Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early '70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were... [+] Read More

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Harold Melvin was one of the driving forces behind Philadelphia soul, leading his group the Blue Notes to the top of the charts during their stint on Kenny Gamble and Leon Huff's Philadelphia International label. Despite Melvin's billing out front, the Blue Notes' focal point was lead singer and onetime drummer Teddy Pendergrass, whose surging... [+] Read More

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The Dells are one of the finest and longest-lived R&B vocal groups in history, and what's most amazing is that they've done it with nearly all the same members -- they haven't changed personnel since 1960. They were one of the very few doo wop outfits to successfully update their sound, finding their strongest commercial niche in the late '60s... [+] Read More

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Before assuming the name the Dramatics, the vocal sextet comprised of Rob Davis, Ron Banks, Larry Reed, Robert Ellington, Larry "Squirrel" Demps, and Elbert Wilkens initially released two singles as the Dynamics on the Wingate imprint that saw no chart action. The group became a quintet upon Ellington's exit, and also changed their name to the... [+] Read More

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The Intrigues were a slick trio that served up funky Philly soul during the early '70s. Their biggest hit in 1969 on the Yew label, "In a Moment," was slickly arranged and produced by Bobby Martin and Thom Bell, although its flip, "Scotchman Rock," was a rocking throwback to simpler times. The Intrigues' lush 1971 hit on Yew, "The Language of... [+] Read More

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The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. The Jackson 5's infectious brand of funky pop-soul was a definite departure from the typically... [+] Read More

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One of the most consistent R&B aggregations of the '70s, the Moments enjoyed a string of major hits throughout the decade. The Hackensack, NJ, trio introduced themselves and the Stang label with "Not on the Outside" in 1968, and topped the R&B charts in 1970 with the gold-plated "Love on a Two-Way Street," produced by Sylvia Robinson (one half... [+] Read More

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A cappella singing has been part of the African-American musical tradition since the days of slavery. Despite the recent success of the hi-tech a cappella group Take 6, the tradition has suffered a steady decline to the point where it is rare even in gospel circles. The Persuasions, though, are resolutely a cappella. Their chart successes have... [+] Read More

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Pop-soul doesn't get much better than Barbara Lewis, whose seductive, emotive croon took "Hello Stranger" to #3 in 1963. The Michigan native had been writing songs since the age of nine, and began recording as a teenager with producer Ollie McLaughlin, who'd also had a hand in the careers of Del Shannon, the Capitols, and Deon Jackson. Lewis... [+] Read More

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The Five Stairsteps were "The First Family of Soul." A title bestowed upon the Chicago-based teenaged group in part because of their astounding five-year run of hits, which included the 1970 million-selling single "O-o-h Child." "The First Family..." title was later adapted by the Jackson 5.

The children of Clarence Sr. and Betty... [+] Read More

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