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Double Play: Second Toughest in the Infants/Beaucoup Fish
Released: Aug 2, 2005
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Born Slippy - JAPANESE
Released: Dec 9, 2003
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1992-2002
Released: Dec 2, 2003
Label: N\A

Injecting a much-needed dose of darkness and cynicism into the increasingly scrubbed, hygienic dance scene of the early '90s, {$Underworld} brought a young producer ({$Darren Emerson}) together... Continue[+]

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Injecting a much-needed dose of darkness and cynicism into the increasingly scrubbed, hygienic dance scene of the early '90s, {$Underworld} brought a young producer ({$Darren Emerson}) together with two veteran musicians ({$Rick Smith}, {$Karl Hyde}) to create one of the most intriguing partnerships the genre had ever seen. {$Underworld} never fell into the tar pits of major {\electronica} artists during the '90s: even while remaining a concert draw witnessed by millions and presenting themselves as tremendously effective album artists, they continued releasing tough tracks -- not {\pop}-oriented singles -- and never slipped into the {\album rock} crowd (led by {$the Chemical Brothers} and {$Orbital}) or the {\indie rock} crossovers of {\techno} experimentalists ({$Aphex Twin}, {$Autechre}). The {$Underworld} hits compilation {^1992-2002} is a release worthy of their legacy, a collection that refuses to give short shrift to one of the decade's most important acts. A double-disc collection (for both limited-edition and regular release), it compiles the original 12" versions for nearly every single (instead of settling for radio edits or album versions) and begins with a pair of singles recorded in 1992 as {$Lemon Interrupt}, {&"Bigmouth"} and the club hit {&"Dirty."} {$Underworld}'s best-known singles -- {&"MMM Skyscraper I Love You,"} {&"Dirty Epic,"} {&"Born Slippy,"} {&"Pearls Girl"} -- share space with precious singles such as {&"Rez"} and {&"Spikee"} that never appeared on an album. {^1992-2002} suffers only in comparison to {$Underworld}'s excellent proper albums ({^Dubnobasswithmyheadman}, {^Second Toughest in the Infants}, {^Beaucoup Fish}), the best of which were definitive examples of energy and pacing. It will also come as too much for listeners who want only a brief collection including the gist of the group; extended versions of {$Underworld} singles (most of which approach the ten-minute mark) weren't originally meant to be heard start-to-finish, one after another. ~ John Bush, All Music Guide

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Twist
Released: Dec 2, 2003
Label: N\A

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Born Slippy Nuxx 2003
Released: Nov 25, 2003
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1992-2002 - LIMITED EDITION
Released: Nov 18, 2003
Label: N\A

Injecting a much-needed dose of darkness and cynicism into the increasingly scrubbed, hygienic dance scene of the early '90s, {$Underworld} brought a young producer ({$Darren Emerson}) together... Continue[+]

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Injecting a much-needed dose of darkness and cynicism into the increasingly scrubbed, hygienic dance scene of the early '90s, {$Underworld} brought a young producer ({$Darren Emerson}) together with two veteran musicians ({$Rick Smith}, {$Karl Hyde}) to create one of the most intriguing partnerships the genre had ever seen. {$Underworld} never fell into the tar pits of major {\electronica} artists during the '90s: even while remaining a concert draw witnessed by millions and presenting themselves as tremendously effective album artists, they continued releasing tough tracks -- not {\pop}-oriented singles -- and never slipped into the {\album rock} crowd (led by {$the Chemical Brothers} and {$Orbital}) or the {\indie rock} crossovers of {\techno} experimentalists ({$Aphex Twin}, {$Autechre}). The {$Underworld} hits compilation {^1992-2002} is a release worthy of their legacy, a collection that refuses to give short shrift to one of the decade's most important acts. A double-disc collection (for both limited-edition and regular release), it compiles the original 12" versions for nearly every single (instead of settling for radio edits or album versions) and begins with a pair of singles recorded in 1992 as {$Lemon Interrupt}, {&"Bigmouth"} and the club hit {&"Dirty."} {$Underworld}'s best-known singles -- {&"MMM Skyscraper I Love You,"} {&"Dirty Epic,"} {&"Born Slippy,"} {&"Pearls Girl"} -- share space with precious singles such as {&"Rez"} and {&"Spikee"} that never appeared on an album. {^1992-2002} suffers only in comparison to {$Underworld}'s excellent proper albums ({^Dubnobasswithmyheadman}, {^Second Toughest in the Infants}, {^Beaucoup Fish}), the best of which were definitive examples of energy and pacing. It will also come as too much for listeners who want only a brief collection including the gist of the group; extended versions of {$Underworld} singles (most of which approach the ten-minute mark) weren't originally meant to be heard start-to-finish, one after another. [The limited-edition version of {^1992-2002} includes a bonus DVD including videos for five tracks.] ~ John Bush, All Music Guide

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Born Slippy Nuxx - V2
Released: Nov 4, 2003
Label: N\A

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Back to Mine
Released: Aug 12, 2003
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Hundred Days Off - AUSTRALIA BONUS TRACKS
Released: Feb 18, 2003
Label: N\A

As if they didn't have to prove they're still viable as a commercial and artistic outfit, {$Underworld}'s {$Rick Smith} and {$Karl Hyde} faced an additional challenge for {^Hundred Days Off} --... Continue[+]

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As if they didn't have to prove they're still viable as a commercial and artistic outfit, {$Underworld}'s {$Rick Smith} and {$Karl Hyde} faced an additional challenge for {^Hundred Days Off} -- prove to the dance cognoscenti they could withstand the loss of {$Darren Emerson}, the producer who kick-started the band when he joined in 1992. Unfortunately, the results prove only that {$Emerson} most likely did contribute a certain something, now lacking, to the three LPs he graced. {$Underworld}'s trademarked sound, however, is mostly a creation of {$Smith} and {$Hyde}, and present from the opener, {&"Mo Move,"} wherein a dizzying cycle of gurgling bass, crepe paper percussion, and sequencers set off {$Hyde}'s lonely, adrift vocals. The album also reaches an early peak on {&"Two Months Off,"} with a repeated synthesizer riff playing off a brilliant succession of harmonies and basslines, with a hypnotizing performance by {$Hyde} over the top. From there, the album heads off into a succession of overly familiar tracks, either po-mo {\acid house} {\blues} � la {^Dubnobasswithmyheadman} ({&"Sola Sistim,"} {&"Trim,"} {&"Ballet Lane"}) or {\minimalist}, pinpoint {\techno} ({&"Dinosaur Adventure 3D,"} {&"Luetin"}). Surprisingly, counter to expectations after the brash youngster leaves the fold, {^Hundred Days Off} doesn't suffer from the oldster syndrome; the production is edgy and up-to-date as usual, but the songs lack the energy, the feeling, and even the melody of {$Underworld}'s classic records. [The Australian tour edition of {^Hundred Days Off} included an extra CD of mixes and multimedia content.] ~ John Bush, All Music Guide

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Dinosaur Adventure 3D
Released: Jan 14, 2003
Label: N\A

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Underworld

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