In terms of his musical skill, the sheer size of his repertoire, the length and variety of his career and his influence on contemporaries and musicians who would follow, Big Bill Broonzy is among a select few of the most important figures in recorded blues history. Among his hundreds of titles are standards like "All by Myself" and "Key to the... [+] Read More

Yes No

Unlike blues artists like Big Bill or Memphis Minnie who recorded extensively over three or four decades, Blind Boy Fuller recorded his substantial body of work over a short, six-year span. Neverthless, he was one of the most recorded artists of his time and by far the most popular and influential Piedmont blues player of all time. Fuller could... [+] Read More

Yes No

Popular and prolific, Bumble Bee Slim parlayed a familiar but rudimentary style into one of the earliest flowerings of the Chicago style. Much of what he performed he adapted from the groundbreaking duo Leroy Carr and Scrapper Blackwell -- Slim built on Carr's laconic, relaxed vocal style and Blackwell's guitar technique. During the mid-'30s,... [+] Read More

Yes No

Among the premier "Hawaiian" guitarists, Will "Casey Bill" Weldon's voicings, fluidity and tunings were creative and imaginative, as were his arrangements. He was married to Memphis Minnie in the '20s, and they made some superb recordings together in the late '20s. Weldon played in medicine shows before beginning his recording career in 1927 for... [+] Read More

Yes No

In the company of his older brother Joe, the versatile Charlie McCoy ranked among the great blues accompanists of his era, his nimble, sensitive guitar work enriching recordings from performers including Tommy Johnson and Ishmon Bracey. Born May 26, 1909 in Jackson, Mississippi, the self-taught McCoy was recording regularly by the late 1920s,... [+] Read More

Yes No

Exhibiting truly amazing longevity that was commensurate with his powerful, imposing physical build, Sunnyland Slim's status as a beloved Chicago piano patriarch endured long after most of his peers had perished. For more than 50 years, the towering Sunnyland had rumbled the ivories around the Windy City, playing with virtually every local... [+] Read More

Yes No

James "Yank" Rachell was the primary exponent of blues mandolin, although he also played guitar, violin, harp and sang expertly well. Born on a farm outside Brownsville, Tennessee, Yank Rachell picked up the mandolin at the age of eight, mainly teaching himself; an early encounter with "Hambone" Willie Newbern early on helped him as well.... [+] Read More

Yes No