GAMES: GameSpot: Best of 2008 | GameFAQs | SportsGamer MUSIC: Last.fm | MP3.com MOVIES: Metacritic | Movietome TV: TV.com
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Singles Collection
Released: Sep 14, 1994
Label: N\A
Motown Legends: Bernadette
Released: Nov 29, 1993
Label: N\A
All the material here has been available before. Singles are mixed with album cuts to give listeners a peep at some Tops tunes they may have missed. The 11 songs include two standards, three pop... Continue[+]
Collection
Released: Oct 19, 1993
Label: N\A
Until You Love Someone: More of the Best (1965-1970)
Released: Feb 16, 1993
Label: N\A
This compilation gathers 18 non-hit album tracks from eight LPs that the Four Tops cut for Motown between 1965 and 1970 (some of which appeared on B-sides). A major soul group they might have been,... Continue[+]
The Heart & Soul of the 4 Tops
Released: Jul 1, 1992
Label: N\A
This British compilation, containing tracks licensed from MCA (which controls the Dunhill and ABC catalogs) and PolyGram (which controls the Casablanca catalog), presents the Four Tops' greatest... Continue[+]
The Four Tops/Four Tops Second Album
Released: Oct 25, 1990
Label: N\A
Nature Planned It/Keeper of the Castle
Released: Oct 25, 1990
Label: N\A
Another of the two-in-one CD sets, with a pair of good later-period Four Tops albums. Both were underrated and contain some excellent ballads. The sound quality on these discs has always been... Continue[+]
The Best of the Four Tops (1972-1976) - MCA 1982
Released: Oct 25, 1990
Label: N\A
This collection covers their best Dunhill tracks from the 1970s, which did include two big hits in "Ain't No Woman (Like the One I Got)" and "Are You Man Enough." "Keeper of the Castle" was also a... Continue[+]
Motown Legends
Released: Oct 17, 1990
Label: N\A
A budget-priced anthology package with some of the group's hits. There are so many Motown anthologies out, and most of them aren't really that extensive or that much of a bargain. ~ Ron Wynn, All... Continue[+]
Lost and Found: Lost Without You 1963-1970
Released: 2005
Label: N\A
No thanks in small part to the extremely high quality control, Berry Gordy and his creative directors exercised a finite but massive backlog of recordings which never saw the light of day at... Continue[+]
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