While most of the early British punk bands spoke of working-class concerns -- primarily unemployment and the shrinking U.K. economy, which was leaving a generation with nothing to do and nowhere to go -- many of the pioneering groups had working-class credentials that were suspect at best; the Sex Pistols' career was being molded by a... [+] Read More

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The enduring L.A. punk band Social Distortion has overcome numerous personnel shifts, the demise of the Los Angeles hardcore scene that spawned them, and the heroin addiction of singer/guitarist/bandleader Mike Ness to achieve a measure mainstream acceptance for their rootsy, hard-hitting punk without compromise. Inspired by the fertile L.A.... [+] Read More

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This Philadelphia band's first album on A&M, self-titled "The Reds," is a ferocious attack, total and relentless. It's textures are dense with electronic chaos brought to the edge of madness, then resolved into piercing clarity. The album showed the band's most impressive achievement - a sound that blends Rick Shaffer's guitar and Bruce Cohen's... [+] Read More

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Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense,... [+] Read More

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Champagne for Radio is an alternative rock three piece from Mercedes, Texas who count The Clash, Pink Floyd and The Deftones as some of their influences. Their music is a combination of driving bass lines, pounding drums, crunchy distorted guitars and catchy vocal melodies, sounding somewhat like The Pixies or The Jesus & Mary Chain.[+] Read More

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To their impassioned cult of fans, New Model Army was one of the best post-punk outfits Great Britain ever produced. Combining the gut-level force of punk with the anthemic political fervor of U2 and The Alarm, as well as the urban protest folk of Billy Bragg, NMA sounded like few other bands mining similar post-punk territory. Their attack was... [+] Read More

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As a pop duo, Nicholson is either influenced by french classic pop (S.Gainsbourg, J.Dutronc) than by english and american pop music (The Smiths, Portishead, The Coral, The good the bad and the queen). Their songs are elegant, their lyrics are bristly, and sometimes their instrumental songs have a kind of cinematic feel.

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RED DATSUN is the product of lives spent in suede cubicles, shadowy bars, ambient trains, and throttled cars. Young lives rooted in the sound of the rock & roll the way the kids used to do it, and the way it used to be done. Analog, dirty, unfastidious.
Naming such bands as The Kinks, Rolling Stones, The Who, The Clash, The Specials, XTC,... [+] Read More

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With idealistic spirit, a powerhouse live show, and bigger than big hair, the Alarm were part of an early-'80s wave of bands (the Call, Big Country, and the Waterboys among them) who dealt in soaring anthems inspired by the righteous idealism of punk. Clearly influenced by the impassioned political fervor of the Clash, the Alarm also worked in a... [+] Read More

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By demonstrating that the spirit of punk could live in traditional Irish folk music, the Pogues were one of the most radical bands of the mid-'80s. Led by Shane MacGowan, whose slurred, incomprehensible voice often disguised the sheer poetry of his songs, the Pogues were undeniably political -- not only were many of their songs explicitly in... [+] Read More

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Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde's songwriting, yet it was a full-fledged band when it was formed in the late '70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also... [+] Read More

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True innovators of the punk era, the Specials began the British ska revival craze, combining the highly danceable ska and rocksteady beat with punk's energy and attitude, and taking on a more focused and informed political and social stance than their predecessors and peers.

The band was originally formed in Coventry, in 1977, as... [+] Read More

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The Stranglers formed as the Guildford Stranglers in the southern England village of Chiddington (near Guildford) in 1974, plowing a heavily Doors-influenced furrow through the local pub rock scene -- such as it was. Of the four founding members, only bassist Hugh Cornwall had any kind of recognizable historical pedigree, having played alongside... [+] Read More

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The Undertones slam-bang punk-pop drew its strength from one simple fact: you didn't need a secret handshake to enjoy it. John and Damian O'Neill mated infectious guitar hooks to '60s garage, '70s glam rock, and Feargal Sharkey's signature vocal quaver. Those qualities came together on their breakout hit "Teenage Kicks," whose simplicity harked... [+] Read More

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Few bands in the history of rock & roll were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notoriously intense live performances demonstrated. The group was a whirlwind of activity, as the wild Keith Moon fell over his drum kit and Pete Townshend leaped into the air with his guitar,... [+] Read More

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