Neal McCoy's brand of neo-traditionalist honky tonk brought him a string of hits in the mid-'90s. McCoy was born Hubert Neal McGaughey, Jr. in Jacksonville, TX, to a father of Irish descent and a Filipino mother. He grew up listening to all kinds of music -- country, swing, rock, disco, R&B -- and first sang in local gospel choirs. His voice... [+] Read More

Neal McCoy's brand of neo-traditionalist honky tonk brought him a string of hits in the mid-'90s. McCoy was born Hubert Neal McGaughey, Jr. in Jacksonville, TX, to a father of Irish descent and a Filipino mother. He grew up listening to all kinds of music -- country, swing, rock, disco, R&B -- and first sang in local gospel choirs. His voice developed into a rich baritone, and he first put it to professional use in an R&B band; soon, however, he returned to country music, playing bars and clubs all over Texas. In 1981, he won a talent contest that was attended by Janie Fricke, and she helped him land a slot on tour as Charley Pride's opening act. He spent six years in that capacity, and finally left to pursue his own recording career in 1988, when he released his debut single, "That's How Much I Love You," under the name Neal McGoy (the pronunciation of his birth name). Modifying it to the more common McCoy, he released his debut album, At This Moment, on Atlantic in 1990. Despite McCoy's growing reputation for exciting, freewheeling live shows, neither it nor the follow-up, 1992's Where Forever Begins, sold all that well.

However, McCoy's fortunes took a turn for the better with his third album, 1994's No Doubt About It. Both the title track and "Wink" topped the country charts, and "The City Put the Country Back in Me" went Top Five, helping No Doubt About It sell over a million copies. Suddenly a breakout star, McCoy returned in 1995 with You Gotta Love That, another platinum seller that produced a total of three number three singles: "For a Change," "They're Playin' Our Song," and the title track. 1996's Neal McCoy kept his hit streak going strong, giving him a third straight platinum album and another Top Five single in "Then You Can Say Goodbye." The following year saw the release of a Greatest Hits compilation, and McCoy offered a new album later in 1997 called Be Good At It. Despite another Top Five smash in "The Shake," album sales dipped below the million mark for the first time since McCoy's breakthrough. 1999's The Life of the Party, contrary to its title, was an album of ballads and soft country-pop tunes, and both it and 2000's 24-7-365 found McCoy's sales progressively slipping. Taking some time off to recharge, McCoy returned in early 2003 with The Luckiest Man in the World. ~ Steve Huey, All Music Guide [-] Hide

Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. Shenandoah was one of the first groups to rebel against the urban cowboy image of the '80s and lead the way to the new traditionalism of the '90s. Initially formed in 1985 as a house band in... [+] Read More

Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. Shenandoah was one of the first groups to rebel against the urban cowboy image of the '80s and lead the way to the new traditionalism of the '90s. Initially formed in 1985 as a house band in Muscle Shoals, AL, it comprised vocalist Marty Raybon, guitarist Jim Seales, keyboard player Stan Thorn, bassist Ralph Ezell, and drummer Mike McGuire. One night, McGuire invited his friend, songwriter Robert Byrne, to come and watch the MGM band. He was impressed enough to record the band and offer the tapes to CBS, who christened and signed Shenandoah.

The group's self-titled album, released in 1987, leaned a little close to the pop-schmaltz they later rebelled against, though they reached the country Top 30 early in 1988 with "Stop the Rain." The following year, Road Not Taken outlined the group's approach to traditional country and became their most successful album; six singles reached the country Top Ten, led by the number ones "The Church on Cumberland Road," "Sunday in the South," and "Two Dozen Roses." Road Not Taken reached gold status by 1991 and earned Shenandoah the Favorite Newcomer award from Music City News.

The first single from third album Extra Mile (1990) continued -- and even topped -- Shenandoah's success. "Next to You, Next to Me" became Shenandoah's biggest hit, topping the country charts for three weeks. It was followed into the Top Ten during 1990-1991 by "Ghost in This House," "I Got You," and "The Moon Over Georgia." The group's streak of hit singles ended with the mere Top 40 "When You Were Mine" in September 1991.

