The flamboyant multi-cultural Swedish dance-pop group Army of Lovers formed in 1987, the brainchild of composer and producer Alexander Bard. Five years earlier Bard first emerged as a member of the short-lived trio Baard, best known for the single "Life in a Goldfish Bowl." In 1985 -- in drag, no less -- he led Barbie, a band also comprising... [+] Read More

The flamboyant multi-cultural Swedish dance-pop group Army of Lovers formed in 1987, the brainchild of composer and producer Alexander Bard. Five years earlier Bard first emerged as a member of the short-lived trio Baard, best known for the single "Life in a Goldfish Bowl." In 1985 -- in drag, no less -- he led Barbie, a band also comprising hairdresser Jean-Pierre Barda (alias Farouk), Yazmina Chantal and model Camilla Henemark (a.k.a. Katanga); two years later, Bard, Barda and Henemark (now performing under the name La Camilla) founded Army of Lovers, taking the name in honor of the 1970s cult movie Armee der Liebenden.

With the aid of designer and stylist Camilla Thulin, the group created an outrageously campy image, their wardrobe drawing heavily on religious imagery while also referencing history and folklore. Army of Lovers debuted in 1988 with the single "When the Night Is Cold," followed by the more dance-minded "Love Me Like a Loaded Gun." After scoring a 1989 hit with "Supernatural," the following year they issued their debut LP Disco Extravaganza (issued in the U.S. as Army of Lovers). 1991's Massive Luxury Overdose, recorded with producer Anders Wollbeck, was their breakthrough; in tandem with a pair of lurid videos, the singles "Crucified" and "Obsession" became club hits, and the group became major stars in their native Scandanavia and throughout Eastern Europe.

In the wake of the record's success, however, La Camilla was fired and replaced by model and school teacher Michaela Dornonville de la Cour, who debuted on the single "Judgment Day." After recording music for the soundtrack to the film Ha Ett Underbart Liv, Army of Lovers recruited former phone-sex operator Dominika Peczynski and released 1993's The Gods of Earth and Heaven; the single "Israelism" became the subject of considerable controversy when it was accused of mocking Jewish culture, but ironically rose to the number one spot on the Israeli pop charts. After 1994's Glory Glamour and Gold, de la Cour exited, paving the way for the return of La Camilla prior to the release of the 1996 Les Greatest Hits. With Army of Lovers on hiatus, Bard formed a new group, Vacuum, and issued 1997's The Plutonium Cathedral; La Camilla, meanwhile, mounted a solo career. ~ Jason Ankeny, All Music Guide [-] Hide

Comprised of vocalists Jenny Berggren and Linn Berggren, and keyboardists Jonas "Joker" Berggren and Ulf "Buddah" Ekberg, the Swedish quartet Ace of Base became a phenomenally popular international act with their 1993 debut album, The Sign. Ace of Base's simple, melodic Euro-disco was equally popular on radio and in the clubs, earning the... [+] Read More

Comprised of vocalists Jenny Berggren and Linn Berggren, and keyboardists Jonas "Joker" Berggren and Ulf "Buddah" Ekberg, the Swedish quartet Ace of Base became a phenomenally popular international act with their 1993 debut album, The Sign. Ace of Base's simple, melodic Euro-disco was equally popular on radio and in the clubs, earning the quartet three U.S. Top Ten singles -- "All That She Wants," "Don't Turn Around," and "The Sign," which spent six weeks at number one.

Before the quartet formed in 1990, sisters Jenny and Linn Berggren sang in local church choirs in Gothenburg, Sweden. Their brother, Jonas, played synthesizers and wrote songs with Ulf Ekberg. Eventually, Jonas and Ulf recruited Jenny and Linn to sing with them, and the quartet began playing dance music at local clubs in the late summer of 1990. Within a year, the group signed with Mega Records and released their debut single, "Wheel of Fortune," in 1992. By that time, the quartet had joined forces with John Ballard, who produced their recordings and wrote the majority of their songs; occasionally, Ballard co-wrote with Jonas Berggren. "Wheel of Fortune" became a hit across Scandinavia, and soon the German-based record label Metronome signed a European distribution deal with the group. "All That She Wants" was Ace of Base's first single in Europe and, thanks to heavy exposure on MTV, the song became a number one hit in ten different countries. In the spring of 1993, Ace of Base released their European debut album, Happy Nation.

