In the beginning...
I figured I would start this up now. I'm an average guitar player with a love for all kinds of music (except country). I love to analyze albums, movies, and games, and if I had my way I would review every CD, DVD, and game I own. It would take too much time, but I'm gonna try to get as many on here as I can. Just keep yourself posted on here.
Recent Reviews
Funky is not the most common thing to describe Talking Heads. It was starting on More Songs About Buildings and Food, and it grew exponentially on Fear of Music, but it comes to a head on Remain in Light, and that's just scratching the surface. Paranoia remains embedded within the music and lyrics, coming to an explosive conclusion on "The Overload". Obviously, the centerpiece of the album is the universally renowned song "Once in a Lifetime". If any song could define Talking Heads, this is it. Complex, paranoid, funky, deep, and driving only begin to explain the genius of the song. Swirling synth lines with scratchy guitars and ending with an overdriven guitar line give "Once in a Lifetime" that edge that most songs only strive to achieve. The beauty of that song is that it sums up the album as a whole while never taking away from the beauty of the album. The first half is pulse-driving funk-punk-pop-rock that leads to an unwinding and despairing second half. Yes, this is a morbid album, but even morbidity can be enjoyable. Just listen to "Born Under Punches (The Heat Goes On)," "Once in a Lifetime," and "Crosseyed and Painless" to see the fun over the lyrics. It's schizophrenic nature is executed exactly the way it should to succeed as well as it does as an artistic statement. Danceable doom is not uncommon, but nothing is as perfect at that combination as Remain in Light.
posted August 20, 2006 at 08:24:34 PM
This is the first jazz album I listened to and still the greatest jazz album I've ever heard. I hear the words "Miles Davis" and I think of Kind of Blue. This album proves that not only was he the true definition of "cool," but he also proves that he is the most important jazz artist and one of the most important artists in general. Every piece on there is perfect, even if there is a false note on there. Each track works perfectly on it's own and flows seamlessly into each other. Every track has a laid-back approach, and the mood and feel are exactly what Miles defined. Everything is indispensable, and everyone owes themselves to purchase this album. If one wants truly immaculate music that just makes you feel every emotion possible, then get Kind of Blue!
posted August 20, 2006 at 08:03:30 PM


