In terms of his musical skill, the sheer size of his repertoire, the length and variety of his career and his influence on contemporaries and musicians who would follow, Big Bill Broonzy is among a select few of the most important figures in recorded blues history. Among his hundreds of titles are standards like "All by Myself" and "Key to the... [+] Read More

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Big Joe Williams may have been the most cantankerous human being who ever walked the earth with guitar in hand. At the same time, he was an incredible blues musician: a gifted songwriter, a powerhouse vocalist, and an exceptional idiosyncratic guitarist. Despite his deserved reputation as a fighter (documented in Michael Bloomfield's bizarre... [+] Read More

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Popular and prolific, Bumble Bee Slim parlayed a familiar but rudimentary style into one of the earliest flowerings of the Chicago style. Much of what he performed he adapted from the groundbreaking duo Leroy Carr and Scrapper Blackwell -- Slim built on Carr's laconic, relaxed vocal style and Blackwell's guitar technique. During the mid-'30s,... [+] Read More

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Gus Cannon was the best known of all the jugband musicians and a seminal figure on the Memphis blues scene. His recollections have also provided us with much of our knowledge of the earliest days of the blues in the Mississippi Delta. Cannon led his Jug Stompers on banjo and jug in a historic series of dates for the Victor label in 1928-1930.... [+] Read More

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Jaybird Coleman was an early blues harmonica player. Although he only recorded a handful of sides and his technique wasn't particularly groundbreaking, his music was strong and a good representation of the sound of country-blues harmonica in the early '30s.

Coleman was the son of sharecroppers. As a child, he taught himself how to... [+] Read More

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One of the definitive jug bands of the '20s and early '30s, this seminal group was comprised of Will Shade, Will Weldon, Hattie Hart, Charlie Polk, Walter Horton, and others, in various configurations.

Guitarist/harpist Will Shade formed the Memphis Jug Band in the Beale Street section of Memphis in the mid-'20s. A few years after... [+] Read More

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If the blues has a truly mythic figure, one whose story hangs over the music the way a Charlie Parker does over jazz or a Hank Williams does over country, it's Robert Johnson, certainly the most celebrated figure in the history of the blues. Of course, his legend is immensely fortified by the fact that Johnson also left behind a small legacy of... [+] Read More

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A well-respected country blues artist despite his limited output, Robert Petway was a blues guitarist who recorded eight sides for Bluebird Records in 1941 and followed those up with eight more in 1942 (of which six were issued). Little biographical information is available on Petway, although it is known that he lived and played in Mississippi.... [+] Read More

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One of the earliest generation of blues performers, Collins developed his style in South Mississippi (as opposed to the Delta). His recording debut single ("The Jail House Blues," 1927) predated those of legendary Mississippians such as Charley Patton and Tommy Johnson and was advertised as "Crying Sam Collins and his Git-Fiddle." Collins did... [+] Read More

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Next to Son House and Charley Patton, no one was more important to the development of pre-Robert Johnson Delta blues than Tommy Johnson. Armed with a powerful voice that could go from a growl to an eerie falsetto range and a guitar style that had all of the early figures and licks of the Delta style clearly delineated, Johnson only recorded for... [+] Read More

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