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BME Recordings Present E-40 & The Hype O
Released: Aug 8, 2006
Label: N\A

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U and Dat
Released: Aug 1, 2006
Label: N\A

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Tell Me When to Go
Released: Jun 27, 2006
Label: N\A

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Grit & Grind - BONUS TRACKS
Released: Jun 22, 2006
Label: N\A

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My Ghetto Report Card - CLEAN
Released: Mar 14, 2006
Label: N\A

Sleazy {\West Coast} meets the slickest {\Dirty South} on {$E-40}'s {^My Ghetto Report Card}, the slang-slingin' rapper's first album for the {@Warner Bros.} family and his first with {$Lil Jon}'s... Continue[+]

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Sleazy {\West Coast} meets the slickest {\Dirty South} on {$E-40}'s {^My Ghetto Report Card}, the slang-slingin' rapper's first album for the {@Warner Bros.} family and his first with {$Lil Jon}'s Atlanta-based {@BME} crew. With past appearances on {$Master P} and {$Eightball & MJG} tracks, {$E-40} and the South have always been cool, and while {^Report Card} has {$Lil Jon} written all over it -- literally and figuratively -- {$E-40} isn't going to forget his beloved Bay Area and its ultra-enthusiastic audience. Actually, {$Lil Jon} seems to be adapting to the Bay more than {$E-40} is going South. The hooky thumper {&"Tell Me When to Go"} is a great example, with {$Jon}'s minimal club track getting Bay Area slanguage spit all over it by {$40} and the gravel-voiced great {$Keak da Sneak}. The way the track slides into {&"Muscle Cars"} -- which sounds like a dubbed {&"Tell Me When to Go"} with a Bay-loving freestyle over it -- is {$Lil Jon} in album-building mode. That's his biggest contribution to the rapper's career, giving the {$E-40} discography the rare solid album without trying to reinvent the man. Tying things to the past, longtime {$E-40} producer {$Rick Rock} gets plenty of airtime, including the opening {&"Yay Area,"} which brilliantly uses a tightly looped sample of {$Digable Planets}' {&"Rebirth of Slick"} to get this quirky, sleazy party started. Oh yes, it is sleazy, with unmentionable but entirely fun tracks keeping things moving in the album's forth quarter. Too bad the maudlin yawner {&"Happy to Be Here"} closes the album, too bad {$Mike Jones} uses his guest shot just to announce the street date of his next album, and too bad {&"White Gurl"} is as much an ode to pushing cocaine as it is to the suburban ladies. The street-loving Bay Area faithful will probably complain more about the sheen {$Lil Jon} lays on some of the club tracks or that {&"U and Dat"} is just {$Ciara}'s chart-conquering {&"Goodies"} all over again, but {^My Ghetto Report Card} is hardly a sellout and a little chart ambition can do a fellow like {$E-40} some good. He's come up with an amazing set of wry, snide, and provocative rhymes for the album, and even if he gives {@Warner Bros.} a shout-out on {&"Gouda,"} he's as unrestrained as ever -- if not more so -- everywhere else. First words out of his mouth on the album: "I got my second wind, pimp!" Indeed. [{^My Ghetto Report Card} was also made available in a clean version, with all explicit material removed.] ~ David Jeffries, All Music Guide

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My Ghetto Report Card
Released: Mar 14, 2006
Label: N\A

Sleazy {\West Coast} meets the slickest {\Dirty South} on {$E-40}'s {^My Ghetto Report Card}, the slang-slingin' rapper's first album for the {@Warner Bros.} family and his first with {$Lil Jon}'s... Continue[+]

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Sleazy {\West Coast} meets the slickest {\Dirty South} on {$E-40}'s {^My Ghetto Report Card}, the slang-slingin' rapper's first album for the {@Warner Bros.} family and his first with {$Lil Jon}'s Atlanta-based {@BME} crew. With past appearances on {$Master P} and {$Eightball & MJG} tracks, {$E-40} and the South have always been cool, and while {^Report Card} has {$Lil Jon} written all over it -- literally and figuratively -- {$E-40} isn't going to forget his beloved Bay Area and its ultra-enthusiastic audience. Actually, {$Lil Jon} seems to be adapting to the Bay more than {$E-40} is going South. The hooky thumper {&"Tell Me When to Go"} is a great example, with {$Jon}'s minimal club track getting Bay Area slanguage spit all over it by {$40} and the gravel-voiced great {$Keak da Sneak}. The way the track slides into {&"Muscle Cars"} -- which sounds like a dubbed {&"Tell Me When to Go"} with a Bay-loving freestyle over it -- is {$Lil Jon} in album-building mode. That's his biggest contribution to the rapper's career, giving the {$E-40} discography the rare solid album without trying to reinvent the man. Tying things to the past, longtime {$E-40} producer {$Rick Rock} gets plenty of airtime, including the opening {&"Yay Area,"} which brilliantly uses a tightly looped sample of {$Digable Planets}' {&"Rebirth of Slick"} to get this quirky, sleazy party started. Oh yes, it is sleazy, with unmentionable but entirely fun tracks keeping things moving in the album's forth quarter. Too bad the maudlin yawner {&"Happy to Be Here"} closes the album, too bad {$Mike Jones} uses his guest shot just to announce the street date of his next album, and too bad {&"White Gurl"} is as much an ode to pushing cocaine as it is to the suburban ladies. The street-loving Bay Area faithful will probably complain more about the sheen {$Lil Jon} lays on some of the club tracks or that {&"U and Dat"} is just {$Ciara}'s chart-conquering {&"Goodies"} all over again, but {^My Ghetto Report Card} is hardly a sellout and a little chart ambition can do a fellow like {$E-40} some good. He's come up with an amazing set of wry, snide, and provocative rhymes for the album, and even if he gives {@Warner Bros.} a shout-out on {&"Gouda,"} he's as unrestrained as ever -- if not more so -- everywhere else. First words out of his mouth on the album: "I got my second wind, pimp!" Indeed. ~ David Jeffries, All Music Guide

