Inspired by Motown's assembly line of sound, George Clinton gradually put together a collective of over 50 musicians and recorded the ensemble during the '70s both as Parliament and Funkadelic. While Funkadelic pursued band-format psychedelic rock, Parliament engaged in a funk free-for-all, blending influences from the godfathers (James Brown... [+] Read More

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With their slinky, horn-powered grooves, impeccable musicianship, and eye-popping album covers, the Ohio Players were among the top funk bands of the mid-'70s. Emerging from the musical hotbed of Dayton in 1959, the group was originally dubbed the Ohio Untouchables, and initially comprised singer/guitarist Robert Ward, bassist Marshall "Rock"... [+] Read More

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Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. The East Coast outfit was formed in White Plains, NY, in 1976 by three brothers: lead singer/guitarist David Lewis, lead singer/keyboardist Wayne Lewis, and... [+] Read More

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In the glorious decade and a half of sound that was Stax in the '60s and early '70s, Carla Thomas was the Queen of Memphis Soul. She was born in Memphis in 1942, and 18 years later she recorded a duet with her father Rufus Thomas, giving the fledgling Satellite label its first taste of success with the regional hit "Cause I Love You." As her... [+] Read More

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Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze Featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. The distinctive Maze and its charismatic lead singer, founder, producer, and songwriter Beverly didn't have many pop hits, but they were extremely popular among soul and urban... [+] Read More

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One of the most influential soul singers of the 1960s, Otis Redding exemplified to many listeners the power of Southern "deep soul" -- hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. He was also the most consistent exponent of the Stax sound, cutting his records at the Memphis... [+] Read More

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A Memphis group who had a Top 20 R&B hit in 1988 with a remake of Al Green's "Tired of Being Alone." Vocalists Archie Love and Eric Shotwell and keyboardist Tony DeCarlo were unable to sustain the momentum from this hit. ~ Ron Wynn, All Music Guide

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Few of rock & roll's founding figures are as likable as Rufus Thomas. From the 1940s onward, he has personified Memphis music; his small but witty cameo role in Jim Jarmusch's Mystery Train, a film which satirizes and enshrines the city's role in popular culture, was entirely appropriate. As a recording artist, he wasn't a major innovator, but... [+] Read More

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One of the few vocal groups on the Stax roster during the '60s, the Mad Lads' doo wop-influenced harmonies were more akin to what you might find in Philadelphia soul acts than those of their native Memphis. Featuring the high, innocent tenor of John Gary Williams, the group were still in high school when they were signed to Stax in late 1964. In... [+] Read More

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The Meters defined New Orleans funk, not only on their own recordings, but also as the backing band for numerous artists, including many produced by Allen Toussaint. Where the funk of Sly Stone and James Brown was wild, careening, and determinedly urban, the Meters were down-home and earthy. Nearly all of their own recordings were instrumentals,... [+] Read More

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