Cat Stevens, born Steven Demetre Georgiou, was the son of a Swedish mother and a Greek father who ran a restaurant in London. He became interested in folk music and rock & roll in his teens while attending Hammersmith College and in 1965 began performing under the name Steve Adams. Mike Hurst, a former member of the folk-pop group the... [+] Read More

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Upon his emergence during the mid-'60s, Donovan was anointed "Britain's answer to Bob Dylan," a facile but largely unfounded comparison which compromised the Scottish folk-pop troubadour's own unique vision. Where the thrust of Dylan's music remains its bleak introspection and bitter realism, Donovan fully embraced the wide-eyed optimism of the... [+] Read More

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The best British folk-rock band of the late '60s, Fairport Convention did more than any other act to develop a truly British variation on the folk-rock prototype by drawing upon traditional material and styles indigenous to the British Isles. While the revved-up renditions of traditional British folk tunes drew the most critical attention, the... [+] Read More

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Canadian Gordon Lightfoot first began to gain recognition in the mid-'60s as a songwriter when his compositions "For Lovin' Me" and "Early Morning Rain" became hits for Peter, Paul & Mary, and Marty Robbins topped the country charts with "Ribbon of Darkness." Lightfoot's own style was understated, his tasteful folk arrangements topped by a... [+] Read More

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Scottish born singer-songwriter/guitarist John Martyn began his innovative and expansive career at the age of 17 with a style influenced by American blues artists such as Robert Johnson and Skip James, the traditional music of his homeland, and the eclectic folk of Davey Graham. With the aid of his mentor, traditional singer Hamish Imlach,... [+] Read More

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A former art and photography teacher, Michael Chapman emerged from the folk scene in Yorkshire, England, gaining a reputation as one of England's finest original singer-songwriters. A deal with the fledgling Harvest label (EMI's "underground" boutique) led to the release of Rainmaker in 1969. The album featured the support of Rick Kemp (who went... [+] Read More

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A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre. Sometimes compared to Van Morrison, Drake in fact resembled... [+] Read More

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Were Pentangle a folk group, a folk-rock group, or something that resists classification? They could hardly be called a rock & roll act; they didn't use electric instruments often, and were built around two virtuoso guitarists, Bert Jansch and John Renbourn, who were already well-established on the folk circuit before the group formed. Yet their... [+] Read More

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Aside from Fairport Convention, Steeleye Span was the most successful and enduring British folk-rock band. The parallels between the bands are numerous: both updated traditional British folk material with rock arrangements, both featured an excellent female lead singer (Sandy Denny for Fairport, Maddy Prior for Steeleye Span), both frequently... [+] Read More

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Tom Rush came up in the Cambridge folk scene of the early '60s, playing folk-blues on a series of albums for Prestige Records, then moved to Elektra, and by the late '60s was interpreting the work of such upcoming writers as Joni Mitchell and James Taylor. By the early '70s, he was mixing his own songs on albums for Columbia. In recent years,... [+] Read More

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The English folk scene with its many leaves and branches are traceable to a few, gnarly yet enduring taproots. Along with the Watersons, and Davy Graham, guitarist Wizz Jones is one of them. While virtually unknown in America in this sorry age, Jones was paramount in influencing virtually every acoustic guitarist and folk scenester who came... [+] Read More

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