There are few bands in the annals of rock music as star-crossed in their history as Badfinger. Pegged as one of the most promising British groups of the late '60s and the one world-class talent ever signed to the Beatles' Apple Records label that remained with the label, Badfinger enjoyed the kind of success in England and America that most... [+] Read More

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Though typically overshadowed by International Artists labelmates the 13th Floor Elevators, Bubble Puppy enjoyed arguably the greatest commercial success of all the Texas psychedelic bands, scoring a Top 20 pop hit with "Hot Smoke & Sasafrass." The roots of the group lie in the Corpus Christi-based Bad Seeds, a trio comprising singer/guitarist... [+] Read More

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After departing from Curt Boettcher's various studio-based groups -- the Millennium, Sagittarius, et al. -- guitarist/vocalist Michael Fennelly struck out on his own. In 1969, Fennelly went to Thee Experience, a Sunset Strip club, where he met the members of Stonehenge, a blues-oriented group whose lineup included Casey Foutz (keyboards), Hank... [+] Read More

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Strictly speaking, based on their raw talent, the Count Five wouldn't rate too much attention from music historians. The definitive one-hit wonders, they failed to make much of a lasting impression on the listening public or on music -- but just play that one hit, "Psychotic Reaction," even 40 years after the fact, and almost any audience will... [+] Read More

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The Easybeats occupy a unique place in the pantheon of 1960s British rock acts. For starters, they were Australian, except that they really weren't -- they met in Sydney alright, and being based in Australia with the talent they had gave them a leg-up over any of the local competition. But lead singer Stevie Wright originally came from England... [+] Read More

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This New York group pioneered "Baroque'n'Roll" in the '60s with their mix of pop/rock and grand, quasi-classical arrangements and melodies. Featuring teenage prodigy Michael Brown as keyboardist and chief songwriter, the group scored two quick hits with "Walk Away Renee" (number five) and "Pretty Ballerina (number 15). Chamber-like string... [+] Read More

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The Move were the best and most important British group of the late '60s that never made a significant dent in the American market. Through the band's several phases (which were sometimes dictated more by image than musical direction), their chief asset was guitarist and songwriter Roy Wood, who combined a knack for Beatlesque pop with a... [+] Read More

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Best known for their rock & roll standard "Pushin' Too Hard," the Seeds combined the raw, Stonesy appeal of garage rock with a fondness for ragged, trashy psychedelia. And though they never quite matched the commercial peak of their first two singles, "Pushin' Too Hard" and "Can't Seem to Make You Mine," the band continued to record for the... [+] Read More

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Todd Rundgren's best-known songs -- the Carole King pastiche "I Saw the Light," the ballads "Hello, It's Me" and "Can We Still Be Friends," and the goofy novelty "Bang on the Drum All Day" -- suggest that he is a talented pop craftsman, but nothing more than that. On one level, that perception is true since he is undoubtedly a gifted pop... [+] Read More

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Van Duren was part of the early Memphis power pop scene that spawned the legendary Big Star, and made several underexposed, small-label records during the late '70s. Duren began playing in bands at the age of 13 in 1966 and attended high school with eventual Big Star drummer Jody Stephens; he auditioned to replace Chris Bell in Big Star in 1974,... [+] Read More

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