Despite the success, trouble was brewing. Three other bands came forward in 1991 claiming the Shenandoah name, and the resulting court costs and legal fees bankrupted the group by the end of the year. To make it even worse, CBS -- who had named Shenandoah in the first place -- dropped the group from its roster. The band settled the differences by 1992 and returned to country music with a contract from RCA and the number two hit "Rock My Baby" in April of that year. Shenandoah's fourth album, Long Time Comin', also featured the Top 15 "Leavin's Been a Long Time Comin'."

Fifth album Under the Kudzu (1993) continued Shenandoah's popularity, with the Top Five single "I Want to Be Loved Like That" and the group's fifth country chart-topper in early 1994, "If Bubba Can Dance (I Can Too)." Shenandoah moved to Liberty/Capitol in late 1994 for their sixth album, In the Vicinity of the Heart. The album was released in January 1995 and featured the Top Tens "Somewhere in the Vicinity of the Heart" (with Alison Krauss) and "Darned If I Don't (Danged If I Do)." Shenandoah returned to its roots in 1996 for Now and Then, which combined re-recorded versions of CBS singles with four new songs. Four years later, 2000 was released. ~ John Bush, All Music Guide [-] Hide

Fusing traditional country with traditional rock & roll, the Mavericks became one of the most critically acclaimed and commercially successful groups of the early '90s. Led by singer/songwriter Raul Malo (born August 7, 1965, Miami, FL), the band was formed in Florida in the late '80s. Malo had previously played in several different bands while... [+] Read More

Fusing traditional country with traditional rock & roll, the Mavericks became one of the most critically acclaimed and commercially successful groups of the early '90s. Led by singer/songwriter Raul Malo (born August 7, 1965, Miami, FL), the band was formed in Florida in the late '80s. Malo had previously played in several different bands while he was in high school, as did bassist Robert Reynolds (born Robert Earl Reynolds, April 30, 1962, Kansas City, MO). The pair met at school and discovered they had similar musical tastes -- they both enjoyed the music of Roy Orbison, Patsy Cline, Elvis Presley, Hank Williams, and Johnny Cash -- and decided to form a band. Reynolds persuaded his best friend, Paul Deakin (born Paul Wylie Deakin, September 2, 1959, Miami, FL) -- who had been a drummer in progressive rock bands before and had done some session work -- to join the fledgling country band.

Taking the name the Mavericks, the band began playing rock clubs around the Miami area and built up a solid local following. The group chose to play rock clubs because the country bars only wanted to book bands that played covers and the Mavericks preferred to concentrate on original material. In the fall of 1990, the band released an eponymous independent album. The record worked its way onto play lists across Florida and made its way to Nashville, where it gained the attention of nearly every major record label.

In May of 1991, the group went to Nashville to play a showcase gig. Scouts from all of the town's major labels were in attendance, but the band decided to sign with MCA Records. Later that year, the Mavericks set about recording their first major-label album; before the sessions began, they added lead guitarist David Lee Holt, who had previously played with Joe Ely, Rosie Flores, and Carlene Carter. Titled From Hell to Paradise, the record primarily consisted of Malo's original songs and was released in 1992. Although it was critically acclaimed, the album wasn't a commercial success; only a cover of Hank Williams' standard "Hey Good Lookin'" made the charts and that peaked at number 74.

The Mavericks' commercial fortunes turned around with their second major-label album, What a Crying Shame. Produced by Don Cook (Brooks & Dunn, Mark Collie), the album was more streamlined and focused. It became a hit upon its release early in 1994, with the title track becoming a Top 40 hit. Shortly after the release of What a Crying Shame, the group replaced Holt with Nick Kane (born Nicholas James Kane, August 21, 1954, Jerusalem, GA).

