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The Collection
Released: Feb 28, 2006
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Jasper County - BONUS TRACK
Released: Feb 7, 2006
Label: N\A

{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. The reasons for the extended hiatus were part creative... Continue[+]

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{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. The reasons for the extended hiatus were part creative and part personal, as {$Yearwood} weathered the storm of going public with her relationship with {$Garth Brooks} (as of the release of {^Jasper County}, the couple were engaged to be married) -- but the long wait proved worthwhile, since {^Jasper County} is one of her very best records, stretching further musically than most of her albums while being more cohesive than most as well. Reuniting with longtime producer {$Garth Fundis}, with whom she's done most of her best work (he did not helm {^Inside Out}), {$Yearwood}'s picked a set of 11 songs that aren't just uniformly strong, but are quite diverse. While there's a strong bluesy undercurrent here, highlighted by the slow-churning opener {&"Who Invented the Wheel"} and the {$Bobbie Gentry}-styled Southern {\country-soul} of {&"Sweet Love,"} this is firmly a {\country} album, with few concessions to {\pop} crossover. The tracks that do have a lush, slick surface tend to be the big {\ballads}, such as {&"Standing Out in a Crowd,"} but those tend to be grounded with acoustic guitars and {$Yearwood}'s impassioned delivery. Plus, even those sweeping slow tunes are offset by such excellent {\ballads} as the heartbroken {&"Trying to Love You"} and the epic {&"Georgia Rain,"} which are pure {\country} and lend the overall album a sweet, reflective quality. Even if the album does tend toward relaxed, meditative tunes, {^Jasper County} works because instead of maintaining that introspective vibe throughout the album, {$Yearwood} and {$Fundis} bring in not just those bluesy, soulful songs for balance, but they find two rip-roaring {$Al Anderson} songs -- the white-hot {&"Pistol"} and the old-fashioned {\honky tonk} anthem {&"It's Alright"} -- to give this more {\country} grit than has been heard on any {$Yearwood} album in a long time. At a mere 38 minutes, the album moves along briskly, not just because of the short running time, but because the album is paced well, moving gracefully between {\ballads}, {\blues} like {&"River of You,"} and rollicking uptempo tunes. The end result is not just one of {$Yearwood}'s most entertaining albums, but one of her richest records, in both musical and emotional terms as well. [This edition includes the bonus track {&"Love Will Always Win."}] ~ Stephen Thomas Erlewine, All Music Guide

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Jasper County
Released: Sep 13, 2005
Label: N\A

{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. There was a variety of reasons for the extended hiatus... Continue[+]

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{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. There was a variety of reasons for the extended hiatus -- it was one part creative, one part personal, as {$Yearwood} weathered the storm of going public with her relationship with {$Garth Brooks} (as of the release of {^Jasper County}, the couple was engaged to be married) -- but the long wait proved worthwhile since {^Jasper County} is one of her very best records, an album that stretches further musically than most of her albums while being more cohesive than most of her records as well. Reuniting with longtime producer {$Garth Fundis}, with whom she's done most of her best work (he did not helm {^Inside Out}), {$Yearwood}'s picked a set of 11 songs that aren't just uniformly strong, but are quite diverse. While there's a strong bluesy undercurrent here, highlighted by the slow-churning opener {&"Who Invented the Wheel"} and the {$Bobbie Gentry}-styled Southern {\country-soul} of {&"Sweet Love,"} this is firmly a {\country} album, with few concessions to {\pop} crossover. The tracks that do have a lush, slick surface do tend to be the big {\ballads}, such as {&"Standing out in a Crowd,"} but those do tend to be grounded with acoustic guitars and {$Yearwood}'s impassioned delivery. Plus, even those sweeping slow tunes are offset by such excellent {\ballads} as the heartbroken {&"Trying to Love You"} and the epic {&"Georgia Rain,"} which are pure {\country} and lend the overall album a sweet, reflective quality. Even if the album does tend toward relaxed, meditative tunes, {^Jasper County} works because instead of maintaining that introspective vibe throughout the album, {$Yearwood} and {$Fundis} bring in not just those bluesy, soulful songs for balance, but they find two rip-roaring {$Al Anderson} songs -- the white-hot {&"Pistol"} and the old-fashioned {\honky tonk} anthem {&"It's Alright"} -- to give this more {\country} grit than has been heard on any {$Yearwood} album in a long time. At a mere 38 minutes, the album moves along briskly, not just because of the short running time, but because the album is paced well, moving gracefully between {\ballads}, {\blues} like {&"River of You,"} and rollicking up-tempo tunes. The end result is an album that's not just one of {$Yearwood}'s most entertaining albums, but one of her richest records, in both musical and emotional terms as well. ~ Stephen Thomas Erlewine, All Music Guide

