1. Open your music library (iTunes, mp3 playa, Media Player, iPod, etc)

2. Put it on shuffle

3. Press play

4. For every question, type the song that's playing

5. When you go to a new question, press the next button

6. Don't lie and try to pretend you're cool....because your not!



Opening Credits:
Stand Inside Your Love (Smashing Pumpkins)



Waking Up:
Man On The Moon (REM)



First Day At School:
Homesick (The Vines)



Falling In Love:

Getaway (The Vines)



Fight Song:
Warsaw (Joy Division)



Breaking Up:
Some Surprise (Cake Sale)



Grad/Debs:

Gloomy Sunday (Christian Death)



Life's OK:
Feel Good Hit Of The Summer (QOTSA)



Mental Break down
Random Acts Of Violence (Raging Speedhorn)



Driving:
Beckon the Sick Winds of Pestilence (Karl Sanders)



Flashback

Looking Outside Inside (Anathema)



Getting Back Together
Never Again (Discharge)



Birth of Child?

A Heart Was Beating (S.C.A.L.P.)



Requiem

Forging Sympathy (Paradise Lost)



Wedding:
Through The Occult Veil (Graveland)



Final Battle:
Dominion (Scar Symmetry)



Death Scene:
Goodbye Cruel World (Anathema)



Funeral Song:
Wreath Of Barbs (:wumpscut

That sucked

With the deaden'd silence of my exiled mind shattered, a torturous word crawled to the darkest cavern of my being; for a dim glow resonated from the eyes of my dead dream, tore a hole in my lacrimal sleep.... But as if I had motioned the skies to part, a piece of heaven did tumble past my hungry eyes, but a single lonely drop fell to the inviting earth bearing unending furrows to carve me open, and a sad drop of pain within such a vast ocean of disease presented a dismal glimmer of searing bliss that passed in a blinking moment, it may have slipped unnoticed but for the piercing cries in my heart. The dismal moments have now passed to flounder in the sea of disease sinking like bowling balls

There's a fire in the valley that's killing many for the few and a funeral for the living.
The dead have gathered around to view.
When heaven burns to ashes their dreams will come crashing too.
While some are more forgiving I'll spend my life hunting you.
Murdering bastards, you furking killed her when you burned could you feel her eyes staring back at you?
Kill him, kill him, just furcking do it, when he is dead this will be all over and we can get on with things.
Take this, use it. They deserve it.
But in their deaths realize she will never be coming back to you, only death behind.
Focus all my energy- prepare myself to slaughter swine- decimate the wicked- eliminate their worthless lives.
String 'em up. Drip them motherfurckers dry.
Murdering bastards you furcking killed her when you burned could you feel her eyes staring back at you?
I killed him, I killed him. Just furcking did it. But in a way I feel empty inside and can't get on with things.
I took it, and used it. They deserved it.
As I sit here wracked with disbelief that she will never be coming back to me I'll strike you down six feet in the ground.
A piece of steel led in the crown. This ends here and now.
Somehow I knew you'd be here. You took so long regarding your fears of treason you've got it all wrong.
I feel your rage, it's rising. Our blood is not theirs.
It's all over the cleansing. I'll see you in Hell.
Forgive me for I have acted against my own blood, I never meant for all of it to happen this way.
A man makes his choice, God willing to live with his shame.
I have so much love for you. I knew I'd die today.

Peter Paul Rubens

Peter Paul Rubens was born in 1577 in Siegen, Westphalia to Calvinist parents. His father Jan Rubens was forced to flee to Cologne in 1568 due to the fact that Belgian ruler Philip was enforcing his Catholic/Spanish views, and those with contrasting religious backgrounds were discriminated against. Jan Rubens encountered similar difficulties in Cologne and thus reverted back to Christianity. Jan was imprisoned for two years charged with adultery, and released on bail. Peter Paul was then born in 1577 Siegen, and the family returned to Cologne. After Jan’s death in 1587 in Cologne the remaining family fled back to their hometown of Antwerp.

Peter Paul studied at a school run by Rombout Verdonck, in which he met lifelong friend Balthasar Morteus. Rubens studied Latin and Greek, developing fluency in the former through the help of Classical scholar sibling Philip. He also achieved a decent written proficiency in Italian.

His contemporaries included Martin de Vos, Frans Francken; fellow landscape painters Paul Brill, Joos de Momper and Jans Bruegel.

Discuss the portrayal of the issue of guilt in Wolfgang Borchert's "Draußen Vor Der Tür" Post-World War II Germany is often seen to be defined by a sense of overriding guilt, to such a broad extent that it extended to every German citizen and became a nationwide mindset. This was aptly conveyed in former Chancellor Gerhard Schroeder's words, "The memory of the National Socialist era, of war, genocide and infamy, has become part of our national identity. It has left us with an abiding moral and political duty" _. It would seem fitting therefore that a topical play written and set in the years immediately following World War II would carry this sense of ambivalent guilt, as is the case in Draußen Vor Der Tür. This play, written and published between late 1946 and 1947, is introduced with a claim that this is "a piece that no theatre will show, that no audience wants to see", an unusual laud that seems more of a promotional baiting mechanism than a cautionary note. We are given the impression that the subject matter may be difficult to consume for an audience trying to distance themselves from the recent past of their nation. Indeed, the list of characters and their description that follows indicates that this play won't be too far removed from the desolation that existed in the status quo of the target audience; they include an insignificant street sweeper, an undertaker, a crippled survivor of the war, another war survivor whose wife has forgotten him, etc. We can derive from this that Draußen Vor Der Tür will play on the post-war guilt that afflicted the audience. The fact that Beckmann, the primary protagonist in this play, is a guilt-ridden soldier will be effective in not only evoking the audience’s empathy, but also in stoking some of that nationwide guilt that they were trying to avoid.

The introductory scenes include a number of surreal dialogues between the protagonist Beckmann and a number of characters that are possibly representative of such things as God, life, death etc. The dialogue between Beckmann and the ‘River Elbe’ persona reveals that Beckmann, upon his return to his homeland, attempted suicide. On the surface, one might conclude that Beckmann is simply remorseful of his involvement with the war. However, it transpires that the involvement of guilt is more passive; the post-war guilt of a society that is trying to distance itself from the past that he so visually represents has rejected him. Scene Three chronicles Beckmann’s dealings with Herr Oberst, a higher-ranking survivor of the war who spends his days in apparent comfort, Characters as metaphors for different mindsets... Beckmann=guilt; frau,commander,family=moving-on mindset.

It could be argued that the contrasting characters of Draussen Vor Der Tur are representative of the contrasting mindsets of postwar German citizens. Beckmann, for example, is a visual reminder of the past to the other characters, his soldier uniform and goggles cause repulsion among the people who are distancing themselves from the national sense of guilt that’s forever following them. Herr Oberst and his jovially dismissive attitude of the war is something