Throughout 1994, the band racked up Top 40 hit singles. "O What a Thrill" went to number 18 in the summer, with "There Goes My Heart" reaching number 20 in the fall. By the spring of 1995, What a Crying Shame had gone platinum. During the first half of 1995, the Mavericks recorded their fourth album, Music for All Occasions, which appeared in the fall of the year. Like its predecessor, it was critically acclaimed and a commercial success. By the spring of 1996, the album had gone gold. Trampoline followed in 1998; easily the group's most musically ambitious set to date, Trampoline's blend of pop and Latin textures didn't connect with the mainstream country audience in the United States, though the album (and it's first single, "Dance The Night Away") proved to be a major success in the United Kingdom. The Mavericks soon found themselves at loggerheads with their record company, and they parted ways with MCA. The group went on hiatus for several years, with Malo releasing a solo album in 2001 and recording with the Latino supergroup Los Super Seven, while Robert Reynolds played on sessions with the group Swag. In 2003, the group re-assembled- - with guitarist Eddie Perez replacing Nick Kane -- and recorded a self-titled set for Sanctuary Records; a live album and DVD, recorded in Austin, Texas on the group's subsequent tour, arrived in the fall of 2004. ~ Stephen Thomas Erlewine

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Although she spent most of her life singing, Lorrie Morgan didn't become a star until the early '90s, when she scored a string of Top Ten country hits. Born Loretta Lynn Morgan, she was the daughter of Grand Ole Opry star George Morgan and made her professional debut at age 13 on the Opry, where her rendition of "Paper Roses" received a standing... [+] Read More

Although she spent most of her life singing, Lorrie Morgan didn't become a star until the early '90s, when she scored a string of Top Ten country hits. Born Loretta Lynn Morgan, she was the daughter of Grand Ole Opry star George Morgan and made her professional debut at age 13 on the Opry, where her rendition of "Paper Roses" received a standing ovation. When her father died in 1975, she took over his band and began leading the group through various club gigs. Within a few years, she disbanded the group, and in 1977, she went on to play with the Little Roy Wiggins band. She then became a receptionist and demo singer at Acuff-Rose, where she also wrote songs. In 1978 she had one minor hit single; the following year another minor hit with "I'm Completely Satisfied," an electronically dubbed duet with her late father. She began touring Nashville nightclubs and opened for a number of acts, including Jack Greene, Billy Thunderkloud, and Jeanie Seely. She also toured as a duet partner with George Jones and spent two years as part of the Opryland USA bluegrass show and as a guest singer on TNN's Nashville Now.

In 1984, Morgan scored a minor hit with "Don't Go Changing." That year she became the youngest singer ever to join the Grand Ole Opry. She married Keith Whitley in 1986 and two years later had a Top 20 hit, "Trainwreck of Emotion." Morgan's popularity was blossoming and she had just scored a major hit with "Dear Me" when Whitley died suddenly in 1989. Though devastated, Morgan continued to work, and that year her album Leave the Light On went gold. In 1990 she had her first number one single, "Five Minutes," along with several other Top Ten hits. Something in Red, her second album, was released in 1991; it went platinum and spawned the number one single "What Part of No." Morgan's third album, Watch Me, was released in 1992; Merry Christmas From London (1993) and War Paint (1994) followed before she issued her Greatest Hits in 1995. She released her fifth studio album, Greater Need, in 1996; Secret Love followed two years later. In 1999, Morgan returned with My Heart; the hits collection Side by Side appeared the following spring. I Finally Found Someone, featuring a duet with Sammy Kershaw, was released in spring 2001. ~ Sandra Brennan, All Music Guide [-] Hide

Reba McEntire was one of the most successful new country vocalists to emerge in the early '80s. The only problem was, she began her recording career in the mid-'70s. It may have taken her several years to reach the top of the country charts, but once she got there she stayed there -- McEntire was the single most successful female country... [+] Read More

Reba McEntire was one of the most successful new country vocalists to emerge in the early '80s. The only problem was, she began her recording career in the mid-'70s. It may have taken her several years to reach the top of the country charts, but once she got there she stayed there -- McEntire was the single most successful female country vocalist of the '80s and '90s, scoring a consistent stream of Top Ten singles and a grand total of 18 number one singles.

