Destined to be a leader from the get, Everton modeled as a child, got into performing and production by his teens, then formed Epu at 21. Being one of the main artists, Everton brings to the game constant innovative songwriting and production originality, the ability to play 20 + instruments, attitude, an aggressive type of singing that's been... [+] Read More

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A native of the Kansas City Area, award-winning composer and saxophone artist, Chris Burnett began his prolific professional start at the age of 18 years old while performing, touring and recording with Army bands from 1974-1996. His 22-year career with noteworthy professional military music organizations provided vast legitimate educational... [+] Read More

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amadichi Dollars is a 30 year-old urban music producer from New York, New York. Ramadichi started playing organ in 1982, piano in 1986, djing in 1987, studio production in 1991 and professional songwriting in 1995. His debut album entitled "Vol. 1: Greatest Hits - Paying Our Dues" has been over 5 years in the making. It was released... [+] Read More

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To say that Benny Carter had a remarkable and productive career would be an extreme understatement. As an altoist, arranger, composer, bandleader, and occasional trumpeter, Carter was at the top of his field since at least 1928, and in the late '90s, Carter was as strong an altoist at the age of 90 as he was in 1936 (when he was merely 28). His... [+] Read More

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A Grammy award-winning producer for Capitol Records who helmed dozens of great jazz, funk, and soul records during the 1960s and '70s (by everyone from Stan Kenton to Lou Rawls to the Electric Prunes to Cannonball Adderley), David Axelrod also forged a distinctive musical style while recording several of the most eccentric albums of the '70s.... [+] Read More

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Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends.... [+] Read More

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Largely forgotten now, Gary McFarland was one of the more significant contributors to orchestral jazz during the early '60s. An "adult prodigy," as Gene Lees accurately noted, McFarland was an ingenious composer whose music could reveal shades of complex emotional subtlety and clever childlike simplicity. While in the Army, he became interested... [+] Read More

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One of the most accessible of all jazz pianists, Gene Harris' soulful style (influenced by Oscar Peterson and containing the blues-iness of a Junior Mance) was immediately likable and predictably excellent. After playing in an Army band (1951-1954), he formed a trio with bassist Andy Simpkins and drummer Bill Dowdy which was, by 1956, known as... [+] Read More

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While George Russell has been very active as a free-thinking composer, arranger and bandleader, his biggest effect upon jazz has been that of the quieter role of theorist. His great contribution, apparently the first by a jazz musician to general music theory, was a book with the intimidating title The Lydian Chromatic Concept of Tonal... [+] Read More

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One of the most significant arrangers in jazz history, Gil Evans' three album-length collaborations with Miles Davis (Miles Ahead, Porgy and Bess and Sketches of Spain) are all considered classics. Evans had a lengthy and wide-ranging career that sometimes ran parallel to the trumpeter. Like Davis, Gil became involved in utilizing electronics in... [+] Read More

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Hugo Montenegro was a composer, arranger, and conductor who is primarily known for his movie work in the '60s, as well as his adaptations of film scores like The Good, the Bad and the Ugly. Montenegro began his musical career in the U.S. Navy, where he arranged scores for various military bands. After he left the Navy, he completed school at... [+] Read More

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Juan Cummings grew up in New York City. Juan has been a lover of music since he was a little boy running around Dyckman Houses. The first musical influence for Juan was George Benson. The song breezin' by George Benson still remains one Juan’s favorite songs. The next artist to influence Juan was Sade. According to Juan, Sade and her smooth jazz... [+] Read More

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Although he was generally reluctant to solo, Mel Lewis was considered one of the definitive big band drummers, a musician who was best at driving an orchestra, but could also play quite well with smaller units. He started playing professionally when he was 15 and worked with the big bands of Boyd Raeburn (1948), Alvino Rey, Ray Anthony, and Tex... [+] Read More

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Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. In his prime, Jackson was an unstoppable juggernaut, possessed of all the tools to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility,... [+] Read More

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Oliver Nelson was a distinctive soloist on alto, tenor, and even soprano, but his writing eventually overshadowed his playing skills. He became a professional early on in 1947, playing with the Jeter-Pillars Orchestra and with St. Louis big bands headed by George Hudson and Nat Towles. In 1951, he arranged and played second alto for Louis... [+] Read More

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A harmonically advanced trumpeter/cornetist with a distinctive sound and a talented arranger/composer, Thad Jones (the younger brother of Hank and older brother of Elvin) had a very productive career. Self-taught on trumpet, he started playing professionally when he was 16 with Hank Jones and Sonny Stitt. After serving in the military (1943-46),... [+] Read More

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