"All That She Wants" was released in America in the fall of 1993 and quickly went platinum, beginning a string of platinum Top Ten singles in the U.S.. Released in the fall of 1993, Ace of Base's American debut album The Sign -- a reconfigured version of Happy Nation, featuring four new songs -- quickly sold nearly two million copies in the U.S.. Throughout 1994, Ace of Base dominated radio in America and Europe as "All That She Wants," "Don't Turn Around," and "The Sign" received heavy airplay on a number of radio formats, including Top 40, adult contemporary, urban, and, bizarrely, modern rock. By the end of the year, The Sign had sold over eight million copies in the U.S. alone. Ace of Base was nominated for three Grammys that year, including Best New Artist.

Ace of Base released their second album, The Bridge, in the fall of 1995. Although it went platinum in its first six months of release, the record failed to duplicate the remarkable multi-platinum success of The Sign. After a three-year-hiatus, the duo returned with Cruel Summer, which suffered a similar fate. 2000 saw the release of Greatest Hits, a blend of original singles and remixes. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

Although they never had much success in America, the Euro-disco group Boney M. was a European phenomenon during the '70s. After German record producer Frank Farian (born in 1942) recorded the single "Baby Do You Wanna Bump?" (which was successful in Holland and Belgium), he created Boney M to support the song, bringing in four West Indian... [+] Read More

Although they never had much success in America, the Euro-disco group Boney M. was a European phenomenon during the '70s. After German record producer Frank Farian (born in 1942) recorded the single "Baby Do You Wanna Bump?" (which was successful in Holland and Belgium), he created Boney M to support the song, bringing in four West Indian vocalists who had been working as session singers in Germany -- Marcia Barrett (born on October 14, 1948, St. Catherines, Jamaica), Liz Mitchell (born on July 12, 1952, Clarendon, Jamaica), Maizie Williams (born on March 25, 1951, Monserrat, West Indies), and Bobby Farrell (born on October 6, 1949, Aruba, West Indies). "Daddy Cool" reached the U.K. Top Ten in February 1977, followed in April by a remake of Bobby Hebb's "Sunny." In July, "Ma Baker" just missed the U.K. number one spot, and "Belfast" hit the Top Ten in December. In 1978, Boney M. was at the height of their popularity with "Rivers of Babylon"/"Brown Girl in the Ring," which became the second-biggest selling single in U.K. chart history. "Rivers of Babylon" also was Boney M.'s only U.S. Top 40 hit. Boney M's album, Nightflight to Venus, also topped the U.K. charts. In October 1978, "Rasputin" became another U.K. Top Ten hit, followed by the seasonal chart-topper "Mary's Boy Child"/"Oh My Lord," which became the fifth-biggest selling single in U.K. history. In March 1979, "Painter Man" hit the U.K. Top Ten, followed in May by "Hooray! Hooray! It's a Holi-Holiday." In September, the album Oceans of Fantasy hit number one. Their music continues to sell well in Europe, with a compilation hitting the U.K. Top Ten in 1994. Farian went on to create the late-'80s dance sensation Milli Vanilli. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph... [+] Read More

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all. But Lear's slow notes are simply an exaggeration of the whiskey-voiced sultriness created by Marlene Dietrich. That isn't to say, however, that Lear's lyrics -- or the music's inverted proportions -- don't exploit her mythology as a kinky concoction to the bursting point. ~ Michael Freedberg, All Music Guide [-] Hide

