Beat Happening was among the truly seminal and influential American bands of the post-punk era, a paragon of pop minimalism, rebellious innocence, and indie defiance. The linchpin of the Olympia, WA-based International Pop Underground, they adopted a stance in direct opposition to the accepted norms at the heart of rock music; ignoring all... [+] Read More

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A leading light of the short-lived C-86/anorak movement of the mid-1980's, the BMX Bandits stood at the epicenter of the Scottish pop music scene for over a decade; however, despite helping launch the careers of talents ranging from Teenage Fanclub and Eugenius to the Soup Dragons and Superstar, the group itself never grew beyond the confines of... [+] Read More

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Combining a love for British guitar pop songcraft with crunching power chords and a flair for the absurd, Cheap Trick provided the necessary links between '60s pop, heavy metal, and punk. Led by guitarist Rick Nielsen, the band's early albums were filled with highly melodic, well-written songs that drew equally from the crafted pop of the... [+] Read More

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Few of punk rock's founding fathers could have anticipated the extreme to which Half Japanese took the music's do-it-yourself ethos. Founded by brothers Jad and David Fair, Half Japanese was quite probably the most amateurish rock band to make a record since the Shaggs, all but ignoring musical basics like chords, rhythms, and melody. However,... [+] Read More

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Britain's Television Personalities enjoyed one of the new wave era's longest, most erratic, and most far-reaching careers. Over the course of a musical evolution that led them from wide-eyed shambling pop to the outer reaches of psychedelia and back, they directly influenced virtually every major pop uprising of the period, with artists as... [+] Read More

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One of alternative rock's most promising -- and frustrating -- bands, the Breeders were conceived initially as a way for Pixies bassist Kim Deal and Throwing Muses guitarist Tanya Donelly to let out some suppressed creative energy and to take a break from being the second bananas in each of their main bands. Deal and Donelly both played guitar,... [+] Read More

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Of the countless bands to emerge from the New York City underground during the post-punk era, few if any were as unique and influential as the Feelies; nerdy, nervous, and noisy, even decades later their droning, skittering avant-garde pop remains a key touchstone of the American indie music scene. Named in reference to Aldous Huxley's paranoid... [+] Read More

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The Pooh Sticks were rock's most inside joke, a monumental yet affectionate prank on the very mythology of pop music itself. Cloaked behind ridculously-overblown marketing schemes, made-up histories and cartoon-character images, the Welsh group punctured the industry's myriad excesses, freely pilfering from the entirety of pop's past by... [+] Read More

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The Raincoats were one of the most experimental bands that immediately followed the initial burst of punk rock in the late '70s. With their minimalistic approach to guitar-driven folk-rock, the band developed a distinctive, jagged sound, punctuated by a shrill violin. The Raincoats were also one of the first all-female post-punk bands, which... [+] Read More

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Combining a knack for infectious melodies with a quirky, bizarre sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became one of the most unlikely alternative success stories of the late '80s and early '90s. Musically, the duo of John Flansburgh and John Linnell borrowed... [+] Read More

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The textbook American cult band of the 1980s, the Violent Femmes captured the essence of teen angst with remarkable precision; raw and jittery, the trio's music found little commercial success but nonetheless emerged as the soundtrack for the lives of troubled adolescents the world over. The group formed in Milwaukee, Wisconsin in the early... [+] Read More

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