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Jasper County - BONUS DISC
Released: Sep 13, 2005
Label: N\A

{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. There was a variety of reasons for the extended hiatus... Continue[+]

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{$Trisha Yearwood} took an unprecedented four years between her eighth album, 2001's {^Inside Out}, and its 2005 follow-up, {^Jasper County}. There was a variety of reasons for the extended hiatus -- it was one part creative, one part personal, as {$Yearwood} weathered the storm of going public with her relationship with {$Garth Brooks} (as of the release of {^Jasper County}, the couple was engaged to be married) -- but the long wait proved worthwhile since {^Jasper County} is one of her very best records, an album that stretches further musically than most of her albums while being more cohesive than most of her records as well. Reuniting with longtime producer {$Garth Fundis}, with whom she's done most of her best work (he did not helm {^Inside Out}), {$Yearwood}'s picked a set of 11 songs that aren't just uniformly strong, but are quite diverse. While there's a strong bluesy undercurrent here, highlighted by the slow-churning opener {&"Who Invented the Wheel"} and the {$Bobbie Gentry}-styled Southern {\country-soul} of {&"Sweet Love,"} this is firmly a {\country} album, with few concessions to {\pop} crossover. The tracks that do have a lush, slick surface do tend to be the big {\ballads}, such as {&"Standing out in a Crowd,"} but those do tend to be grounded with acoustic guitars and {$Yearwood}'s impassioned delivery. Plus, even those sweeping slow tunes are offset by such excellent {\ballads} as the heartbroken {&"Trying to Love You"} and the epic {&"Georgia Rain,"} which are pure {\country} and lend the overall album a sweet, reflective quality. Even if the album does tend toward relaxed, meditative tunes, {^Jasper County} works because instead of maintaining that introspective vibe throughout the album, {$Yearwood} and {$Fundis} bring in not just those bluesy, soulful songs for balance, but they find two rip-roaring {$Al Anderson} songs -- the white-hot {&"Pistol"} and the old-fashioned {\honky tonk} anthem {&"It's Alright"} -- to give this more {\country} grit than has been heard on any {$Yearwood} album in a long time. At a mere 38 minutes, the album moves along briskly, not just because of the short running time, but because the album is paced well, moving gracefully between {\ballads}, {\blues} like {&"River of You,"} and rollicking up-tempo tunes. The end result is an album that's not just one of {$Yearwood}'s most entertaining albums, but one of her richest records, in both musical and emotional terms as well. [{^Jasper County} was released in a limited edition containing a bonus DVD with an exclusive interview.] ~ Stephen Thomas Erlewine, All Music Guide

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Songbook: A Collection of Hits - AUSTRALIA BONUS TRACKS
Released: Feb 18, 2003
Label: N\A

{^Songbook: A Collection of Hits} is a terrific overview of {$Trisha Yearwood}'s hit singles of the early- and mid-'90s, containing such songs as {&"She's in Love With the Boy,"} {&"Like We Never... Continue[+]

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Inside Out - IMPORT BONUS TRACK
Released: Nov 13, 2001
Label: N\A