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The Bay Bridges Compilation
Released: Aug 23, 2005
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Best of E-40: Yesterday, Today & Tomorrow
Released: Aug 24, 2004
Label: N\A

{$E-40} is a rapper who was long overdue for a best-of collection, which finally came in 2004 when {@Jive}/{@Zomba} released {^Yesterday, Today & Tomorrow}. The Bay Area eccentric debuted his... Continue[+]

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{$E-40} is a rapper who was long overdue for a best-of collection, which finally came in 2004 when {@Jive}/{@Zomba} released {^Yesterday, Today & Tomorrow}. The Bay Area eccentric debuted his tongue-twisting style for {@Jive} back in 1994 with the {^Mail Man} EP, so this collection spans an entire decade -- and a busy one at that, given that {$40} put out roughly an album a year over that span. He didn't score many genuine hits over those years -- none at all, in fact -- but his fresh style did influence a legion of rappers who began to emulate his slangtastic rhyming style. So, given {$40}'s lack of hits, {^Yesterday, Today & Tomorrow} is somewhat of a grab bag. Some of the tracks are clear career highlights: {&"Carlos Rossi,"} {&"Captain Save a Hoe,"} {&"Rapper's Ball,"} {&"Zoom,"} and {&"Automatic"} in particular. Others are excellent and exemplary if somewhat unexceptional, likewise the few previously released inclusions that close the compilation. That means {^Yesterday, Today & Tomorrow} is liable to miss a great many fan favorites like, say, the {$Nate Dogg} gem {&"Nah Nah"} from {^Loyalty & Betrayal} or his most-recent single, {&"Quarterbackin'."} The emphasis here on {$40}'s early, less-heard albums also means some fans may quibble too about the lack of latter-day inclusions. That's all to be expected, of course, for the only way this best-of could be definitive would be if it were a double-disc collection (and even then it'd a bit short of definitive given {$40}'s especially deep canon and generally consistent level of quality, not to mention his innumerable guest appearances elsewhere). {^Yesterday, Today & Tomorrow} is excellent for what it is, however: a single-disc sampler of {$40}'s long, influential decade with {@Jive} that rounds up some of his most obvious highlights in the process and leaves a few gems in the rough for you to discover on your own. And besides, {^Yesterday, Today & Tomorrow} isn't the last word on {$40}. It's simply a selective look back at his first decade that happens to result in the most enjoyable and listenable disc of his colorful career to date. ~ Jason Birchmeier, All Music Guide

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Best of E-40: Yesterday, Today & Tomorrow - CLEAN
Released: Aug 10, 2004
Label: N\A

{$E-40} is a rapper who was long overdue for a best-of collection, which finally came in 2004 when {@Jive}/{@Zomba} released {^Yesterday, Today & Tomorrow}. The Bay Area eccentric debuted his... Continue[+]

View Tracks (15)

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{$E-40} is a rapper who was long overdue for a best-of collection, which finally came in 2004 when {@Jive}/{@Zomba} released {^Yesterday, Today & Tomorrow}. The Bay Area eccentric debuted his tongue-twisting style for {@Jive} back in 1994 with the {^Mail Man} EP, so this collection spans an entire decade -- and a busy one at that, given that {$40} put out roughly an album a year over that span. He didn't score many genuine hits over those years -- none at all, in fact -- but his fresh style did influence a legion of rappers who began to emulate his slangtastic rhyming style. So, given {$40}'s lack of hits, {^Yesterday, Today & Tomorrow} is somewhat of a grab bag. Some of the tracks are clear career highlights: {&"Carlos Rossi,"} {&"Captain Save a Hoe,"} {&"Rapper's Ball,"} {&"Zoom,"} and {&"Automatic"} in particular. Others are excellent and exemplary if somewhat unexceptional, likewise the few previously released inclusions that close the compilation. That means {^Yesterday, Today & Tomorrow} is liable to miss a great many fan favorites like, say, the {$Nate Dogg} gem {&"Nah Nah"} from {^Loyalty & Betrayal} or his most-recent single {&"Quarterbackin'."} The emphasis here on {$40}'s early, less-heard albums also means some fans may quibble, too, about the lack of latter-day inclusions. That's all to be expected, of course, for the only way this best-of could be definitive would be if it were a double-disc collection (and even then it'd a bit short of definitive, given {$40}'s especially deep canon and generally consistent level of quality, not to mention his innumerable guest appearances elsewhere). {^Yesterday, Today & Tomorrow} is excellent for what it is, however: a single-disc sampler of {$40}'s long, influential decade with {@Jive} that rounds up some of his most obvious highlights in the process and leaves a few gems in the rough for you to discover on your own. And besides, {^Yesterday, Today & Tomorrow} isn't the last word on {$40}. It's simply a selective look back at his first decade that happens to result in the most enjoyable and listenable disc of his colorful career to date. [{@Jive} also released a clean version that censors the moments of profanity.] ~ Jason Birchmeier, All Music Guide

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That Fire
Released: May 11, 2004
Label: N\A

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E-40

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