McEntire is the daughter of Clark EcEntire, a professional rodeo rider. As a child, Reba was a rodeo rider, as were her sisters Alice and Susie and her brother Pake. While their father taught them how to ride, their mother, Jackie, taught them music. As young adults, the four siblings formed a vocal group that landed a local hit in 1971 with "The Ballad of John McEntire," a song dedicated to their grandfather.

The McEntire children intended to become a professional singing group, but those plans were thrown for a loop when Reba sang the national anthem at the National Rodeo Finals in Oklahoma City in 1974. Red Steagall had heard her sing the anthem and immediately suggested that she go to Nashville and record a demo. McEntire was initially hesitant to pursue a solo career, but the family eventually decided it was better for her to take the chance while it was there.

With some help from Steagall, McEntire signed with Mercury Records in 1975, releasing her first record that same year. Initially, she was a traditional hard country singer at a time when the radio wasn't receptive to that sound -- her first singles didn't come close to cracking the Top 40. Around the time of the release of her first album, she married Charlie Battles, a professional steer wrestler and bulldogger, and completed her teaching degree, in case her musical career floundered.

In 1978, McEntire began to make some headway on the charts, as the double A-sided "Three Sheets in the Wind"/"I'd Really Love to See You Tonight" reached number 20. However, she didn't have any significant hits until the summer of 1980, when "(You Lift Me) Up to Heaven" made it to number eight. By this time, she had begun to cut more ballad-oriented material and the slight shift in musical direction paid off. McEntire stayed with Mercury Records for three more years. In that time, her audience dramatically expanded -- at the end of 1982, she had her first number one single, "Can't Even Get the Blues."

McEntire switched labels in 1984, abandoning Mercury for MCA Records. At MCA, she established herself as one of the decade's most popular artists, selling over 20 million albums and winning four Female Vocalist of the Year awards from the Country Music Association. Between 1985 and 1992, she had 24 straight Top Ten hits, including 14 number one singles. McEntire began toying with rock and pop influences, both in her music and in her image.

McEntire divorced Charlie Battles in 1987. Two years after the divorce, she married Narvel Blackstock, her road manager and steel guitarist; the pair assumed complete control of all aspects of her career, from recording to merchandising and marketing. In the '90s, McEntire stayed as popular as she was in the previous decade, as both her albums and her singles consistently charted in the Top Ten, frequently at number one. McEntire also begun an acting career in the early '90s, appearing in TV movies and feature films, most notably the cult horror film Tremors. She released If You See Him in 1998, returning a year later with a second seasonal collection, The Secret of Giving, as well as So Good Together. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

Greatest Hits lives up to its title, offering the bulk of Tim McGraw's big hits over the course of its 15 tracks. Thankfully, there are no new recordings to bait hardcore fans -- just "Let's Make Love," the duet with Faith Hill that originally appeared on her Breathe album. Consequently, this is one of the rare modern-day incidences of a... [+] Read More

Greatest Hits lives up to its title, offering the bulk of Tim McGraw's big hits over the course of its 15 tracks. Thankfully, there are no new recordings to bait hardcore fans -- just "Let's Make Love," the duet with Faith Hill that originally appeared on her Breathe album. Consequently, this is one of the rare modern-day incidences of a Greatest Hits that really offers all the hits, and nothing but, which not only makes it a boon to fans, but also makes it the most consistent record in McGraw's catalog. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

Greatest Hits -- From the Beginning features 15 of Travis Tritt's biggest hits, including "Country Club," "Help Me Hold On," "Here's a Quarter (Call Someone Who Cares)," and "Tell Me I Was Dreaming." Although there are a couple of hits missing, nothing essential has been overlooked and it's a first-rate introduction. ~ Stephen Thomas Erlewine,...

