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Betty Everett Betty Everett
Genre: R&B/Soul/Urban
Decades Active: 50s, 60s, 70s

Betty Everett sang gospel growing up in Greenwood, MS, before relocating to Chicago and moving into secular music. She began recording for Cobra in 1958, then joined Vee-Jay in the early '60s and started to land hit records. Her original version of "You're No Good," though sung with fire and verve, didn't make much impact until it was turned... [+] Read More

Lesley Gore Lesley Gore
Genre: Rock/Pop
Decades Active: 60s, 70s, 00s

The most commercially successful solo singer to be identified with the girl group sound, Lesley Gore hit the number one spot with her very first release, "It's My Party," in 1963. Produced by Quincy Jones, who fattened the teenager's sound with double-tracked vocals and intricate backup vocals and horns, she reeled off a few more big hits in... [+] Read More

Mary Wells Mary Wells
Genre: R&B/Soul/Urban
Decades Active: 60s, 70s, 80s

Time and legions of other soul superstars have obscured the fact that for a brief moment, Mary Wells was Motown's biggest star. She came to the attention of Berry Gordy as a 17-year-old, hawking a song she'd written for Jackie Wilson; that song, "Bye Bye Baby," became her first Motown hit in 1961. The full-throated approach of that single was... [+] Read More

Petula Clark Petula Clark
Genre: Rock/Pop
Decades Active: 50s, 60s, 70s, 80s, 90s, 00s

The most commercially successful female singer in British chart history, Petula Clark was born November 15, 1932 in Epsom, England. Trained to sing by her soprano mother, Clark embarked on a stage career at the age of seven; soon she was a fixture on British radio programs, and began hosting her own regular show Pet's Parlour -- a series... [+] Read More

The Chiffons The Chiffons
Genre: Rock/Pop
Decades Active: 60s, 70s

One of the best early-'60s New York girl groups, combining sassiness and innocence on several of the style's greatest classics. The Chiffons had some singles under their belt when they reached number one with "He's So Fine," whose classic "doo-lang, doo-lang" riff was appropriated by George Harrison in 1970 for his own chart-topper, "My Sweet... [+] Read More

The Crystals The Crystals
Genre: R&B/Soul/Urban
Decades Active: 60s

Among aficionados of the girl group sound, there can't be five acts more beloved than the Crystals. Their best-known songs, which include "He's a Rebel," "Uptown," "Da Doo Ron Ron," "Then He Kissed Me," and "There's No Other Like My Baby," are among the finest examples of the best that American rock & roll had to offer in the period before the... [+] Read More

The Dixie Cups The Dixie Cups
Genre: Rock/Pop
Decades Active: 60s

A '60s girl group, the Dixie Cups consisted of one cousin (Joan Marie Johnson) and two sisters (Barbara Ann Hawkins and Rosa Lee Hawkins). All three young ladies were from New Orleans, as was producer and singer Joe Jones, who discovered the talented threesome and took them to New York.

The trio was almost known as the Meltones -- or... [+] Read More

The Exciters The Exciters
Genre: Rock/Pop
Decades Active: 60s

With their no-nonsense, street-smart approach, the Exciters ushered in the heyday of the girl group sound via the 1962 classic "Tell Him." Queens, NY, classmates Brenda Reid, Carol Johnson, Lillian Walker, and Sylvia Wilbur formed the group in 1961 when they were all 17 years old. Originally dubbed the Masterettes, they were the sister act to... [+] Read More

The Marvelettes The Marvelettes
Genre: R&B/Soul/Urban
Decades Active: 60s, 70s

Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). "Postman," as well as other chirpy early-'60s hits like "Playboy," "Twistin'... [+] Read More

The Supremes The Supremes
Genre: R&B/Soul/Urban
Decades Active: 60s, 70s

The most successful black performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number-one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars'... [+] Read More

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