The Netherlands techno/dance-pop phenomenon 2 Unlimited was one of the most popular groups in Europe during the early '90s, selling 18 million records and charting number one singles in every European country. (In England, 11 consecutive singles topped the charts.) America, however, remained unaffected, bringing only "Get Ready for This" to... [+] Read More

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Author of two club hits and one of the few rave artists privileged enough to even record an LP, Acen Razvi produced tracks with dense breakbeats and all matter of sampled, sped-up vocalists, from rude-boy chatters and divas to Jim Morrison. Released on the hardcore label Production House, "Trip II the Moon" also sampled James Bond's You Only... [+] Read More

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Scottish industrial dance-rockers Fini Tribe originally formed in the mid-'80s, comprised of members Chris Connelly, David Miller, Philip Pinsky, Simon McGlynn, Thomas McGregor, and John Vick. 1984 saw the group's first release, the Curling & Stretching EP, followed up by 1985's Peel Sessions and such further EPs as Let the Tribe Grow and I Want... [+] Read More

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The short-lived dance-pop trio K.W.S. derived its moniker from the last names of its members: dancers/songwriters Chris King and Winnie Williams and vocalist Delron St. Joseph. The three were initially members of another dance outfit, B-Line; K.W.S. was formed principally to release a one-off cover of the K.C. & the Sunshine Band number one... [+] Read More

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Lords of Acid's exaggeratedly sexual acid house dance music gained a cult following with their 1991 album, Lust. Previously, the band had released three singles that laid the groundwork for the dense, throbbing Lust and its club hits, "Rough Sex" and "I Must Increase My Bust." Between their debut and their second album, 1994's Voodoo-U, the... [+] Read More

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Mocking pop culture and sneering at authority, the U.K. duo Sheep on Drugs began with the credo "sex is death, drugs are for sheep, buy the product." Formed in 1990 by vocalist Duncan X (aka King Duncan) and multi-instrumentalist Dead Lee (aka Lee 303), Sheep on Drugs combined sleazy rock and trashy techno and released their first single, "Catch... [+] Read More

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The Prodigy navigated the high-wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live... [+] Read More

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