Greatest Hits -- From the Beginning features 15 of Travis Tritt's biggest hits, including "Country Club," "Help Me Hold On," "Here's a Quarter (Call Someone Who Cares)," and "Tell Me I Was Dreaming." Although there are a couple of hits missing, nothing essential has been overlooked and it's a first-rate introduction. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

As the title indicates, all of Alan Jackson's greatest hits -- including the Number One singles "Chattahoochee," "She's Got the Rhythm (And I Got the Blues)," "I'd Love You All Over Again," and "Don't Rock the Jukebox" -- are collected on this single disc, making it the perfect introduction to the singer. ~ Stephen Thomas Erlewine, All Music Guide

As the title indicates, all of Alan Jackson's greatest hits -- including the Number One singles "Chattahoochee," "She's Got the Rhythm (And I Got the Blues)," "I'd Love You All Over Again," and "Don't Rock the Jukebox" -- are collected on this single disc, making it the perfect introduction to the singer. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

A truly comprehensive four-CD compilation covering the years 1976-1995, including all 31 of his number one hits, 11 more chart singles of great musical significance, 19 LP tracks, and 11 more rare tracks, plus a brace of unreleased songs that are anything but leftovers. The opening three tracks, all written by Strait and dating from 1976-1979,... [+] Read More

A truly comprehensive four-CD compilation covering the years 1976-1995, including all 31 of his number one hits, 11 more chart singles of great musical significance, 19 LP tracks, and 11 more rare tracks, plus a brace of unreleased songs that are anything but leftovers. The opening three tracks, all written by Strait and dating from 1976-1979, show a lot of potential on his part as a singer fronting a competent band. 1981's "Unwound" was where his career lifted off, and his singing takes on serious depth and range. Beyond "Unwound," there's a lot here that could've done well as singles, displaying his early sound as a mix of traditional country and country-pop. Strait ultimately rebelled against the latter, but the songs off of his first two LPs show a prodigious talent in any milieu he'd have chosen to work. Disc two opens with the Bob Wills number "Right or Wrong," which became central to Strait's sound and image and, in the early '80s, was a reminder that as smooth as those early MCA songs had been, Strait had a genuine commitment to Western swing and traditional country music. Disc three divides its space between ballads and honky tonk numbers, with some comedy and some bracing Western swing. Disc four is all '90s material, right up through 1995. The cut that helped sell this set is Strait's never-issued 1993 duet with Frank Sinatra on "Fly Me to the Moon," which never should have been left off the Duets album -- the two singers' voices sound right together, and the song works as is. The producers have provided a booklet with an extensive biographical essay, a full sessionography, and comments from Strait himself on each of the songs included. ~ Bruce Eder, All Music Guide [-] Hide

Deana Carter's debut album may have seemed like the arrival of an overnight sensation, but that was hardly the truth. Carter cracked it finally at 30, after trying since she was 17 as the daughter of kicking country guitar picker Fred Carter. With its ironic odd title and its mix of singer/songwriter folk, new traditionalist country, and pop,... [+] Read More

Deana Carter's debut album may have seemed like the arrival of an overnight sensation, but that was hardly the truth. Carter cracked it finally at 30, after trying since she was 17 as the daughter of kicking country guitar picker Fred Carter. With its ironic odd title and its mix of singer/songwriter folk, new traditionalist country, and pop, Carter came up with a winner. Produced by Chris Farren and Jimmy Bowen, Carter's album features six originals, including the title track, "Count Me In," the amazing opener, "I've Loved Enough to Know," with its hooky guitars, shimmering fiddles, and cascading pianos, the gorgeous "Love Ain't Worth Making" and "Before We Ever Heard Goodbye," and "How Do I Get There." These are the album's strongest tunes, full of passion and sincerity regarding love, its fulfillment and impossibility, as well as its mystery. And the woman can write a hook. There's a radio-friendly rock and pop feel to tracks such as Mac Wiseman's hard country tonkin' "If This Is Love" and Matraca Berg's pedal steel-ringing "Strawberry Wine." That she sold a few million copies of this record to country fans is not surprising at all; that she sold a few million more to AAA radio fans and to those whose musical tastes are dictated by NPR is. Most of these folks bitch like crazy about "young country," and Carter defined it with her very first record in all the best ways: using the country tradition to make fine, well-crafted music that appeals to a broad range of tastes. ~ Thom Jurek, All Music Guide [-] Hide