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Red Sky - EP
Released: Apr 11, 2006
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Vheissu - DELUXE EDITION
Released: Oct 18, 2005
Label: N\A

There was a telling moment on {$Thrice}'s 2005 B-sides and rarities set, {^If We Could Only See Us Now}. The quartet's live, acoustic performance of {&"Artist in the Ambulance"} was notable for how... Continue[+]

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There was a telling moment on {$Thrice}'s 2005 B-sides and rarities set, {^If We Could Only See Us Now}. The quartet's live, acoustic performance of {&"Artist in the Ambulance"} was notable for how much it suggested {$the Cure} when unplugged. But there were also those kids in the background, solemnly singing along with vocalist {$Dustin Kensrue}. These are the adoring submissives, the fans who filled {$Thrice}-related message boards with dramatic tributes and pledges of allegiance in the run-up to {^Vheissu}'s October release. They represent the leap {$Thrice} has evidently made, to go beyond the usual {\hardcore} and {\metal} dynamics and conventional {\emo} devotion to become a guiding light. {$Thrice} fuels that devotion -- {^Vheissu}'s deluxe edition includes wordy, earnest testimonials from each bandmember on his inspirations, his songwriting, and the recording process. However, the real earnestness is in {^Vheissu}'s music. Insular and meticulously layered, it switches restlessly between gauzy piano figures and righteous, full-bore {\post-hardcore}, often suggesting a more thoughtful {$At the Drive-In}. {&"Like Moths to Flame,"} {&"Image of the Invisible,"} and {&"For Miles"} do this effectively, and the atmospheric stretches of {&"Stand and Feel Your Worth"} opt for the cool, liquid tones of a Rhodes. But {$Kensrue} inevitably screams again, and when he does he'll usually say something unfortunate like "Awed by grace I fall on my face." Like {$Incubus} on {^Crow Left of the Murder} or the extremes of {$ATDI} spawn {$the Mars Volta}, {$Thrice}'s ambition borders on self-indulgence. In {^Vheissu}'s most opaque moments you wonder, is this for everyone, or just the converted, those kids standing next to their stereos in salute? And yet, a record with too much ambition is better than another {\emo} placeholder. And when their curiosity is aligned with more measured songwriting -- as on the breathy, dreamlike {&"Atlantic"} or surging closer {&"Red Sky"} -- {$Thrice} throw open the doors of their devoted club to let the light shine with promise. [{$Thrice}'s deluxe edition included exclusive download content and expanded liner notes.] ~ Johnny Loftus, All Music Guide

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Vheissu
Released: Oct 18, 2005
Label: N\A

There was a telling moment on {$Thrice}'s 2005 B-sides and rarities set, {^If We Could Only See Us Now}. The quartet's live, acoustic performance of {&"Artist in the Ambulance"} was notable for how... Continue[+]

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There was a telling moment on {$Thrice}'s 2005 B-sides and rarities set, {^If We Could Only See Us Now}. The quartet's live, acoustic performance of {&"Artist in the Ambulance"} was notable for how much it suggested {$the Cure} when unplugged. But there were also those kids in the background, solemnly singing along with vocalist {$Dustin Kensrue}. These are the adoring submissives, the fans who filled {$Thrice}-related message boards with dramatic tributes and pledges of allegiance in the run-up to {^Vheissu}'s October release. They represent the leap {$Thrice} has evidently made, to go beyond the usual {\hardcore} and {\metal} dynamics and conventional {\emo} devotion to become a guiding light. {$Thrice} fuels that devotion -- {^Vheissu}'s deluxe edition includes wordy, earnest testimonials from each bandmember on his inspirations, his songwriting, and the recording process. However, the real earnestness is in {^Vheissu}'s music. Insular and meticulously layered, it switches restlessly between gauzy piano figures and righteous, full-bore {\post-hardcore}, often suggesting a more thoughtful {$At the Drive-In}. {&"Like Moths to Flame,"} {&"Image of the Invisible,"} and {&"For Miles"} do this effectively, and the atmospheric stretches of {&"Stand and Feel Your Worth"} opt for the cool, liquid tones of a Rhodes. But {$Kensrue} inevitably screams again, and when he does he'll usually say something unfortunate like "Awed by grace I fall on my face." Like {$Incubus} on {^Crow Left of the Murder} or the extremes of {$ATDI} spawn {$the Mars Volta}, {$Thrice}'s ambition borders on self-indulgence. In {^Vheissu}'s most opaque moments you wonder, is this for everyone, or just the converted, those kids standing next to their stereos in salute? And yet, a record with too much ambition is better than another {\emo} placeholder. And when their curiosity is aligned with more measured songwriting -- as on the breathy, dreamlike {&"Atlantic"} or surging closer {&"Red Sky"} -- {$Thrice} throw open the doors of their devoted club to let the light shine with promise. ~ Johnny Loftus, All Music Guide

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If We Could Only See Us Now - CD & DVD
Released: Mar 29, 2005
Label: N\A

{$Thrice} rose quickly from playing all-ages shows in Orange County backyards to rocking {~the Warped Tour} and a record deal on {@Island}. Released early in 2005, {^If We Could Only See Us Now}... Continue[+]

