of madness, then resolved into piercing clarity. The album showed the band's most impressive achievement -- a sound that blends Rick Shaffer's guitar and Bruce Cohen's... [+] Read More

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Tindersticks were one of the most original and distinctive British acts of the '90s, standing apart from both the British indie scene and the rash of Brit-pop guitar combos that dominated the U.K. charts. Where their contemporaries were often direct and to the point, Tindersticks were obtuse and leisurely, crafting dense, difficult songs layered... [+] Read More

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