One of the greatest lead singers the Motown stable ever had, David Ruffin became one of the artistic cornerstones of the Temptations after his lead vocal on "My Girl" (1965) paved the way for such majestic follow-ups as "Since I Lost My Baby" (1965), "Beauty Is Only Skin Deep" (1966), "All I Need" (1967), and "I Wish It Would Rain" (1968).... [+] Read More

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The older brother of the Temptations' lead singer David Ruffin, Jimmy enjoyed several huge hits himself in the mid-'60s for Berry Gordy's Soul label. Ruffin first signed with another Motown subsidiary, the short-lived Miracle, in 1961, but it was his convincing vocal on "What Becomes of the Brokenhearted" that made him a star in 1966. He encored... [+] Read More

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Though born in Morgantown, NC, vocalist, composer, and producer Johnny Bristol began his career in Detroit and was a longtime force at Motown from 1961 to 1973. Bristol teamed with Jackey Beavers doing duets for Gwen Gordy's Tri-Phi label in Detroit during the early '60s. They cut the original version of "Someday We'll Be Together," which was... [+] Read More

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Motown's skilled but mostly anonymous instrumentalists very rarely stepped out on their own. The lone exception to the rule was tenor saxman Junior Walker, whose rough-and-ready, old-school R&B was a marked contrast with the label's typically smooth, polished product. Walker's squealing gutbucket style was inspired by jump blues and early R&B,... [+] Read More

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Best known as a duet partner of Marvin Gaye, Kim Weston also charted with some of her own solo sides during the '60s, although she never had the breakout success of a Martha Reeves or Diana Ross. Born Agatha Natalie Weston in Detroit in 1939, she started singing in her church choir at age three, and by her teenage years had joined a touring... [+] Read More

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Along with the Supremes, Martha & the Vandellas defined the distaff side of the Motown sound in the 1960s; their biggest hits, including "Heat Wave," "Dancing in the Street," and "Nowhere to Run," remain among the most potent and enduring dance records of the era. The vocal group was led by Martha Reeves who, along with fellow Detroit natives... [+] Read More

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Time and legions of other soul superstars have obscured the fact that for a brief moment, Mary Wells was Motown's biggest star. She came to the attention of Berry Gordy as a 17-year-old, hawking a song she'd written for Jackie Wilson; that song, "Bye Bye Baby," became her first Motown hit in 1961. The full-throated approach of that single was... [+] Read More

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The vocal duo of brothers David and Jimmy Ruffin recorded one LP together for the Soul label in 1970, but were unable to generate much response, even on the R&B circuit. ~ Ron Wynn, All Music Guide

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The Shirelles were the first major female vocal group of the rock era, defining the so-called girl group sound with their soft, sweet harmonies and yearning innocence. Their music was a blend of pop/rock and R&B -- especially doo wop and smooth uptown soul -- that appealed to listeners across the board, before Motown ever became a crossover... [+] Read More

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Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and... [+] Read More

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