{$Trisha Yearwood}'s full of a whole lotta love. Five of the album's 12 tracks have "love" in the title, and the seven others that don't are about love and relationships. But whatever {$Yearwood}'s... Continue[+]

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Inside Out
Released: Jun 5, 2001
Label: N\A

{$Trisha Yearwood}'s full of a whole lotta love. Five of the album's 12 tracks have "love" in the title, and the seven others that don't are about love and relationships. But whatever {$Yearwood}'s... Continue[+]

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Real Live Woman - JAPAN BONUS TRACK
Released: Jun 20, 2000
Label: N\A

Once an artist like {$Trisha Yearwood} enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings... Continue[+]

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Once an artist like {$Trisha Yearwood} enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings between brilliance and failure. That may be unfair, but that's the way it is. {$Yearwood} has never swung between such extremes. She has released some exceptional albums, plus a couple of sub-par efforts, but for the most part, she has remained an artist that is reliable -- you pay your money, and you know you'll get something satisfactory. {^Real Live Woman} is one of those records; it may not rock your world, but it will hardly disappoint. A little more mature and straight-ahead than even her latter-day efforts, {^Real Live Woman} is a measured, deliberate record in the best possible sense. The tempo never gets too heated, but the songs never drift into laziness, either. The tunes are always melodic and always well-chosen. They don't just play to {$Yearwood}'s strengths, but they're solid songs in their own right, whether it's a new {$Matraca Berg} and {$Al Anderson} song ({&"I'm Still Alive"}), an overlooked {$Springsteen} tune ({&"Sad Eyes"}) or a {$Linda Ronstadt} chestnut ({&"Try Me Again"}). Yes, there are a couple of moments where the momentum drags ever so slightly, but as soon as they occur, the album perks back up with the next song. {^Real Live Woman} isn't significantly better or worse than the average {$Trisha Yearwood} album, but that's not a bad thing, since few people do this mainstream country -- meaning, by late-'90s/early-'00s standards, country music that still sounds country but is also melodic enough for pop -- quite as well as this. [The Japanese release adds {&"You're Where I Belong."}] ~ Stephen Thomas Erlewine, All Music Guide

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Real Live Woman - AUSTRALIA BONUS TRACKS
Released: May 23, 2000
Label: N\A

Once an artist like {$Trisha Yearwood} enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings... Continue[+]

Album Name	Required
Album Cover
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Once an artist like {$Trisha Yearwood} enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings between brilliance and failure. That may be unfair; but that's the way it is. {$Yearwood} has never swung between such extremes. She has released some exceptional albums, plus a couple of sub-par efforts, but for the most part, she has remained an artist that is reliable -- you pay your money, and you know you'll get something satisfactory. {^Real Live Woman} is one of those records; it may not rock your world, but it will hardly disappoint. A little more mature and straight-ahead than even her latter-day efforts, {^Real Live Woman} is a measured, deliberate record in the best-possible sense. The tempo never gets too heated, but the songs never drift into laziness, either. The tunes are always melodic and always well-chosen. They don't just play to {$Yearwood}'s strengths, but they're solid songs in their own right, whether it's a new {$Matraca Berg} and {$Al Anderson} song ({&"I'm Still Alive"}), an overlooked {$Springsteen} tune ({&"Sad Eyes"}), or a {$Linda Ronstadt} chestnut ({&"Try Me Again"}). Yes, there are a couple of moments where the momentum drags ever so slightly, but as soon as they occur, the album perks back up with the next song. {^Real Live Woman} isn't significantly better or worse than the average {$Trisha Yearwood} album, but that's not a bad thing, since few people do this mainstream {\country} -- meaning, by late-'90s/early-2000s standards, {\country} music that still sounds {\country} but is also melodic enough for {\pop} -- quite as well as this. [The Australian edition features bonus tracks.] ~ Stephen Thomas Erlewine, All Music Guide

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You're Where I Belong
Released: May 23, 2000
Label: N\A

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Trisha Yearwood

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