The most commercially successful pop group of the 1970s, the origins of the Swedish superstars ABBA dated back to 1966, when keyboardist and vocalist Benny Andersson, a onetime member of the popular beat outfit the Hep Stars, first teamed with guitarist and vocalist Bjorn Ulvaeus, the leader of the folk-rock unit the Hootenanny Singers. The two... [+] Read More

The most commercially successful pop group of the 1970s, the origins of the Swedish superstars ABBA dated back to 1966, when keyboardist and vocalist Benny Andersson, a onetime member of the popular beat outfit the Hep Stars, first teamed with guitarist and vocalist Bjorn Ulvaeus, the leader of the folk-rock unit the Hootenanny Singers. The two performers began composing songs together and handling session and production work for Polar Music/Union Songs, a publishing company owned by Stig Anderson, himself a prolific songwriter throughout the 1950s and 1960s. At the same time, both Andersson and Ulvaeus worked on projects with their respective girlfriends: Ulvaeus had become involved with vocalist Agnetha Faltskog, a performer with a recent number one Swedish hit, "I Was So in Love," under her belt, while Andersson began seeing Anni-Frid Lyngstad, a one-time jazz singer who rose to fame by winning a national talent contest.

In 1971, Faltskog ventured into theatrical work, accepting the role of Mary Magdalene in a production of Andrew Lloyd Webber's Jesus Christ Superstar; her cover of the musical's "Don't Know How to Love Him" became a significant hit. The following year, the duo of Andersson and Ulvaeus scored a massive international hit with "People Need Love," which featured Faltskog and Lyngstad on backing vocals. The record's success earned them an invitation to enter the Swedish leg of the 1973 Eurovision song contest, where, under the unwieldy name of Bjorn, Benny, Agnetha & Frida, they submitted "Ring Ring," which proved extremely popular with audiences but placed only third in the judges' ballots.

The next year, rechristened ABBA (a suggestion from Stig Anderson and an acronym of the members' first names), the quartet submitted the single "Waterloo," and became the first Swedish act to win the Eurovision competition. The record proved to be the first of many international hits, although the group hit a slump after their initial success as subsequent singles failed to chart. In 1975, however, ABBA issued "S.O.S.," a smash not only in America and Britain but also in non-English speaking countries such as Spain, Germany and the Benelux nations, where the group's success was fairly unprecedented. A string of hits followed, including "Mamma Mia," "Fernando," and "Dancing Queen" (ABBA's sole U.S. chart-topper), further honing their lush, buoyant sound; by the spring of 1976, they were already in position to issue their first Greatest Hits collection.

ABBA's popularity continued in 1977, when both "Knowing Me, Knowing You" and "The Name of the Game" dominated airwaves. The group also starred in the feature film ABBA -- The Movie, which was released in 1978. That year Andersson and Lyngstad married, as had Ulvaeus and Faltskog in 1971, although the latter couple separated a few months later; in fact, romantic suffering was the subject of many songs on the quartet's next LP, 1979's Voulez-Vous. Shortly after the release of 1980s Super Trouper, Andersson and Lyngstad divorced as well, further straining the group dynamic; The Visitors, issued the following year, was the final LP of new ABBA material, and the foursome officially disbanded after the December 1982 release of their single "Under Attack."

Although all of the group's members soon embarked on new projects -- both Lyngstad and Faltskog issued solo LPs, while Andersson and Ulvaeus collaborated with Tim Rice on the musical Chess -- none proved as successful as the group's earlier work, largely because throughout much of the world, especially Europe and Australia, the ABBA phenomenon never went away. Repackaged hits compilations and live collections continued hitting the charts long after the group's demise, and new artists regularly pointed to the quartet's inspiration: while the British dance duo Erasure released a covers collection, ABBA-esque, an Australian group called Bjorn Again found success as ABBA impersonators. In 1993, "Dancing Queen" became a staple of U2's "Zoo TV" tour -- Andersson and Ulvaeus even joined the Irish superstars on-stage in Stockholm -- while the 1995 feature Muriel's Wedding, which won acclaim for its depiction of a lonely Australian girl who seeks refuge in ABBA's music, helped bring the group's work to the attention of a new generation of moviegoers and music fans. ~ Jason Ankeny, All Music Guide [-] Hide