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{$Thrice} rose quickly from playing all-ages shows in Orange County backyards to rocking {~the Warped Tour} and a record deal on {@Island}. Released early in 2005, {^If We Could Only See Us Now} chronicles the California quartet's first six years with assorted live footage and extensive interviews with the bandmembers, their people, and {$Thrice} fans themselves. That's who this set's for anyway: the fans -- it's a holdover until the follow-up to {^Artist in the Ambulance}, slated for August 2005. Packaged with the DVD is a nine-song EP of B-sides, live cuts, and non-LP tracks. Everything was released previously, but it's nice to have it all in one place. {&"Eclipse"} and {&"Motion Without Meaning"} were {^Ambulance} bonus tracks, while the acoustic-and-strings version of {&"Stare at the Sun"} was originally on the single for {&"All That's Left."} Two tracks from a 2003 in-store are the highlight here. Largely acoustic, {&"Cold Cash, Colder Hearts"} and {&"Artist in the Ambulance"} nevertheless retain {$Thrice}'s wound-tight center. {&"Ambulance"} is particularly revealing. Unplugged, it sounds remarkably like {^Kiss Me, Kiss Me, Kiss Me}-era {$Cure}, updated to hit the hearts of 21st century kids with an even more urgent melody. (Those kids can be heard singing along with {$Thrice}'s {$Dustin Kensrue} during the song's climax.) The EP fills out with covers and additional B-sides. Renditions of {&"Eleanor Rigby"} and {$the Real Life}'s 1980s {\synth pop} nugget {&"Send Me an Angel"} are consumed at every turn by whining electric guitars, but a subdued live run through {&"So Strange I Remember You"} (originally from 2002's {^Illusion of Safety}) benefits from a vintage organ and {$Kensrue}'s pleading vocal. ~ Johnny Loftus, All Music Guide

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All That's Left
Released: Dec 2, 2003
Label: N\A

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Artist in the Ambulance - BONUS TRACK
Released: Nov 25, 2003
Label: N\A

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The Artist in the Ambulance
Released: Aug 12, 2003
Label: N\A

While {$Thrice}'s third effort bears the imprint of {@Sub City}, the charitable arm of thriving L.A. indie {@Hopeless}, the grandiose die-cut packaging of {^The Artist in the Ambulance} also... Continue[+]

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While {$Thrice}'s third effort bears the imprint of {@Sub City}, the charitable arm of thriving L.A. indie {@Hopeless}, the grandiose die-cut packaging of {^The Artist in the Ambulance} also features the famous rainbow spine of {@Island}, or, in the parlance of the 21st century business umbrella, {@Island Def Jam Music Group}, a division of {@Universal}. Following the same route as sonic compatriots {$the Used}, {$A.F.I.}, and the 30 or so other bands thanked in the liner notes, {$Thrice} makes the jump to major-label land with the aid of big-league production and mixing, sick cash flow, and the freedom to stretch both its sound and its vision (each song receives its own panel, upon which each bandmember ruminates). For {^Artist}, helmsman {$Brian McTernan} and mixing guru {$Andy Wallace} have tightened the seams that hold together {$Thrice}'s patchwork print of post-{\hardcore} bellow, emotional bluster, and unabashed {\metal} wankery, ensuring an album that teems with the urgency of {$Thrice}'s peers' recent work. {&"The Abolition of Man,"} {&"Cold Cash and Colder Hearts,"} and especially {&"Paper Tigers"} could have easily appeared on 2002's {^Illusion of Safety}; however, none would have been as tightly wound as they appear here. Indeed, the latter cut sounds like a vintage {\hardcore} rant bleeding through on a cassette dub of {$Accept}'s {^Restless & Wild}. Wrapped in razor wire and glinting in the moonlight, {&"Paper Tiger"} leads into the churning rhythms of {&"Hoods on Peregrine."} Here, {\hardcore} is switched out for {\emo}, but the technical {\metal} framework stays. Elsewhere, first single {&"All That's Left"} drops a little too much homeroom poetry on listeners ("We tried to bleed the sickness/But we drained our hearts instead/We are the dead"), but still manages to move along at a brisk, teary-eyed clip. It's guaranteed to be the theme song to a tortured teen romance. The more traditional hook of {&"All That's Left"} is welcome. Together with the album's relatively straightforward title track, it checks the unforgiving pace of {^The Artist in the Ambulance}, which sometimes becomes so busy with complicated riffing, solar plexus percussion, and wordy lyricisms that it starts to implode. Certainly benefiting from the ears and editing of {$McTernan} and {$Wallace}, {^Artist} is the strongest {$Thrice} album yet, meaning that {@Island/Universal} gets its money's worth in the best way possible: with good music. ~ Johnny Loftus, All Music Guide

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The Illusion of Safety
Released: Feb 5, 2002
Label: N\A

The outbursts of '80s {\thrash}, classic {\British metal}, and {\post-punk} melodies forge {^The Illusion of Safety} into an {\emocore} epic of rare proportions. Atypically dynamic for its genre,... Continue[+]

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Identity Crisis
Released: Mar 6, 2001
Label: N\A

The southern California band {$Thrice} merges {\hardcore}, {\punk}, and {\metal} influences into a not entirely convincing whole on {^Identity Crisis}. It doesn't help that the ordeal is anchored... Continue[+]

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Beggars
Released: Aug 25, 2009
Label: N/A

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