At the dawn of the 1980s, Juan Atkins began recording what stands as perhaps the most influential body of work in the field of techno. Exploring his vision of a futuristic music which welded the more cosmic side of Parliament funk with rigid computer synth-pop embodied by Kraftwerk and the techno-futurist possibilities described by sociologist... [+] Read More

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Underground Resistance is probably the most militantly political outcropping of modern urban American techno. Combining a grubby, four-track aesthetic, an almost strictly DIY business philosophy, and an oppositional, militaristic ethos similar to Public Enemy without the drama (or the familiarity; the members refuse to be photographed without... [+] Read More

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Since forming in 1993, Detroit-based electro-techno group AUX 88 have spearheaded a '90s-style rewrite of the breakbeat electro-funk of the early Motor City sound. Often referred to as techno bass, the style integrates elements of early Detroit and New York electro, Miami-born bass music, and the dark, gritty analog edge of Detroit techno, AUX's... [+] Read More

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Detroit producer Anthony "Shake" Shakir is one of the more underrecognized, underappreciated names in American techno. A bedroom producer since 1981, Shake had an important role in helping shape the early Motor City sound associated with artists such as Juan Atkins/Model 500 and Derrick May. He worked with May and Carl Craig as a producer,... [+] Read More

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