Les Greatest Hits remains the best introduction to Army of Lovers' music; along with the singles "Supernatural," "Crucified," "Obsession" and "Israelism," it also features the new tracks "Give My Life," "Venus and Mars" and "Requiem." ~ Jason Ankeny, All Music Guide

Les Greatest Hits remains the best introduction to Army of Lovers' music; along with the singles "Supernatural," "Crucified," "Obsession" and "Israelism," it also features the new tracks "Give My Life," "Venus and Mars" and "Requiem." ~ Jason Ankeny, All Music Guide [-] Hide

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"Barbie Girl" is one of those inexplicable pop culture phenomena -- a bouncy, slightly warped Euro-dance song that simultaneously sends up femininity and Barbie dolls. Mattel wasn't too amused, but the public was, making it a huge hit in Europe and America. Like many Europop acts, Aqua isn't capable of delivering another song as insanely catchy... [+] Read More

"Barbie Girl" is one of those inexplicable pop culture phenomena -- a bouncy, slightly warped Euro-dance song that simultaneously sends up femininity and Barbie dolls. Mattel wasn't too amused, but the public was, making it a huge hit in Europe and America. Like many Europop acts, Aqua isn't capable of delivering another song as insanely catchy as "Barbie Girl," but there's plenty of infectious filler that keeps the album moving along at a nice pace. ~ Stephen Thomas Erlewine, All Music Guide [-] Hide

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ABBA's fourth album appeared after the group had arrived as major stars, and it shows the quartet at the absolute top of their game. In addition to "Dancing Queen," which is probably their best-known hit (a number one single on both sides of the Atlantic), the record was filled with brilliant material, including the spirited "When I Kissed the... [+] Read More

ABBA's fourth album appeared after the group had arrived as major stars, and it shows the quartet at the absolute top of their game. In addition to "Dancing Queen," which is probably their best-known hit (a number one single on both sides of the Atlantic), the record was filled with brilliant material, including the spirited "When I Kissed the Teacher"; the dramatic, achingly beautiful "Knowing Me, Knowing You" (yet a further hit); the pounding "Money, Money, Money" (still another hit off the album); and the playful "That's Me." Arrival was reissued in October of 2001 in a 24-bit digital transfer, in a handsome gatefold package with two bonus tracks added on. The upgraded sound puts the piano on "Dancing Queen" practically in the room with the listener, and the rhythm guitars by Björn Ulvaeus and Lasse Wellander on "Knowing Me, Knowing You," "When I Kissed the Teacher," and "Dum Dum Diddle" are up very close. The other big beneficiaries are Rutger Gunnarsson's muscular bass playing throughout the album, which never sounded sharper or more effective, and Benny Andersson's keyboards everywhere, which have real presence. Wellander's power chords over the chorus of "Knowing Me, Knowing You" are some of those dramatic musical effects that this group played for maximum effect, which gave their music a raw power that their detractors usually overlooked; in the new edition, it's impossible to ignore. What's more, the sheer impact of the bass drums behind the choruses on "Tiger" will be pretty impressive to any noise freaks. And all of the voices are in very sharp relief; every iota of richness is now on display. So one can now fully appreciate what Frida Lyngstad was hearing when she found the playback of the backing track on "Dancing Queen" beautiful enough to cry over the first time she heard it. The two bonus cuts are both choice additions: The lost B-side, "Happy Hawaii," is a soaring, rocking dance number that got left off the album, and the chronologically related single "Fernando" had been recorded during the making of the LP but not included on it in most of the world. The latter is a profoundly beautiful song that, with its use of flutes and a folk-like melody, is a sort of disco-era follow-up to Simon & Garfunkel's "El Condor Pasa." ~ Bruce Eder, All Music Guide [-] Hide