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In a State
Released: Dec 30, 2003
Label: N\A

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Never, Never, Land - UK
Released: Sep 23, 2003
Label: N\A

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Eye for an Eye - UK CD #1
Released: Sep 23, 2003
Label: N\A

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Eye for an Eye - UK CD #2
Released: Sep 23, 2003
Label: N\A

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Be There
Released: Apr 20, 1999
Label: N\A

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Psyence Fiction - JAPAN BONUS TRACKS
Released: Jan 12, 1999
Label: N\A

{$James Lavelle} and {$DJ Shadow} are unequal partners in {$UNKLE}, with the former providing the concept and the latter providing music, which naturally overshadows the concept, since the only... Continue[+]

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{$James Lavelle} and {$DJ Shadow} are unequal partners in {$UNKLE}, with the former providing the concept and the latter providing music, which naturally overshadows the concept, since the only clear concept -- apart from futuristic sound effects, video-game samples, and merging {\trip-hop} with {\rock} -- is collaborating with a variety of musicians, from superstars to cult favorites {$Kool G Rap}, {$Alice Temple}, and {$Mark Hollis} (who provides uncredited piano on {&"Chaos"}). Since {$Shadow}'s prime gift is for instrumentals, the prospect of him collaborating with vocalists is more intriguing than enticing, and {^Psyence Fiction} is appropriately divided between brilliance and failed experiments. {$Shadow} and {$Lavelle} aren't breaking new territory here -- beneath the harder {\rock} edge, full-fledged songs, and occasional melodicism, the album stays on the course {^Endtroducing...} set. {$Shadow} isn't given room to run wild with his soundscapes, and only a couple of cuts, such as the explosive opener, {&"Guns Blazing,"} equal the sonic collages of his debut. Initially, that may be a disappointment, but {$UNKLE} gains momentum on repeated listens. Portions of the record still sound a little awkward -- {$Mike D}'s contribution suffers primarily from recycled {^Hello Nasty} rhyme schemes -- yet those moments are overshadowed by {$Shadow}'s imagination and unpredictable highlights, such as {$Temple}'s chilly {&"Bloodstain"} or {$Badly Drawn Boy}'s claustrophobic {&"Nursery Rhyme,"} as well as the masterstrokes fronted by {$Richard Ashcroft} (a sweeping, neo-symphonic {&"Lonely Soul"}) and {$Thom Yorke} (the moody {&"Rabbit in Your Headlights"}). These moments might not add up to an overpowering record, but in some ways {^Psyence Fiction} is something better -- a superstar project that doesn't play it safe and actually has its share of rich, rewarding music. [The Japanese edition adds instrumental versions of {&"Guns Blazing"} and {&"The Knock (Drums of Death, Pt. 2)."}] ~ Stephen Thomas Erlewine, All Music Guide

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Rabbit in Your Headlights - UK
Released: Nov 3, 1998
Label: N\A

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Guns Blazing
Released: Oct 12, 1998
Label: N\A

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Psyence Fiction
Released: Sep 29, 1998
Label: N\A

{$James Lavelle} and {$DJ Shadow} are unequal partners in {$UNKLE}, with the former providing the concept and the latter providing music, which naturally overshadows the concept, since the only... Continue[+]

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{$James Lavelle} and {$DJ Shadow} are unequal partners in {$UNKLE}, with the former providing the concept and the latter providing music, which naturally overshadows the concept, since the only clear concept -- apart from futuristic sound effects, video-game samples, and merging {\trip-hop} with {\rock} -- is collaborating with a variety of musicians, from superstars to cult favorites {$Kool G Rap}, {$Alice Temple}, and {$Mark Hollis} (who provides uncredited piano on {&"Chaos"}). Since {$Shadow}'s prime gift is for instrumentals, the prospect of him collaborating with vocalists is more intriguing than enticing, and {^Psyence Fiction} is appropriately divided between brilliance and failed experiments. {$Shadow} and {$Lavelle} aren't breaking new territory here -- beneath the harder {\rock} edge, full-fledged songs, and occasional melodicism, the album stays on the course {^Endtroducing...} set. {$Shadow} isn't given room to run wild with his soundscapes, and only a couple of cuts, such as the explosive opener, {&"Guns Blazing,"} equal the sonic collages of his debut. Initially, that may be a disappointment, but {$UNKLE} gains momentum on repeated listens. Portions of the record still sound a little awkward -- {$Mike D}'s contribution suffers primarily from recycled {^Hello Nasty} rhyme schemes -- yet those moments are overshadowed by {$Shadow}'s imagination and unpredictable highlights, such as {$Temple}'s chilly {&"Bloodstain"} or {$Badly Drawn Boy}'s claustrophobic {&"Nursery Rhyme,"} as well as the masterstrokes fronted by {$Richard Ashcroft} (a sweeping, neo-symphonic {&"Lonely Soul"}) and {$Thom Yorke} (the moody {&"Rabbit in Your Headlights"}). These moments might not add up to an overpowering record, but in some ways {^Psyence Fiction} is something better -- a superstar project that doesn't play it safe and actually has its share of rich, rewarding music. ~ Stephen Thomas Erlewine, All Music Guide

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Rabbit in Your Headlights - JAPAN
Released: Aug 25, 1998
Label: N\A

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